Categoria: English

[Illustration]

The Strange Case of
Dr. Jekyll and Mr. Hyde

by Robert Louis Stevenson

TO
KATHARINE DE MATTOS.

It’s ill to loose the bands that God decreed to bind;
Still will we be the children of the heather and the wind.
Far away from home, O it’s still for you and me
That the broom is blowing bonnie in the north countrie.

Contents

STORY OF THE DOOR
SEARCH FOR MR. HYDE
DR. JEKYLL WAS QUITE AT EASE
THE CAREW MURDER CASE
INCIDENT OF THE LETTER
REMARKABLE INCIDENT OF DR. LANYON
INCIDENT AT THE WINDOW
THE LAST NIGHT
DR. LANYON’S NARRATIVE
HENRY JEKYLL’S FULL STATEMENT OF THE CASE

STORY OF THE DOOR

Mr. Utterson the lawyer was a man of a rugged countenance, that was
never lighted by a smile; cold, scanty and embarrassed in discourse;
backward in sentiment; lean, long, dusty, dreary, and yet somehow
lovable. At friendly meetings, and when the wine was to his taste,
something eminently human beaconed from his eye; something indeed which
never found its way into his talk, but which spoke not only in these
silent symbols of the after-dinner face, but more often and loudly in
the acts of his life. He was austere with himself; drank gin when he
was alone, to mortify a taste for vintages; and though he enjoyed the
theatre, had not crossed the doors of one for twenty years. But he had
an approved tolerance for others; sometimes wondering, almost with
envy, at the high pressure of spirits involved in their misdeeds; and
in any extremity inclined to help rather than to reprove. “I incline to
Cain’s heresy,” he used to say quaintly: “I let my brother go to the
devil in his own way.” In this character, it was frequently his fortune
to be the last reputable acquaintance and the last good influence in
the lives of down-going men. And to such as these, so long as they came
about his chambers, he never marked a shade of change in his demeanour.

No doubt the feat was easy to Mr. Utterson; for he was undemonstrative
at the best, and even his friendship seemed to be founded in a similar
catholicity of good-nature. It is the mark of a modest man to accept
his friendly circle ready-made from the hands of opportunity; and that
was the lawyer’s way. His friends were those of his own blood or those
whom he had known the longest; his affections, like ivy, were the
growth of time, they implied no aptness in the object. Hence, no doubt,
the bond that united him to Mr. Richard Enfield, his distant kinsman,
the well-known man about town. It was a nut to crack for many, what
these two could see in each other, or what subject they could find in
common. It was reported by those who encountered them in their Sunday
walks, that they said nothing, looked singularly dull, and would hail
with obvious relief the appearance of a friend. For all that, the two
men put the greatest store by these excursions, counted them the chief
jewel of each week, and not only set aside occasions of pleasure, but
even resisted the calls of business, that they might enjoy them
uninterrupted.

It chanced on one of these rambles that their way led them down a
by-street in a busy quarter of London. The street was small and what is
called quiet, but it drove a thriving trade on the week-days. The
inhabitants were all doing well, it seemed, and all emulously hoping to
do better still, and laying out the surplus of their gains in coquetry;
so that the shop fronts stood along that thoroughfare with an air of
invitation, like rows of smiling saleswomen. Even on Sunday, when it
veiled its more florid charms and lay comparatively empty of passage,
the street shone out in contrast to its dingy neighbourhood, like a
fire in a forest; and with its freshly painted shutters, well-polished
brasses, and general cleanliness and gaiety of note, instantly caught
and pleased the eye of the passenger.

Two doors from one corner, on the left hand going east, the line was
broken by the entry of a court; and just at that point, a certain
sinister block of building thrust forward its gable on the street. It
was two stories high; showed no window, nothing but a door on the lower
story and a blind forehead of discoloured wall on the upper; and bore
in every feature, the marks of prolonged and sordid negligence. The
door, which was equipped with neither bell nor knocker, was blistered
and distained. Tramps slouched into the recess and struck matches on
the panels; children kept shop upon the steps; the schoolboy had tried
his knife on the mouldings; and for close on a generation, no one had
appeared to drive away these random visitors or to repair their
ravages.

Mr. Enfield and the lawyer were on the other side of the by-street; but
when they came abreast of the entry, the former lifted up his cane and
pointed.

“Did you ever remark that door?” he asked; and when his companion had
replied in the affirmative, “It is connected in my mind,” added he,
“with a very odd story.”

“Indeed?” said Mr. Utterson, with a slight change of voice, “and what
was that?”

“Well, it was this way,” returned Mr. Enfield: “I was coming home from
some place at the end of the world, about three o’clock of a black
winter morning, and my way lay through a part of town where there was
literally nothing to be seen but lamps. Street after street, and all
the folks asleep—street after street, all lighted up as if for a
procession and all as empty as a church—till at last I got into that
state of mind when a man listens and listens and begins to long for the
sight of a policeman. All at once, I saw two figures: one a little man
who was stumping along eastward at a good walk, and the other a girl of
maybe eight or ten who was running as hard as she was able down a cross
street. Well, sir, the two ran into one another naturally enough at the
corner; and then came the horrible part of the thing; for the man
trampled calmly over the child’s body and left her screaming on the
ground. It sounds nothing to hear, but it was hellish to see. It wasn’t
like a man; it was like some damned Juggernaut. I gave a view-halloa,
took to my heels, collared my gentleman, and brought him back to where
there was already quite a group about the screaming child. He was
perfectly cool and made no resistance, but gave me one look, so ugly
that it brought out the sweat on me like running. The people who had
turned out were the girl’s own family; and pretty soon, the doctor, for
whom she had been sent, put in his appearance. Well, the child was not
much the worse, more frightened, according to the Sawbones; and there
you might have supposed would be an end to it. But there was one
curious circumstance. I had taken a loathing to my gentleman at first
sight. So had the child’s family, which was only natural. But the
doctor’s case was what struck me. He was the usual cut-and-dry
apothecary, of no particular age and colour, with a strong Edinburgh
accent, and about as emotional as a bagpipe. Well, sir, he was like the
rest of us; every time he looked at my prisoner, I saw that Sawbones
turn sick and white with the desire to kill him. I knew what was in his
mind, just as he knew what was in mine; and killing being out of the
question, we did the next best. We told the man we could and would make
such a scandal out of this, as should make his name stink from one end
of London to the other. If he had any friends or any credit, we
undertook that he should lose them. And all the time, as we were
pitching it in red hot, we were keeping the women off him as best we
could, for they were as wild as harpies. I never saw a circle of such
hateful faces; and there was the man in the middle, with a kind of
black, sneering coolness—frightened too, I could see that—but carrying
it off, sir, really like Satan. ‘If you choose to make capital out of
this accident,’ said he, ‘I am naturally helpless. No gentleman but
wishes to avoid a scene,’ says he. ‘Name your figure.’ Well, we screwed
him up to a hundred pounds for the child’s family; he would have
clearly liked to stick out; but there was something about the lot of us
that meant mischief, and at last he struck. The next thing was to get
the money; and where do you think he carried us but to that place with
the door?— whipped out a key, went in, and presently came back with the
matter of ten pounds in gold and a cheque for the balance on Coutts’s,
drawn payable to bearer and signed with a name that I can’t mention,
though it’s one of the points of my story, but it was a name at least
very well known and often printed. The figure was stiff; but the
signature was good for more than that, if it was only genuine. I took
the liberty of pointing out to my gentleman that the whole business
looked apocryphal, and that a man does not, in real life, walk into a
cellar door at four in the morning and come out of it with another
man’s cheque for close upon a hundred pounds. But he was quite easy and
sneering. ‘Set your mind at rest,’ says he, ‘I will stay with you till
the banks open and cash the cheque myself.’ So we all set off, the
doctor, and the child’s father, and our friend and myself, and passed
the rest of the night in my chambers; and next day, when we had
breakfasted, went in a body to the bank. I gave in the check myself,
and said I had every reason to believe it was a forgery. Not a bit of
it. The cheque was genuine.”

“Tut-tut,” said Mr. Utterson.

“I see you feel as I do,” said Mr. Enfield. “Yes, it’s a bad story. For
my man was a fellow that nobody could have to do with, a really
damnable man; and the person that drew the cheque is the very pink of
the proprieties, celebrated too, and (what makes it worse) one of your
fellows who do what they call good. Black-mail, I suppose; an honest
man paying through the nose for some of the capers of his youth.
Black-Mail House is what I call that place with the door, in
consequence. Though even that, you know, is far from explaining all,”
he added, and with the words fell into a vein of musing.

From this he was recalled by Mr. Utterson asking rather suddenly: “And
you don’t know if the drawer of the cheque lives there?”

“A likely place, isn’t it?” returned Mr. Enfield. “But I happen to have
noticed his address; he lives in some square or other.”

“And you never asked about the—place with the door?” said Mr. Utterson.

“No, sir: I had a delicacy,” was the reply. “I feel very strongly about
putting questions; it partakes too much of the style of the day of
judgment. You start a question, and it’s like starting a stone. You sit
quietly on the top of a hill; and away the stone goes, starting others;
and presently some bland old bird (the last you would have thought of)
is knocked on the head in his own back-garden and the family have to
change their name. No, sir, I make it a rule of mine: the more it looks
like Queer Street, the less I ask.”

“A very good rule, too,” said the lawyer.

“But I have studied the place for myself,” continued Mr. Enfield. “It
seems scarcely a house. There is no other door, and nobody goes in or
out of that one but, once in a great while, the gentleman of my
adventure. There are three windows looking on the court on the first
floor; none below; the windows are always shut but they’re clean. And
then there is a chimney which is generally smoking; so somebody must
live there. And yet it’s not so sure; for the buildings are so packed
together about that court, that it’s hard to say where one ends and
another begins.”

The pair walked on again for a while in silence; and then, “Enfield,”
said Mr. Utterson, “that’s a good rule of yours.”

“Yes, I think it is,” returned Enfield.

“But for all that,” continued the lawyer, “there’s one point I want to
ask: I want to ask the name of that man who walked over the child.”

“Well,” said Mr. Enfield, “I can’t see what harm it would do. It was a
man of the name of Hyde.”

“H’m,” said Mr. Utterson. “What sort of a man is he to see?”

“He is not easy to describe. There is something wrong with his
appearance; something displeasing, something downright detestable. I
never saw a man I so disliked, and yet I scarce know why. He must be
deformed somewhere; he gives a strong feeling of deformity, although I
couldn’t specify the point. He’s an extraordinary-looking man, and yet
I really can name nothing out of the way. No, sir; I can make no hand
of it; I can’t describe him. And it’s not want of memory; for I declare
I can see him this moment.”

Mr. Utterson again walked some way in silence and obviously under a
weight of consideration.

“You are sure he used a key?” he inquired at last.

“My dear sir…” began Enfield, surprised out of himself.

“Yes, I know,” said Utterson; “I know it must seem strange. The fact
is, if I do not ask you the name of the other party, it is because I
know it already. You see, Richard, your tale has gone home. If you have
been inexact in any point, you had better correct it.”

“I think you might have warned me,” returned the other, with a touch of
sullenness. “But I have been pedantically exact, as you call it. The
fellow had a key; and what’s more, he has it still. I saw him use it,
not a week ago.”

Mr. Utterson sighed deeply but said never a word; and the young man
presently resumed. “Here is another lesson to say nothing,” said he. “I
am ashamed of my long tongue. Let us make a bargain never to refer to
this again.”

“With all my heart,” said the lawyer. “I shake hands on that, Richard.”

SEARCH FOR MR. HYDE

That evening Mr. Utterson came home to his bachelor house in sombre
spirits and sat down to dinner without relish. It was his custom of a
Sunday, when this meal was over, to sit close by the fire, a volume of
some dry divinity on his reading-desk, until the clock of the
neighbouring church rang out the hour of twelve, when he would go
soberly and gratefully to bed. On this night, however, as soon as the
cloth was taken away, he took up a candle and went into his
business-room. There he opened his safe, took from the most private
part of it a document endorsed on the envelope as Dr. Jekyll’s Will,
and sat down with a clouded brow to study its contents. The will was
holograph, for Mr. Utterson, though he took charge of it now that it
was made, had refused to lend the least assistance in the making of it;
it provided not only that, in case of the decease of Henry Jekyll,
M.D., D.C.L., L.L.D., F.R.S., etc., all his possessions were to pass
into the hands of his “friend and benefactor Edward Hyde,” but that in
case of Dr. Jekyll’s “disappearance or unexplained absence for any
period exceeding three calendar months,” the said Edward Hyde should
step into the said Henry Jekyll’s shoes without further delay and free
from any burthen or obligation, beyond the payment of a few small sums
to the members of the doctor’s household. This document had long been
the lawyer’s eyesore. It offended him both as a lawyer and as a lover
of the sane and customary sides of life, to whom the fanciful was the
immodest. And hitherto it was his ignorance of Mr. Hyde that had
swelled his indignation; now, by a sudden turn, it was his knowledge.
It was already bad enough when the name was but a name of which he
could learn no more. It was worse when it began to be clothed upon with
detestable attributes; and out of the shifting, insubstantial mists
that had so long baffled his eye, there leaped up the sudden, definite
presentment of a fiend.

“I thought it was madness,” he said, as he replaced the obnoxious paper
in the safe, “and now I begin to fear it is disgrace.”

With that he blew out his candle, put on a great-coat, and set forth in
the direction of Cavendish Square, that citadel of medicine, where his
friend, the great Dr. Lanyon, had his house and received his crowding
patients. “If any one knows, it will be Lanyon,” he had thought.

The solemn butler knew and welcomed him; he was subjected to no stage
of delay, but ushered direct from the door to the dining-room where Dr.
Lanyon sat alone over his wine. This was a hearty, healthy, dapper,
red-faced gentleman, with a shock of hair prematurely white, and a
boisterous and decided manner. At sight of Mr. Utterson, he sprang up
from his chair and welcomed him with both hands. The geniality, as was
the way of the man, was somewhat theatrical to the eye; but it reposed
on genuine feeling. For these two were old friends, old mates both at
school and college, both thorough respecters of themselves and of each
other, and, what does not always follow, men who thoroughly enjoyed
each other’s company.

After a little rambling talk, the lawyer led up to the subject which so
disagreeably pre-occupied his mind.

“I suppose, Lanyon,” said he “you and I must be the two oldest friends
that Henry Jekyll has?”

“I wish the friends were younger,” chuckled Dr. Lanyon. “But I suppose
we are. And what of that? I see little of him now.”

“Indeed?” said Utterson. “I thought you had a bond of common interest.”

“We had,” was the reply. “But it is more than ten years since Henry
Jekyll became too fanciful for me. He began to go wrong, wrong in mind;
and though of course I continue to take an interest in him for old
sake’s sake, as they say, I see and I have seen devilish little of the
man. Such unscientific balderdash,” added the doctor, flushing suddenly
purple, “would have estranged Damon and Pythias.”

This little spirit of temper was somewhat of a relief to Mr. Utterson.
“They have only differed on some point of science,” he thought; and
being a man of no scientific passions (except in the matter of
conveyancing), he even added: “It is nothing worse than that!” He gave
his friend a few seconds to recover his composure, and then approached
the question he had come to put. “Did you ever come across a protege of
his—one Hyde?” he asked.

“Hyde?” repeated Lanyon. “No. Never heard of him. Since my time.”

That was the amount of information that the lawyer carried back with
him to the great, dark bed on which he tossed to and fro, until the
small hours of the morning began to grow large. It was a night of
little ease to his toiling mind, toiling in mere darkness and besieged
by questions.

Six o’clock struck on the bells of the church that was so conveniently
near to Mr. Utterson’s dwelling, and still he was digging at the
problem. Hitherto it had touched him on the intellectual side alone;
but now his imagination also was engaged, or rather enslaved; and as he
lay and tossed in the gross darkness of the night and the curtained
room, Mr. Enfield’s tale went by before his mind in a scroll of lighted
pictures. He would be aware of the great field of lamps of a nocturnal
city; then of the figure of a man walking swiftly; then of a child
running from the doctor’s; and then these met, and that human
Juggernaut trod the child down and passed on regardless of her screams.
Or else he would see a room in a rich house, where his friend lay
asleep, dreaming and smiling at his dreams; and then the door of that
room would be opened, the curtains of the bed plucked apart, the
sleeper recalled, and lo! there would stand by his side a figure to
whom power was given, and even at that dead hour, he must rise and do
its bidding. The figure in these two phases haunted the lawyer all
night; and if at any time he dozed over, it was but to see it glide
more stealthily through sleeping houses, or move the more swiftly and
still the more swiftly, even to dizziness, through wider labyrinths of
lamplighted city, and at every street-corner crush a child and leave
her screaming. And still the figure had no face by which he might know
it; even in his dreams, it had no face, or one that baffled him and
melted before his eyes; and thus it was that there sprang up and grew
apace in the lawyer’s mind a singularly strong, almost an inordinate,
curiosity to behold the features of the real Mr. Hyde. If he could but
once set eyes on him, he thought the mystery would lighten and perhaps
roll altogether away, as was the habit of mysterious things when well
examined. He might see a reason for his friend’s strange preference or
bondage (call it which you please) and even for the startling clause of
the will. At least it would be a face worth seeing: the face of a man
who was without bowels of mercy: a face which had but to show itself to
raise up, in the mind of the unimpressionable Enfield, a spirit of
enduring hatred.

From that time forward, Mr. Utterson began to haunt the door in the
by-street of shops. In the morning before office hours, at noon when
business was plenty, and time scarce, at night under the face of the
fogged city moon, by all lights and at all hours of solitude or
concourse, the lawyer was to be found on his chosen post.

“If he be Mr. Hyde,” he had thought, “I shall be Mr. Seek.”

And at last his patience was rewarded. It was a fine dry night; frost
in the air; the streets as clean as a ballroom floor; the lamps,
unshaken, by any wind, drawing a regular pattern of light and shadow.
By ten o’clock, when the shops were closed, the by-street was very
solitary and, in spite of the low growl of London from all round, very
silent. Small sounds carried far; domestic sounds out of the houses
were clearly audible on either side of the roadway; and the rumour of
the approach of any passenger preceded him by a long time. Mr. Utterson
had been some minutes at his post, when he was aware of an odd, light
footstep drawing near. In the course of his nightly patrols, he had
long grown accustomed to the quaint effect with which the footfalls of
a single person, while he is still a great way off, suddenly spring out
distinct from the vast hum and clatter of the city. Yet his attention
had never before been so sharply and decisively arrested; and it was
with a strong, superstitious prevision of success that he withdrew into
the entry of the court.

The steps drew swiftly nearer, and swelled out suddenly louder as they
turned the end of the street. The lawyer, looking forth from the entry,
could soon see what manner of man he had to deal with. He was small and
very plainly dressed, and the look of him, even at that distance, went
somehow strongly against the watcher’s inclination. But he made
straight for the door, crossing the roadway to save time; and as he
came, he drew a key from his pocket like one approaching home.

Mr. Utterson stepped out and touched him on the shoulder as he passed.
“Mr. Hyde, I think?”

Mr. Hyde shrank back with a hissing intake of the breath. But his fear
was only momentary; and though he did not look the lawyer in the face,
he answered coolly enough: “That is my name. What do you want?”

“I see you are going in,” returned the lawyer. “I am an old friend of
Dr. Jekyll’s—Mr. Utterson of Gaunt Street—you must have heard my name;
and meeting you so conveniently, I thought you might admit me.”

“You will not find Dr. Jekyll; he is from home,” replied Mr. Hyde,
blowing in the key. And then suddenly, but still without looking up,
“How did you know me?” he asked.

“On your side,” said Mr. Utterson, “will you do me a favour?”

“With pleasure,” replied the other. “What shall it be?”

“Will you let me see your face?” asked the lawyer.

Mr. Hyde appeared to hesitate, and then, as if upon some sudden
reflection, fronted about with an air of defiance; and the pair stared
at each other pretty fixedly for a few seconds. “Now I shall know you
again,” said Mr. Utterson. “It may be useful.”

“Yes,” returned Mr. Hyde, “it is as well we have, met; and _à propos_,
you should have my address.” And he gave a number of a street in Soho.

“Good God!” thought Mr. Utterson, “can he, too, have been thinking of
the will?” But he kept his feelings to himself and only grunted in
acknowledgment of the address.

“And now,” said the other, “how did you know me?”

“By description,” was the reply.

“Whose description?”

“We have common friends,” said Mr. Utterson.

“Common friends?” echoed Mr. Hyde, a little hoarsely. “Who are they?”

“Jekyll, for instance,” said the lawyer.

“He never told you,” cried Mr. Hyde, with a flush of anger. “I did not
think you would have lied.”

“Come,” said Mr. Utterson, “that is not fitting language.”

The other snarled aloud into a savage laugh; and the next moment, with
extraordinary quickness, he had unlocked the door and disappeared into
the house.

The lawyer stood awhile when Mr. Hyde had left him, the picture of
disquietude. Then he began slowly to mount the street, pausing every
step or two and putting his hand to his brow like a man in mental
perplexity. The problem he was thus debating as he walked, was one of a
class that is rarely solved. Mr. Hyde was pale and dwarfish, he gave an
impression of deformity without any nameable malformation, he had a
displeasing smile, he had borne himself to the lawyer with a sort of
murderous mixture of timidity and boldness, and he spoke with a husky,
whispering and somewhat broken voice; all these were points against
him, but not all of these together could explain the hitherto unknown
disgust, loathing, and fear with which Mr. Utterson regarded him.
“There must be something else,” said the perplexed gentleman. “There is
something more, if I could find a name for it. God bless me, the man
seems hardly human! Something troglodytic, shall we say? or can it be
the old story of Dr. Fell? or is it the mere radiance of a foul soul
that thus transpires through, and transfigures, its clay continent? The
last, I think; for, O my poor old Harry Jekyll, if ever I read Satan’s
signature upon a face, it is on that of your new friend.”

Round the corner from the by-street, there was a square of ancient,
handsome houses, now for the most part decayed from their high estate
and let in flats and chambers to all sorts and conditions of men:
map-engravers, architects, shady lawyers, and the agents of obscure
enterprises. One house, however, second from the corner, was still
occupied entire; and at the door of this, which wore a great air of
wealth and comfort, though it was now plunged in darkness except for
the fan-light, Mr. Utterson stopped and knocked. A well-dressed,
elderly servant opened the door.

“Is Dr. Jekyll at home, Poole?” asked the lawyer.

“I will see, Mr. Utterson,” said Poole, admitting the visitor, as he
spoke, into a large, low-roofed, comfortable hall, paved with flags,
warmed (after the fashion of a country house) by a bright, open fire,
and furnished with costly cabinets of oak. “Will you wait here by the
fire, sir? or shall I give you a light in the dining room?”

“Here, thank you,” said the lawyer, and he drew near and leaned on the
tall fender. This hall, in which he was now left alone, was a pet fancy
of his friend the doctor’s; and Utterson himself was wont to speak of
it as the pleasantest room in London. But to-night there was a shudder
in his blood; the face of Hyde sat heavy on his memory; he felt (what
was rare with him) a nausea and distaste of life; and in the gloom of
his spirits, he seemed to read a menace in the flickering of the
firelight on the polished cabinets and the uneasy starting of the
shadow on the roof. He was ashamed of his relief, when Poole presently
returned to announce that Dr. Jekyll was gone out.

“I saw Mr. Hyde go in by the old dissecting-room door, Poole,” he said.
“Is that right, when Dr. Jekyll is from home?”

“Quite right, Mr. Utterson, sir,” replied the servant. “Mr. Hyde has a
key.”

“Your master seems to repose a great deal of trust in that young man,
Poole,” resumed the other musingly.

“Yes, sir, he do indeed,” said Poole. “We have all orders to obey him.”

“I do not think I ever met Mr. Hyde?” asked Utterson.

“O, dear no, sir. He never _dines_ here,” replied the butler. “Indeed
we see very little of him on this side of the house; he mostly comes
and goes by the laboratory.”

“Well, good-night, Poole.”

“Good-night, Mr. Utterson.”

And the lawyer set out homeward with a very heavy heart. “Poor Harry
Jekyll,” he thought, “my mind misgives me he is in deep waters! He was
wild when he was young; a long while ago to be sure; but in the law of
God, there is no statute of limitations. Ay, it must be that; the ghost
of some old sin, the cancer of some concealed disgrace: punishment
coming, _pede claudo_, years after memory has forgotten and self-love
condoned the fault.” And the lawyer, scared by the thought, brooded a
while on his own past, groping in all the corners of memory, lest by
chance some Jack-in-the-Box of an old iniquity should leap to light
there. His past was fairly blameless; few men could read the rolls of
their life with less apprehension; yet he was humbled to the dust by
the many ill things he had done, and raised up again into a sober and
fearful gratitude by the many that he had come so near to doing, yet
avoided. And then by a return on his former subject, he conceived a
spark of hope. “This Master Hyde, if he were studied,” thought he,
“must have secrets of his own; black secrets, by the look of him;
secrets compared to which poor Jekyll’s worst would be like sunshine.
Things cannot continue as they are. It turns me cold to think of this
creature stealing like a thief to Harry’s bedside; poor Harry, what a
wakening! And the danger of it; for if this Hyde suspects the existence
of the will, he may grow impatient to inherit. Ay, I must put my
shoulder to the wheel if Jekyll will but let me,” he added, “if Jekyll
will only let me.” For once more he saw before his mind’s eye, as clear
as a transparency, the strange clauses of the will.

DR. JEKYLL WAS QUITE AT EASE

A fortnight later, by excellent good fortune, the doctor gave one of
his pleasant dinners to some five or six old cronies, all intelligent,
reputable men and all judges of good wine; and Mr. Utterson so
contrived that he remained behind after the others had departed. This
was no new arrangement, but a thing that had befallen many scores of
times. Where Utterson was liked, he was liked well. Hosts loved to
detain the dry lawyer, when the light-hearted and the loose-tongued had
already their foot on the threshold; they liked to sit a while in his
unobtrusive company, practising for solitude, sobering their minds in
the man’s rich silence after the expense and strain of gaiety. To this
rule, Dr. Jekyll was no exception; and as he now sat on the opposite
side of the fire—a large, well-made, smooth-faced man of fifty, with
something of a slyish cast perhaps, but every mark of capacity and
kindness—you could see by his looks that he cherished for Mr. Utterson
a sincere and warm affection.

“I have been wanting to speak to you, Jekyll,” began the latter. “You
know that will of yours?”

A close observer might have gathered that the topic was distasteful;
but the doctor carried it off gaily. “My poor Utterson,” said he, “you
are unfortunate in such a client. I never saw a man so distressed as
you were by my will; unless it were that hide-bound pedant, Lanyon, at
what he called my scientific heresies. Oh, I know he’s a good
fellow—you needn’t frown—an excellent fellow, and I always mean to see
more of him; but a hide-bound pedant for all that; an ignorant, blatant
pedant. I was never more disappointed in any man than Lanyon.”

“You know I never approved of it,” pursued Utterson, ruthlessly
disregarding the fresh topic.

“My will? Yes, certainly, I know that,” said the doctor, a trifle
sharply. “You have told me so.”

“Well, I tell you so again,” continued the lawyer. “I have been
learning something of young Hyde.”

The large handsome face of Dr. Jekyll grew pale to the very lips, and
there came a blackness about his eyes. “I do not care to hear more,”
said he. “This is a matter I thought we had agreed to drop.”

“What I heard was abominable,” said Utterson.

“It can make no change. You do not understand my position,” returned
the doctor, with a certain incoherency of manner. “I am painfully
situated, Utterson; my position is a very strange—a very strange one.
It is one of those affairs that cannot be mended by talking.”

“Jekyll,” said Utterson, “you know me: I am a man to be trusted. Make a
clean breast of this in confidence; and I make no doubt I can get you
out of it.”

“My good Utterson,” said the doctor, “this is very good of you, this is
downright good of you, and I cannot find words to thank you in. I
believe you fully; I would trust you before any man alive, ay, before
myself, if I could make the choice; but indeed it isn’t what you fancy;
it is not so bad as that; and just to put your good heart at rest, I
will tell you one thing: the moment I choose, I can be rid of Mr. Hyde.
I give you my hand upon that; and I thank you again and again; and I
will just add one little word, Utterson, that I’m sure you’ll take in
good part: this is a private matter, and I beg of you to let it sleep.”

Utterson reflected a little, looking in the fire.

“I have no doubt you are perfectly right,” he said at last, getting to
his feet.

“Well, but since we have touched upon this business, and for the last
time I hope,” continued the doctor, “there is one point I should like
you to understand. I have really a very great interest in poor Hyde. I
know you have seen him; he told me so; and I fear he was rude. But, I
do sincerely take a great, a very great interest in that young man; and
if I am taken away, Utterson, I wish you to promise me that you will
bear with him and get his rights for him. I think you would, if you
knew all; and it would be a weight off my mind if you would promise.”

“I can’t pretend that I shall ever like him,” said the lawyer.

“I don’t ask that,” pleaded Jekyll, laying his hand upon the other’s
arm; “I only ask for justice; I only ask you to help him for my sake,
when I am no longer here.”

Utterson heaved an irrepressible sigh. “Well,” said he, “I promise.”

THE CAREW MURDER CASE

Nearly a year later, in the month of October, 18——, London was startled
by a crime of singular ferocity and rendered all the more notable by
the high position of the victim. The details were few and startling. A
maid servant living alone in a house not far from the river, had gone
up-stairs to bed about eleven. Although a fog rolled over the city in
the small hours, the early part of the night was cloudless, and the
lane, which the maid’s window overlooked, was brilliantly lit by the
full moon. It seems she was romantically given, for she sat down upon
her box, which stood immediately under the window, and fell into a
dream of musing. Never (she used to say, with streaming tears, when she
narrated that experience), never had she felt more at peace with all
men or thought more kindly of the world. And as she so sat she became
aware of an aged and beautiful gentleman with white hair, drawing near
along the lane; and advancing to meet him, another and very small
gentleman, to whom at first she paid less attention. When they had come
within speech (which was just under the maid’s eyes) the older man
bowed and accosted the other with a very pretty manner of politeness.
It did not seem as if the subject of his address were of great
importance; indeed, from his pointing, it sometimes appeared as if he
were only inquiring his way; but the moon shone on his face as he
spoke, and the girl was pleased to watch it, it seemed to breathe such
an innocent and old-world kindness of disposition, yet with something
high too, as of a well-founded self-content. Presently her eye wandered
to the other, and she was surprised to recognise in him a certain Mr.
Hyde, who had once visited her master and for whom she had conceived a
dislike. He had in his hand a heavy cane, with which he was trifling;
but he answered never a word, and seemed to listen with an
ill-contained impatience. And then all of a sudden he broke out in a
great flame of anger, stamping with his foot, brandishing the cane, and
carrying on (as the maid described it) like a madman. The old gentleman
took a step back, with the air of one very much surprised and a trifle
hurt; and at that Mr. Hyde broke out of all bounds and clubbed him to
the earth. And next moment, with ape-like fury, he was trampling his
victim under foot and hailing down a storm of blows, under which the
bones were audibly shattered and the body jumped upon the roadway. At
the horror of these sights and sounds, the maid fainted.

It was two o’clock when she came to herself and called for the police.
The murderer was gone long ago; but there lay his victim in the middle
of the lane, incredibly mangled. The stick with which the deed had been
done, although it was of some rare and very tough and heavy wood, had
broken in the middle under the stress of this insensate cruelty; and
one splintered half had rolled in the neighbouring gutter—the other,
without doubt, had been carried away by the murderer. A purse and a
gold watch were found upon the victim: but no cards or papers, except a
sealed and stamped envelope, which he had been probably carrying to the
post, and which bore the name and address of Mr. Utterson.

This was brought to the lawyer the next morning, before he was out of
bed; and he had no sooner seen it, and been told the circumstances,
than he shot out a solemn lip. “I shall say nothing till I have seen
the body,” said he; “this may be very serious. Have the kindness to
wait while I dress.” And with the same grave countenance he hurried
through his breakfast and drove to the police station, whither the body
had been carried. As soon as he came into the cell, he nodded.

“Yes,” said he, “I recognise him. I am sorry to say that this is Sir
Danvers Carew.”

“Good God, sir,” exclaimed the officer, “is it possible?” And the next
moment his eye lighted up with professional ambition. “This will make a
deal of noise,” he said. “And perhaps you can help us to the man.” And
he briefly narrated what the maid had seen, and showed the broken
stick.

Mr. Utterson had already quailed at the name of Hyde; but when the
stick was laid before him, he could doubt no longer; broken and
battered as it was, he recognised it for one that he had himself
presented many years before to Henry Jekyll.

“Is this Mr. Hyde a person of small stature?” he inquired.

“Particularly small and particularly wicked-looking, is what the maid
calls him,” said the officer.

Mr. Utterson reflected; and then, raising his head, “If you will come
with me in my cab,” he said, “I think I can take you to his house.”

It was by this time about nine in the morning, and the first fog of the
season. A great chocolate-coloured pall lowered over heaven, but the
wind was continually charging and routing these embattled vapours; so
that as the cab crawled from street to street, Mr. Utterson beheld a
marvellous number of degrees and hues of twilight; for here it would be
dark like the back-end of evening; and there would be a glow of a rich,
lurid brown, like the light of some strange conflagration; and here,
for a moment, the fog would be quite broken up, and a haggard shaft of
daylight would glance in between the swirling wreaths. The dismal
quarter of Soho seen under these changing glimpses, with its muddy
ways, and slatternly passengers, and its lamps, which had never been
extinguished or had been kindled afresh to combat this mournful
re-invasion of darkness, seemed, in the lawyer’s eyes, like a district
of some city in a nightmare. The thoughts of his mind, besides, were of
the gloomiest dye; and when he glanced at the companion of his drive,
he was conscious of some touch of that terror of the law and the law’s
officers, which may at times assail the most honest.

As the cab drew up before the address indicated, the fog lifted a
little and showed him a dingy street, a gin palace, a low French
eating-house, a shop for the retail of penny numbers and twopenny
salads, many ragged children huddled in the doorways, and many women of
different nationalities passing out, key in hand, to have a morning
glass; and the next moment the fog settled down again upon that part,
as brown as umber, and cut him off from his blackguardly surroundings.
This was the home of Henry Jekyll’s favourite; of a man who was heir to
a quarter of a million sterling.

An ivory-faced and silvery-haired old woman opened the door. She had an
evil face, smoothed by hypocrisy; but her manners were excellent. Yes,
she said, this was Mr. Hyde’s, but he was not at home; he had been in
that night very late, but had gone away again in less than an hour;
there was nothing strange in that; his habits were very irregular, and
he was often absent; for instance, it was nearly two months since she
had seen him till yesterday.

“Very well, then, we wish to see his rooms,” said the lawyer; and when
the woman began to declare it was impossible, “I had better tell you
who this person is,” he added. “This is Inspector Newcomen of Scotland
Yard.”

A flash of odious joy appeared upon the woman’s face. “Ah!” said she,
“he is in trouble! What has he done?”

Mr. Utterson and the inspector exchanged glances. “He don’t seem a very
popular character,” observed the latter. “And now, my good woman, just
let me and this gentleman have a look about us.”

In the whole extent of the house, which but for the old woman remained
otherwise empty, Mr. Hyde had only used a couple of rooms; but these
were furnished with luxury and good taste. A closet was filled with
wine; the plate was of silver, the napery elegant; a good picture hung
upon the walls, a gift (as Utterson supposed) from Henry Jekyll, who
was much of a connoisseur; and the carpets were of many plies and
agreeable in colour. At this moment, however, the rooms bore every mark
of having been recently and hurriedly ransacked; clothes lay about the
floor, with their pockets inside out; lock-fast drawers stood open; and
on the hearth there lay a pile of grey ashes, as though many papers had
been burned. From these embers the inspector disinterred the butt-end
of a green cheque-book, which had resisted the action of the fire; the
other half of the stick was found behind the door; and as this clinched
his suspicions, the officer declared himself delighted. A visit to the
bank, where several thousand pounds were found to be lying to the
murderer’s credit, completed his gratification.

“You may depend upon it, sir,” he told Mr. Utterson: “I have him in my
hand. He must have lost his head, or he never would have left the stick
or, above all, burned the cheque-book. Why, money’s life to the man. We
have nothing to do but wait for him at the bank, and get out the
handbills.”

This last, however, was not so easy of accomplishment; for Mr. Hyde had
numbered few familiars—even the master of the servant-maid had only
seen him twice; his family could nowhere be traced; he had never been
photographed; and the few who could describe him differed widely, as
common observers will. Only on one point, were they agreed; and that
was the haunting sense of unexpressed deformity with which the fugitive
impressed his beholders.

INCIDENT OF THE LETTER

It was late in the afternoon, when Mr. Utterson found his way to Dr.
Jekyll’s door, where he was at once admitted by Poole, and carried down
by the kitchen offices and across a yard which had once been a garden,
to the building which was indifferently known as the laboratory or the
dissecting-rooms. The doctor had bought the house from the heirs of a
celebrated surgeon; and his own tastes being rather chemical than
anatomical, had changed the destination of the block at the bottom of
the garden. It was the first time that the lawyer had been received in
that part of his friend’s quarters; and he eyed the dingy, windowless
structure with curiosity, and gazed round with a distasteful sense of
strangeness as he crossed the theatre, once crowded with eager students
and now lying gaunt and silent, the tables laden with chemical
apparatus, the floor strewn with crates and littered with packing
straw, and the light falling dimly through the foggy cupola. At the
further end, a flight of stairs mounted to a door covered with red
baize; and through this, Mr. Utterson was at last received into the
doctor’s cabinet. It was a large room, fitted round with glass presses,
furnished, among other things, with a cheval-glass and a business
table, and looking out upon the court by three dusty windows barred
with iron. A fire burned in the grate; a lamp was set lighted on the
chimney shelf, for even in the houses the fog began to lie thickly; and
there, close up to the warmth, sat Dr. Jekyll, looking deadly sick. He
did not rise to meet his visitor, but held out a cold hand and bade him
welcome in a changed voice.

“And now,” said Mr. Utterson, as soon as Poole had left them, “you have
heard the news?”

The doctor shuddered. “They were crying it in the square,” he said. “I
heard them in my dining-room.”

“One word,” said the lawyer. “Carew was my client, but so are you, and
I want to know what I am doing. You have not been mad enough to hide
this fellow?”

“Utterson, I swear to God,” cried the doctor, “I swear to God I will
never set eyes on him again. I bind my honour to you that I am done
with him in this world. It is all at an end. And indeed he does not
want my help; you do not know him as I do; he is safe, he is quite
safe; mark my words, he will never more be heard of.”

The lawyer listened gloomily; he did not like his friend’s feverish
manner. “You seem pretty sure of him,” said he; “and for your sake, I
hope you may be right. If it came to a trial, your name might appear.”

“I am quite sure of him,” replied Jekyll; “I have grounds for certainty
that I cannot share with any one. But there is one thing on which you
may advise me. I have—I have received a letter; and I am at a loss
whether I should show it to the police. I should like to leave it in
your hands, Utterson; you would judge wisely, I am sure; I have so
great a trust in you.”

“You fear, I suppose, that it might lead to his detection?” asked the
lawyer.

“No,” said the other. “I cannot say that I care what becomes of Hyde; I
am quite done with him. I was thinking of my own character, which this
hateful business has rather exposed.”

Utterson ruminated a while; he was surprised at his friend’s
selfishness, and yet relieved by it. “Well,” said he, at last, “let me
see the letter.”

The letter was written in an odd, upright hand and signed “Edward
Hyde”: and it signified, briefly enough, that the writer’s benefactor,
Dr. Jekyll, whom he had long so unworthily repaid for a thousand
generosities, need labour under no alarm for his safety, as he had
means of escape on which he placed a sure dependence. The lawyer liked
this letter well enough; it put a better colour on the intimacy than he
had looked for; and he blamed himself for some of his past suspicions.

“Have you the envelope?” he asked.

“I burned it,” replied Jekyll, “before I thought what I was about. But
it bore no postmark. The note was handed in.”

“Shall I keep this and sleep upon it?” asked Utterson.

“I wish you to judge for me entirely,” was the reply. “I have lost
confidence in myself.”

“Well, I shall consider,” returned the lawyer. “And now one word more:
it was Hyde who dictated the terms in your will about that
disappearance?”

The doctor seemed seized with a qualm of faintness: he shut his mouth
tight and nodded.

“I knew it,” said Utterson. “He meant to murder you. You have had a
fine escape.”

“I have had what is far more to the purpose,” returned the doctor
solemnly: “I have had a lesson—O God, Utterson, what a lesson I have
had!” And he covered his face for a moment with his hands.

On his way out, the lawyer stopped and had a word or two with Poole.
“By the by,” said he, “there was a letter handed in to-day: what was
the messenger like?” But Poole was positive nothing had come except by
post; “and only circulars by that,” he added.

This news sent off the visitor with his fears renewed. Plainly the
letter had come by the laboratory door; possibly, indeed, it had been
written in the cabinet; and if that were so, it must be differently
judged, and handled with the more caution. The newsboys, as he went,
were crying themselves hoarse along the footways: “Special edition.
Shocking murder of an M. P.” That was the funeral oration of one friend
and client; and he could not help a certain apprehension lest the good
name of another should be sucked down in the eddy of the scandal. It
was, at least, a ticklish decision that he had to make; and
self-reliant as he was by habit, he began to cherish a longing for
advice. It was not to be had directly; but perhaps, he thought, it
might be fished for.

Presently after, he sat on one side of his own hearth, with Mr. Guest,
his head clerk, upon the other, and midway between, at a nicely
calculated distance from the fire, a bottle of a particular old wine
that had long dwelt unsunned in the foundations of his house. The fog
still slept on the wing above the drowned city, where the lamps
glimmered like carbuncles; and through the muffle and smother of these
fallen clouds, the procession of the town’s life was still rolling in
through the great arteries with a sound as of a mighty wind. But the
room was gay with firelight. In the bottle the acids were long ago
resolved; the imperial dye had softened with time, As the colour grows
richer in stained windows; and the glow of hot autumn afternoons on
hillside vineyards was ready to be set free and to disperse the fogs of
London. Insensibly the lawyer melted. There was no man from whom he
kept fewer secrets than Mr. Guest; and he was not always sure that he
kept as many as he meant. Guest had often been on business to the
doctor’s; he knew Poole; he could scarce have failed to hear of Mr.
Hyde’s familiarity about the house; he might draw conclusions: was it
not as well, then, that he should see a letter which put that mystery
to rights? and above all since Guest, being a great student and critic
of handwriting, would consider the step natural and obliging? The
clerk, besides, was a man of counsel; he would scarce read so strange a
document without dropping a remark; and by that remark Mr. Utterson
might shape his future course.

“This is a sad business about Sir Danvers,” he said.

“Yes, sir, indeed. It has elicited a great deal of public feeling,”
returned Guest. “The man, of course, was mad.”

“I should like to hear your views on that,” replied Utterson. “I have a
document here in his handwriting; it is between ourselves, for I scarce
know what to do about it; it is an ugly business at the best. But there
it is; quite in your way a murderer’s autograph.”

Guest’s eyes brightened, and he sat down at once and studied it with
passion. “No, sir,” he said: “not mad; but it is an odd hand.”

“And by all accounts a very odd writer,” added the lawyer.

Just then the servant entered with a note.

“Is that from Dr. Jekyll, sir?” inquired the clerk. “I thought I knew
the writing. Anything private, Mr. Utterson?”

“Only an invitation to dinner. Why? Do you want to see it?”

“One moment. I thank you, sir”; and the clerk laid the two sheets of
paper alongside and sedulously compared their contents. “Thank you,
sir,” he said at last, returning both; “it’s a very interesting
autograph.”

There was a pause, during which Mr. Utterson struggled with himself.
“Why did you compare them, Guest?” he inquired suddenly.

“Well, sir,” returned the clerk, “there’s a rather singular
resemblance; the two hands are in many points identical: only
differently sloped.”

“Rather quaint,” said Utterson.

“It is, as you say, rather quaint,” returned Guest.

“I wouldn’t speak of this note, you know,” said the master.

“No, sir,” said the clerk. “I understand.”

But no sooner was Mr. Utterson alone that night than he locked the note
into his safe, where it reposed from that time forward. “What!” he
thought. “Henry Jekyll forge for a murderer!” And his blood ran cold in
his veins.

REMARKABLE INCIDENT OF DR. LANYON

Time ran on; thousands of pounds were offered in reward, for the death
of Sir Danvers was resented as a public injury; but Mr. Hyde had
disappeared out of the ken of the police as though he had never
existed. Much of his past was unearthed, indeed, and all disreputable:
tales came out of the man’s cruelty, at once so callous and violent; of
his vile life, of his strange associates, of the hatred that seemed to
have surrounded his career; but of his present whereabouts, not a
whisper. From the time he had left the house in Soho on the morning of
the murder, he was simply blotted out; and gradually, as time drew on,
Mr. Utterson began to recover from the hotness of his alarm, and to
grow more at quiet with himself. The death of Sir Danvers was, to his
way of thinking, more than paid for by the disappearance of Mr. Hyde.
Now that that evil influence had been withdrawn, a new life began for
Dr. Jekyll. He came out of his seclusion, renewed relations with his
friends, became once more their familiar guest and entertainer; and
whilst he had always been known for charities, he was now no less
distinguished for religion. He was busy, he was much in the open air,
he did good; his face seemed to open and brighten, as if with an inward
consciousness of service; and for more than two months, the doctor was
at peace.

On the 8th of January Utterson had dined at the doctor’s with a small
party; Lanyon had been there; and the face of the host had looked from
one to the other as in the old days when the trio were inseparable
friends. On the 12th, and again on the 14th, the door was shut against
the lawyer. “The doctor was confined to the house,” Poole said, “and
saw no one.” On the 15th, he tried again, and was again refused; and
having now been used for the last two months to see his friend almost
daily, he found this return of solitude to weigh upon his spirits. The
fifth night he had in Guest to dine with him; and the sixth he betook
himself to Dr. Lanyon’s.

There at least he was not denied admittance; but when he came in, he
was shocked at the change which had taken place in the doctor’s
appearance. He had his death-warrant written legibly upon his face. The
rosy man had grown pale; his flesh had fallen away; he was visibly
balder and older; and yet it was not so much, these tokens of a swift
physical decay that arrested the lawyer’s notice, as a look in the eye
and quality of manner that seemed to testify to some deep-seated terror
of the mind. It was unlikely that the doctor should fear death; and yet
that was what Utterson was tempted to suspect. “Yes,” he thought; “he
is a doctor, he must know his own state and that his days are counted;
and the knowledge is more than he can bear.” And yet when Utterson
remarked on his ill-looks, it was with an air of greatness that Lanyon
declared himself a doomed man.

“I have had a shock,” he said, “and I shall never recover. It is a
question of weeks. Well, life has been pleasant; I liked it; yes, sir,
I used to like it. I sometimes think if we knew all, we should be more
glad to get away.”

“Jekyll is ill, too,” observed Utterson. “Have you seen him?”

But Lanyon’s face changed, and he held up a trembling hand. “I wish to
see or hear no more of Dr. Jekyll,” he said in a loud, unsteady voice.
“I am quite done with that person; and I beg that you will spare me any
allusion to one whom I regard as dead.”

“Tut-tut,” said Mr. Utterson; and then after a considerable pause,
“Can’t I do anything?” he inquired. “We are three very old friends,
Lanyon; we shall not live to make others.”

“Nothing can be done,” returned Lanyon; “ask himself.”

“He will not see me,” said the lawyer.

“I am not surprised at that,” was the reply. “Some day, Utterson, after
I am dead, you may perhaps come to learn the right and wrong of this. I
cannot tell you. And in the meantime, if you can sit and talk with me
of other things, for God’s sake, stay and do so; but if you cannot keep
clear of this accursed topic, then, in God’s name, go, for I cannot
bear it.”

As soon as he got home, Utterson sat down and wrote to Jekyll,
complaining of his exclusion from the house, and asking the cause of
this unhappy break with Lanyon; and the next day brought him a long
answer, often very pathetically worded, and sometimes darkly mysterious
in drift. The quarrel with Lanyon was incurable. “I do not blame our
old friend,” Jekyll wrote, “but I share his view that we must never
meet. I mean from henceforth to lead a life of extreme seclusion; you
must not be surprised, nor must you doubt my friendship, if my door is
often shut even to you. You must suffer me to go my own dark way. I
have brought on myself a punishment and a danger that I cannot name. If
I am the chief of sinners, I am the chief of sufferers also. I could
not think that this earth contained a place for sufferings and terrors
so unmanning; and you can do but one thing, Utterson, to lighten this
destiny, and that is to respect my silence.” Utterson was amazed; the
dark influence of Hyde had been withdrawn, the doctor had returned to
his old tasks and amities; a week ago, the prospect had smiled with
every promise of a cheerful and an honoured age; and now in a moment,
friendship, and peace of mind, and the whole tenor of his life were
wrecked. So great and unprepared a change pointed to madness; but in
view of Lanyon’s manner and words, there must lie for it some deeper
ground.

A week afterwards Dr. Lanyon took to his bed, and in something less
than a fortnight he was dead. The night after the funeral, at which he
had been sadly affected, Utterson locked the door of his business room,
and sitting there by the light of a melancholy candle, drew out and set
before him an envelope addressed by the hand and sealed with the seal
of his dead friend. “PRIVATE: for the hands of G. J. Utterson ALONE and
in case of his predecease _to be destroyed unread_,” so it was
emphatically superscribed; and the lawyer dreaded to behold the
contents. “I have buried one friend to-day,” he thought: “what if this
should cost me another?” And then he condemned the fear as a
disloyalty, and broke the seal. Within there was another enclosure,
likewise sealed, and marked upon the cover as “not to be opened till
the death or disappearance of Dr. Henry Jekyll.” Utterson could not
trust his eyes. Yes, it was disappearance; here again, as in the mad
will which he had long ago restored to its author, here again were the
idea of a disappearance and the name of Henry Jekyll bracketed. But in
the will, that idea had sprung from the sinister suggestion of the man
Hyde; it was set there with a purpose all too plain and horrible.
Written by the hand of Lanyon, what should it mean? A great curiosity
came on the trustee, to disregard the prohibition and dive at once to
the bottom of these mysteries; but professional honour and faith to his
dead friend were stringent obligations; and the packet slept in the
inmost corner of his private safe.

It is one thing to mortify curiosity, another to conquer it; and it may
be doubted if, from that day forth, Utterson desired the society of his
surviving friend with the same eagerness. He thought of him kindly; but
his thoughts were disquieted and fearful. He went to call indeed; but
he was perhaps relieved to be denied admittance; perhaps, in his heart,
he preferred to speak with Poole upon the doorstep and surrounded by
the air and sounds of the open city, rather than to be admitted into
that house of voluntary bondage, and to sit and speak with its
inscrutable recluse. Poole had, indeed, no very pleasant news to
communicate. The doctor, it appeared, now more than ever confined
himself to the cabinet over the laboratory, where he would sometimes
even sleep; he was out of spirits, he had grown very silent, he did not
read; it seemed as if he had something on his mind. Utterson became so
used to the unvarying character of these reports, that he fell off
little by little in the frequency of his visits.

INCIDENT AT THE WINDOW

It chanced on Sunday, when Mr. Utterson was on his usual walk with Mr.
Enfield, that their way lay once again through the by-street; and that
when they came in front of the door, both stopped to gaze on it.

“Well,” said Enfield, “that story’s at an end at least. We shall never
see more of Mr. Hyde.”

“I hope not,” said Utterson. “Did I ever tell you that I once saw him,
and shared your feeling of repulsion?”

“It was impossible to do the one without the other,” returned Enfield.
“And by the way, what an ass you must have thought me, not to know that
this was a back way to Dr. Jekyll’s! It was partly your own fault that
I found it out, even when I did.”

“So you found it out, did you?” said Utterson. “But if that be so, we
may step into the court and take a look at the windows. To tell you the
truth, I am uneasy about poor Jekyll; and even outside, I feel as if
the presence of a friend might do him good.”

The court was very cool and a little damp, and full of premature
twilight, although the sky, high up overhead, was still bright with
sunset. The middle one of the three windows was half-way open; and
sitting close beside it, taking the air with an infinite sadness of
mien, like some disconsolate prisoner, Utterson saw Dr. Jekyll.

“What! Jekyll!” he cried. “I trust you are better.”

“I am very low, Utterson,” replied the doctor, drearily, “very low. It
will not last long, thank God.”

“You stay too much indoors,” said the lawyer. “You should be out,
whipping up the circulation like Mr. Enfield and me. (This is my
cousin—Mr. Enfield—Dr. Jekyll.) Come, now; get your hat and take a
quick turn with us.”

“You are very good,” sighed the other. “I should like to very much; but
no, no, no, it is quite impossible; I dare not. But indeed, Utterson, I
am very glad to see you; this is really a great pleasure; I would ask
you and Mr. Enfield up, but the place is really not fit.”

“Why then,” said the lawyer, good-naturedly, “the best thing we can do
is to stay down here and speak with you from where we are.”

“That is just what I was about to venture to propose,” returned the
doctor with a smile. But the words were hardly uttered, before the
smile was struck out of his face and succeeded by an expression of such
abject terror and despair, as froze the very blood of the two gentlemen
below. They saw it but for a glimpse, for the window was instantly
thrust down; but that glimpse had been sufficient, and they turned and
left the court without a word. In silence, too, they traversed the
by-street; and it was not until they had come into a neighbouring
thoroughfare, where even upon a Sunday there were still some stirrings
of life, that Mr. Utterson at last turned and looked at his companion.
They were both pale; and there was an answering horror in their eyes.

“God forgive us, God forgive us,” said Mr. Utterson.

But Mr. Enfield only nodded his head very seriously and walked on once
more in silence.

THE LAST NIGHT

Mr. Utterson was sitting by his fireside one evening after dinner, when
he was surprised to receive a visit from Poole.

“Bless me, Poole, what brings you here?” he cried; and then taking a
second look at him, “What ails you?” he added; “is the doctor ill?”

“Mr. Utterson,” said the man, “there is something wrong.”

“Take a seat, and here is a glass of wine for you,” said the lawyer.
“Now, take your time, and tell me plainly what you want.”

“You know the doctor’s ways, sir,” replied Poole, “and how he shuts
himself up. Well, he’s shut up again in the cabinet; and I don’t like
it, sir—I wish I may die if I like it. Mr. Utterson, sir, I’m afraid.”

“Now, my good man,” said the lawyer, “be explicit. What are you afraid
of?”

“I’ve been afraid for about a week,” returned Poole, doggedly
disregarding the question, “and I can bear it no more.”

The man’s appearance amply bore out his words; his manner was altered
for the worse; and except for the moment when he had first announced
his terror, he had not once looked the lawyer in the face. Even now, he
sat with the glass of wine untasted on his knee, and his eyes directed
to a corner of the floor. “I can bear it no more,” he repeated.

“Come,” said the lawyer, “I see you have some good reason, Poole; I see
there is something seriously amiss. Try to tell me what it is.”

“I think there’s been foul play,” said Poole, hoarsely.

“Foul play!” cried the lawyer, a good deal frightened and rather
inclined to be irritated in consequence. “What foul play? What does the
man mean?”

“I daren’t say, sir,” was the answer; “but will you come along with me
and see for yourself?”

Mr. Utterson’s only answer was to rise and get his hat and great-coat;
but he observed with wonder the greatness of the relief that appeared
upon the butler’s face, and perhaps with no less, that the wine was
still untasted when he set it down to follow.

It was a wild, cold, seasonable night of March, with a pale moon, lying
on her back as though the wind had tilted her, and a flying wrack of
the most diaphanous and lawny texture. The wind made talking difficult,
and flecked the blood into the face. It seemed to have swept the
streets unusually bare of passengers, besides; for Mr. Utterson thought
he had never seen that part of London so deserted. He could have wished
it otherwise; never in his life had he been conscious of so sharp a
wish to see and touch his fellow-creatures; for struggle as he might,
there was borne in upon his mind a crushing anticipation of calamity.
The square, when they got there, was all full of wind and dust, and the
thin trees in the garden were lashing themselves along the railing.
Poole, who had kept all the way a pace or two ahead, now pulled up in
the middle of the pavement, and in spite of the biting weather, took
off his hat and mopped his brow with a red pocket-handkerchief. But for
all the hurry of his coming, these were not the dews of exertion that
he wiped away, but the moisture of some strangling anguish; for his
face was white and his voice, when he spoke, harsh and broken.

“Well, sir,” he said, “here we are, and God grant there be nothing
wrong.”

“Amen, Poole,” said the lawyer.

Thereupon the servant knocked in a very guarded manner; the door was
opened on the chain; and a voice asked from within, “Is that you,
Poole?”

“It’s all right,” said Poole. “Open the door.”

The hall, when they entered it, was brightly lighted up; the fire was
built high; and about the hearth the whole of the servants, men and
women, stood huddled together like a flock of sheep. At the sight of
Mr. Utterson, the housemaid broke into hysterical whimpering; and the
cook, crying out, “Bless God! it’s Mr. Utterson,” ran forward as if to
take him in her arms.

“What, what? Are you all here?” said the lawyer peevishly. “Very
irregular, very unseemly; your master would be far from pleased.”

“They’re all afraid,” said Poole.

Blank silence followed, no one protesting; only the maid lifted up her
voice and now wept loudly.

“Hold your tongue!” Poole said to her, with a ferocity of accent that
testified to his own jangled nerves; and indeed, when the girl had so
suddenly raised the note of her lamentation, they had all started and
turned toward the inner door with faces of dreadful expectation. “And
now,” continued the butler, addressing the knife-boy, “reach me a
candle, and we’ll get this through hands at once.” And then he begged
Mr. Utterson to follow him, and led the way to the back-garden.

“Now, sir,” said he, “you come as gently as you can. I want you to
hear, and I don’t want you to be heard. And see here, sir, if by any
chance he was to ask you in, don’t go.”

Mr. Utterson’s nerves, at this unlooked-for termination, gave a jerk
that nearly threw him from his balance; but he re-collected his courage
and followed the butler into the laboratory building and through the
surgical theatre, with its lumber of crates and bottles, to the foot of
the stair. Here Poole motioned him to stand on one side and listen;
while he himself, setting down the candle and making a great and
obvious call on his resolution, mounted the steps and knocked with a
somewhat uncertain hand on the red baize of the cabinet door.

“Mr. Utterson, sir, asking to see you,” he called; and even as he did
so, once more violently signed to the lawyer to give ear.

A voice answered from within: “Tell him I cannot see any one,” it said
complainingly.

“Thank you, sir,” said Poole, with a note of something like triumph in
his voice; and taking up his candle, he led Mr. Utterson back across
the yard and into the great kitchen, where the fire was out and the
beetles were leaping on the floor.

“Sir,” he said, looking Mr. Utterson in the eyes, “was that my master’s
voice?”

“It seems much changed,” replied the lawyer, very pale, but giving look
for look.

“Changed? Well, yes, I think so,” said the butler. “Have I been twenty
years in this man’s house, to be deceived about his voice? No, sir;
master’s made away with; he was made, away with eight days ago, when we
heard him cry out upon the name of God; and _who’s_ in there instead of
him, and _why_ it stays there, is a thing that cries to Heaven, Mr.
Utterson!”

“This is a very strange tale, Poole; this is rather a wild tale, my
man,” said Mr. Utterson, biting his finger. “Suppose it were as you
suppose, supposing Dr. Jekyll to have been—well, murdered, what could
induce the murderer to stay? That won’t hold water; it doesn’t commend
itself to reason.”

“Well, Mr. Utterson, you are a hard man to satisfy, but I’ll do it
yet,” said Poole. “All this last week (you must know) him, or it, or
whatever it is that lives in that cabinet, has been crying night and
day for some sort of medicine and cannot get it to his mind. It was
sometimes his way—the master’s, that is—to write his orders on a sheet
of paper and throw it on the stair. We’ve had nothing else this week
back; nothing but papers, and a closed door, and the very meals left
there to be smuggled in when nobody was looking. Well, sir, every day,
ay, and twice and thrice in the same day, there have been orders and
complaints, and I have been sent flying to all the wholesale chemists
in town. Every time I brought the stuff back, there would be another
paper telling me to return it, because it was not pure, and another
order to a different firm. This drug is wanted bitter bad, sir,
whatever for.”

“Have you any of these papers?” asked Mr. Utterson.

Poole felt in his pocket and handed out a crumpled note, which the
lawyer, bending nearer to the candle, carefully examined. Its contents
ran thus: “Dr. Jekyll presents his compliments to Messrs. Maw. He
assures them that their last sample is impure and quite useless for his
present purpose. In the year 18——, Dr. J. purchased a somewhat large
quantity from Messrs. M. He now begs them to search with the most
sedulous care, and should any of the same quality be left, to forward
it to him at once. Expense is no consideration. The importance of this
to Dr. J. can hardly be exaggerated.” So far the letter had run
composedly enough, but here with a sudden splutter of the pen, the
writer’s emotion had broken loose. “For God’s sake,” he had added,
“find me some of the old.”

“This is a strange note,” said Mr. Utterson; and then sharply, “How do
you come to have it open?”

“The man at Maw’s was main angry, sir, and he threw it back to me like
so much dirt,” returned Poole.

“This is unquestionably the doctor’s hand, do you know?” resumed the
lawyer.

“I thought it looked like it,” said the servant rather sulkily; and
then, with another voice, “But what matters hand-of-write?” he said.
“I’ve seen him!”

“Seen him?” repeated Mr. Utterson. “Well?”

“That’s it!” said Poole. “It was this way. I came suddenly into the
theatre from the garden. It seems he had slipped out to look for this
drug or whatever it is; for the cabinet door was open, and there he was
at the far end of the room digging among the crates. He looked up when
I came in, gave a kind of cry, and whipped up-stairs into the cabinet.
It was but for one minute that I saw him, but the hair stood upon my
head like quills. Sir, if that was my master, why had he a mask upon
his face? If it was my master, why did he cry out like a rat, and run
from me? I have served him long enough. And then…” The man paused and
passed his hand over his face.

“These are all very strange circumstances,” said Mr. Utterson, “but I
think I begin to see daylight. Your master, Poole, is plainly seized
with one of those maladies that both torture and deform the sufferer;
hence, for aught I know, the alteration of his voice; hence the mask
and the avoidance of his friends; hence his eagerness to find this
drug, by means of which the poor soul retains some hope of ultimate
recovery—God grant that he be not deceived! There is my explanation; it
is sad enough, Poole, ay, and appalling to consider; but it is plain
and natural, hangs well together, and delivers us from all exorbitant
alarms.”

“Sir,” said the butler, turning to a sort of mottled pallor, “that
thing was not my master, and there’s the truth. My master”—here he
looked round him and began to whisper—“is a tall, fine build of a man,
and this was more of a dwarf.” Utterson attempted to protest. “O, sir,”
cried Poole, “do you think I do not know my master after twenty years?
Do you think I do not know where his head comes to in the cabinet door,
where I saw him every morning of my life? No, Sir, that thing in the
mask was never Dr. Jekyll—God knows what it was, but it was never Dr.
Jekyll; and it is the belief of my heart that there was murder done.”

“Poole,” replied the lawyer, “if you say that, it will become my duty
to make certain. Much as I desire to spare your master’s feelings, much
as I am puzzled by this note which seems to prove him to be still
alive, I shall consider it my duty to break in that door.”

“Ah Mr. Utterson, that’s talking!” cried the butler.

“And now comes the second question,” resumed Utterson: “Who is going to
do it?”

“Why, you and me,” was the undaunted reply.

“That’s very well said,” returned the lawyer; “and whatever comes of
it, I shall make it my business to see you are no loser.”

“There is an axe in the theatre,” continued Poole; “and you might take
the kitchen poker for yourself.”

The lawyer took that rude but weighty instrument into his hand, and
balanced it. “Do you know, Poole,” he said, looking up, “that you and I
are about to place ourselves in a position of some peril?”

“You may say so, sir, indeed,” returned the butler.

“It is well, then, that we should be frank,” said the other. “We both
think more than we have said; let us make a clean breast. This masked
figure that you saw, did you recognise it?”

“Well, sir, it went so quick, and the creature was so doubled up, that
I could hardly swear to that,” was the answer. “But if you mean, was it
Mr. Hyde?—why, yes, I think it was! You see, it was much of the same
bigness; and it had the same quick, light way with it; and then who
else could have got in by the laboratory door? You have not forgot, sir
that at the time of the murder he had still the key with him? But
that’s not all. I don’t know, Mr. Utterson, if ever you met this Mr.
Hyde?”

“Yes,” said the lawyer, “I once spoke with him.”

“Then you must know as well as the rest of us that there was something
queer about that gentleman—something that gave a man a turn—I don’t
know rightly how to say it, sir, beyond this: that you felt it in your
marrow kind of cold and thin.”

“I own I felt something of what you describe,” said Mr. Utterson.

“Quite so, sir,” returned Poole. “Well, when that masked thing like a
monkey jumped from among the chemicals and whipped into the cabinet, it
went down my spine like ice. Oh, I know it’s not evidence, Mr.
Utterson. I’m book-learned enough for that; but a man has his feelings,
and I give you my bible-word it was Mr. Hyde!”

“Ay, ay,” said the lawyer. “My fears incline to the same point. Evil, I
fear, founded—evil was sure to come—of that connection. Ay, truly, I
believe you; I believe poor Harry is killed; and I believe his murderer
(for what purpose, God alone can tell) is still lurking in his victim’s
room. Well, let our name be vengeance. Call Bradshaw.”

The footman came at the summons, very white and nervous.

“Pull yourself together, Bradshaw,” said the lawyer. “This suspense, I
know, is telling upon all of you; but it is now our intention to make
an end of it. Poole, here, and I are going to force our way into the
cabinet. If all is well, my shoulders are broad enough to bear the
blame. Meanwhile, lest anything should really be amiss, or any
malefactor seek to escape by the back, you and the boy must go round
the corner with a pair of good sticks and take your post at the
laboratory door. We give you ten minutes to get to your stations.”

As Bradshaw left, the lawyer looked at his watch. “And now, Poole, let
us get to ours,” he said; and taking the poker under his arm, led the
way into the yard. The scud had banked over the moon, and it was now
quite dark. The wind, which only broke in puffs and draughts into that
deep well of building, tossed the light of the candle to and fro about
their steps, until they came into the shelter of the theatre, where
they sat down silently to wait. London hummed solemnly all around; but
nearer at hand, the stillness was only broken by the sounds of a
footfall moving to and fro along the cabinet floor.

“So it will walk all day, sir,” whispered Poole; “ay, and the better
part of the night. Only when a new sample comes from the chemist,
there’s a bit of a break. Ah, it’s an ill conscience that’s such an
enemy to rest! Ah, sir, there’s blood foully shed in every step of it!
But hark again, a little closer—put your heart in your ears, Mr.
Utterson, and tell me, is that the doctor’s foot?”

The steps fell lightly and oddly, with a certain swing, for all they
went so slowly; it was different indeed from the heavy creaking tread
of Henry Jekyll. Utterson sighed. “Is there never anything else?” he
asked.

Poole nodded. “Once,” he said. “Once I heard it weeping!”

“Weeping? how that?” said the lawyer, conscious of a sudden chill of
horror.

“Weeping like a woman or a lost soul,” said the butler. “I came away
with that upon my heart, that I could have wept too.”

But now the ten minutes drew to an end. Poole disinterred the axe from
under a stack of packing straw; the candle was set upon the nearest
table to light them to the attack; and they drew near with bated breath
to where that patient foot was still going up and down, up and down, in
the quiet of the night.

“Jekyll,” cried Utterson, with a loud voice, “I demand to see you.” He
paused a moment, but there came no reply. “I give you fair warning, our
suspicions are aroused, and I must and shall see you,” he resumed; “if
not by fair means, then by foul! if not of your consent, then by brute
force!”

“Utterson,” said the voice, “for God’s sake, have mercy!”

“Ah, that’s not Jekyll’s voice—it’s Hyde’s!” cried Utterson. “Down with
the door, Poole!”

Poole swung the axe over his shoulder; the blow shook the building, and
the red baize door leaped against the lock and hinges. A dismal
screech, as of mere animal terror, rang from the cabinet. Up went the
axe again, and again the panels crashed and the frame bounded; four
times the blow fell; but the wood was tough and the fittings were of
excellent workmanship; and it was not until the fifth, that the lock
burst in sunder and the wreck of the door fell inwards on the carpet.

The besiegers, appalled by their own riot and the stillness that had
succeeded, stood back a little and peered in. There lay the cabinet
before their eyes in the quiet lamplight, a good fire glowing and
chattering on the hearth, the kettle singing its thin strain, a drawer
or two open, papers neatly set forth on the business-table, and nearer
the fire, the things laid out for tea: the quietest room, you would
have said, and, but for the glazed presses full of chemicals, the most
commonplace that night in London.

Right in the midst there lay the body of a man sorely contorted and
still twitching. They drew near on tiptoe, turned it on its back and
beheld the face of Edward Hyde. He was dressed in clothes far too large
for him, clothes of the doctor’s bigness; the cords of his face still
moved with a semblance of life, but life was quite gone; and by the
crushed phial in the hand and the strong smell of kernels that hung
upon the air, Utterson knew that he was looking on the body of a
self-destroyer.

“We have come too late,” he said sternly, “whether to save or punish.
Hyde is gone to his account; and it only remains for us to find the
body of your master.”

The far greater proportion of the building was occupied by the theatre,
which filled almost the whole ground story and was lighted from above,
and by the cabinet, which formed an upper story at one end and looked
upon the court. A corridor joined the theatre to the door on the
by-street; and with this the cabinet communicated separately by a
second flight of stairs. There were besides a few dark closets and a
spacious cellar. All these they now thoroughly examined. Each closet
needed but a glance, for all were empty, and all, by the dust that fell
from their doors, had stood long unopened. The cellar, indeed, was
filled with crazy lumber, mostly dating from the times of the surgeon
who was Jekyll’s predecessor; but even as they opened the door they
were advertised of the uselessness of further search, by the fall of a
perfect mat of cobweb which had for years sealed up the entrance.
Nowhere was there any trace of Henry Jekyll, dead or alive.

Poole stamped on the flags of the corridor. “He must be buried here,”
he said, hearkening to the sound.

“Or he may have fled,” said Utterson, and he turned to examine the door
in the by-street. It was locked; and lying near by on the flags, they
found the key, already stained with rust.

“This does not look like use,” observed the lawyer.

“Use!” echoed Poole. “Do you not see, sir, it is broken? much as if a
man had stamped on it.”

“Ay,” continued Utterson, “and the fractures, too, are rusty.” The two
men looked at each other with a scare. “This is beyond me, Poole,” said
the lawyer. “Let us go back to the cabinet.”

They mounted the stair in silence, and still with an occasional
awe-struck glance at the dead body, proceeded more thoroughly to
examine the contents of the cabinet. At one table, there were traces of
chemical work, various measured heaps of some white salt being laid on
glass saucers, as though for an experiment in which the unhappy man had
been prevented.

“That is the same drug that I was always bringing him,” said Poole; and
even as he spoke, the kettle with a startling noise boiled over.

This brought them to the fireside, where the easy-chair was drawn
cosily up, and the tea-things stood ready to the sitter’s elbow, the
very sugar in the cup. There were several books on a shelf; one lay
beside the tea-things open, and Utterson was amazed to find it a copy
of a pious work, for which Jekyll had several times expressed a great
esteem, annotated, in his own hand, with startling blasphemies.

Next, in the course of their review of the chamber, the searchers came
to the cheval glass, into whose depths they looked with an involuntary
horror. But it was so turned as to show them nothing but the rosy glow
playing on the roof, the fire sparkling in a hundred repetitions along
the glazed front of the presses, and their own pale and fearful
countenances stooping to look in.

“This glass have seen some strange things, sir,” whispered Poole.

“And surely none stranger than itself,” echoed the lawyer in the same
tones. “For what did Jekyll”—he caught himself up at the word with a
start, and then conquering the weakness—“what could Jekyll want with
it?” he said.

“You may say that!” said Poole. Next they turned to the business-table.
On the desk among the neat array of papers, a large envelope was
uppermost, and bore, in the doctor’s hand, the name of Mr. Utterson.
The lawyer unsealed it, and several enclosures fell to the floor. The
first was a will, drawn in the same eccentric terms as the one which he
had returned six months before, to serve as a testament in case of
death and as a deed of gift in case of disappearance; but, in place of
the name of Edward Hyde, the lawyer, with indescribable amazement, read
the name of Gabriel John Utterson. He looked at Poole, and then back at
the paper, and last of all at the dead malefactor stretched upon the
carpet.

“My head goes round,” he said. “He has been all these days in
possession; he had no cause to like me; he must have raged to see
himself displaced; and he has not destroyed this document.”

He caught up the next paper; it was a brief note in the doctor’s hand
and dated at the top. “O Poole!” the lawyer cried, “he was alive and
here this day. He cannot have been disposed of in so short a space, he
must be still alive, he must have fled! And then, why fled? and how?
and in that case, can we venture to declare this suicide? Oh, we must
be careful. I foresee that we may yet involve your master in some dire
catastrophe.”

“Why don’t you read it, sir?” asked Poole.

“Because I fear,” replied the lawyer solemnly. “God grant I have no
cause for it!” And with that he brought the paper to his eyes and read
as follows:

“My dear Utterson,—When this shall fall into your hands, I shall have
disappeared, under what circumstances I have not the penetration to
foresee, but my instinct and all the circumstances of my nameless
situation tell me that the end is sure and must be early. Go then, and
first read the narrative which Lanyon warned me he was to place in your
hands; and if you care to hear more, turn to the confession of

“Your unworthy and unhappy friend,
“HENRY JEKYLL.”

“There was a third enclosure?” asked Utterson.

“Here, sir,” said Poole, and gave into his hands a considerable packet
sealed in several places.

The lawyer put it in his pocket. “I would say nothing of this paper. If
your master has fled or is dead, we may at least save his credit. It is
now ten; I must go home and read these documents in quiet; but I shall
be back before midnight, when we shall send for the police.”

They went out, locking the door of the theatre behind them; and
Utterson, once more leaving the servants gathered about the fire in the
hall, trudged back to his office to read the two narratives in which
this mystery was now to be explained.

DR. LANYON’S NARRATIVE

On the ninth of January, now four days ago, I received by the evening
delivery a registered envelope, addressed in the hand of my colleague
and old school-companion, Henry Jekyll. I was a good deal surprised by
this; for we were by no means in the habit of correspondence; I had
seen the man, dined with him, indeed, the night before; and I could
imagine nothing in our intercourse that should justify formality of
registration. The contents increased my wonder; for this is how the
letter ran:

“10th December, 18——

“Dear Lanyon,—You are one of my oldest friends; and although we may
have differed at times on scientific questions, I cannot remember, at
least on my side, any break in our affection. There was never a day
when, if you had said to me, ‘Jekyll, my life, my honour, my reason,
depend upon you,’ I would not have sacrificed my left hand to help you.
Lanyon, my life, my honour my reason, are all at your mercy; if you
fail me to-night I am lost. You might suppose, after this preface, that
I am going to ask you for something dishonourable to grant. Judge for
yourself.

“I want you to postpone all other engagements for to-night—ay, even if
you were summoned to the bedside of an emperor; to take a cab, unless
your carriage should be actually at the door; and with this letter in
your hand for consultation, to drive straight to my house. Poole, my
butler, has his orders; you will find, him waiting your arrival with a
locksmith. The door of my cabinet is then to be forced: and you are to
go in alone; to open the glazed press (letter E) on the left hand,
breaking the lock if it be shut; and to draw out, _with all its
contents as they stand_, the fourth drawer from the top or (which is
the same thing) the third from the bottom. In my extreme distress of
wind, I have a morbid fear of misdirecting you; but even if I am in
error, you may know the right drawer by its contents: some powders, a
phial and a paper book. This drawer I beg of you to carry back with you
to Cavendish Square exactly as it stands.

“That is the first part of the service: now for the second. You should
be back, if you set out at once on the receipt of this, long before
midnight; but I will leave you that amount of margin, not only in the
fear of one of those obstacles that can neither be prevented nor
foreseen, but because an hour when your servants are in bed is to be
preferred for what will then remain to do. At midnight, then, I have to
ask you to be alone in your consulting-room, to admit with your own
hand into the house a man who will present himself in my name, and to
place in his hands the drawer that you will have brought with you from
my cabinet. Then you will have played your part and earned my gratitude
completely. Five minutes afterwards, if you insist upon an explanation,
you will have understood that these arrangements are of capital
importance; and that by the neglect of one of them, fantastic as they
must appear, you might have charged your conscience with my death or
the shipwreck of my reason.

“Confident as I am that you will not trifle with this appeal, my heart
sinks and my hand trembles at the bare thought of such a possibility.
Think of me at this hour, in a strange place, labouring under a
blackness of distress that no fancy can exaggerate, and yet well aware
that, if you will but punctually serve me, my troubles will roll away
like a story that is told. Serve me, my dear Lanyon, and save

“Your friend,
“H. J.

“P. S. I had already sealed this up when a fresh terror struck upon my
soul. It is possible that the postoffice may fail me, and this letter
not come into your hands until to-morrow morning. In that case, dear
Lanyon, do my errand when it shall be most convenient for you in the
course of the day; and once more expect my messenger at midnight. It
may then already be too late; and if that night passes without event,
you will know that you have seen the last of Henry Jekyll.”

Upon the reading of this letter, I made sure my colleague was insane;
but till that was proved beyond the possibility of doubt, I felt bound
to do as he requested. The less I understood of this farrago, the less
I was in a position to judge of its importance; and an appeal so worded
could not be set aside without a grave responsibility. I rose
accordingly from table, got into a hansom, and drove straight to
Jekyll’s house. The butler was awaiting my arrival; he had received by
the same post as mine a registered letter of instruction, and had sent
at once for a locksmith and a carpenter. The tradesmen came while we
were yet speaking; and we moved in a body to old Dr. Denman’s surgical
theatre, from which (as you are doubtless aware) Jekyll’s private
cabinet is most conveniently entered. The door was very strong, the
lock excellent; the carpenter avowed he would have great trouble and
have to do much damage, if force were to be used; and the locksmith was
near despair. But this last was a handy fellow, and after two hours’
work, the door stood open. The press marked E was unlocked; and I took
out the drawer, had it filled up with straw and tied in a sheet, and
returned with it to Cavendish Square.

Here I proceeded to examine its contents. The powders were neatly
enough made up, but not with the nicety of the dispensing chemist; so
that it was plain they were of Jekyll’s private manufacture; and when I
opened one of the wrappers I found what seemed to me a simple
crystalline salt of a white colour. The phial, to which I next turned
my attention, might have been about half-full of a blood-red liquor,
which was highly pungent to the sense of smell and seemed to me to
contain phosphorus and some volatile ether. At the other ingredients I
could make no guess. The book was an ordinary version-book and
contained little but a series of dates. These covered a period of many
years, but I observed that the entries ceased nearly a year ago and
quite abruptly. Here and there a brief remark was appended to a date,
usually no more than a single word: “double” occurring perhaps six
times in a total of several hundred entries; and once very early in the
list and followed by several marks of exclamation, “total failure!!!”
All this, though it whetted my curiosity, told me little that was
definite. Here were a phial of some tincture, a paper of some salt, and
the record of a series of experiments that had led (like too many of
Jekyll’s investigations) to no end of practical usefulness. How could
the presence of these articles in my house affect either the honour,
the sanity, or the life of my flighty colleague? If his messenger could
go to one place, why could he not go to another? And even granting some
impediment, why was this gentleman to be received by me in secret? The
more I reflected the more convinced I grew that I was dealing with a
case of cerebral disease: and though I dismissed my servants to bed, I
loaded an old revolver, that I might be found in some posture of
self-defence.

Twelve o’clock had scarce rung out over London, ere the knocker sounded
very gently on the door. I went myself at the summons, and found a
small man crouching against the pillars of the portico.

“Are you come from Dr. Jekyll?” I asked.

He told me “yes” by a constrained gesture; and when I had bidden him
enter, he did not obey me without a searching backward glance into the
darkness of the square. There was a policeman not far off, advancing
with his bull’s eye open; and at the sight, I thought my visitor
started and made greater haste.

These particulars struck me, I confess, disagreeably; and as I followed
him into the bright light of the consulting-room, I kept my hand ready
on my weapon. Here, at last, I had a chance of clearly seeing him. I
had never set eyes on him before, so much was certain. He was small, as
I have said; I was struck besides with the shocking expression of his
face, with his remarkable combination of great muscular activity and
great apparent debility of constitution, and—last but not least— with
the odd, subjective disturbance caused by his neighbourhood. This bore
some resemblance to incipient rigour, and was accompanied by a marked
sinking of the pulse. At the time, I set it down to some idiosyncratic,
personal distaste, and merely wondered at the acuteness of the
symptoms; but I have since had reason to believe the cause to lie much
deeper in the nature of man, and to turn on some nobler hinge than the
principle of hatred.

This person (who had thus, from the first moment of his entrance,
struck in me what I can only describe as a disgustful curiosity) was
dressed in a fashion that would have made an ordinary person laughable;
his clothes, that is to say, although they were of rich and sober
fabric, were enormously too large for him in every measurement—the
trousers hanging on his legs and rolled up to keep them from the
ground, the waist of the coat below his haunches, and the collar
sprawling wide upon his shoulders. Strange to relate, this ludicrous
accoutrement was far from moving me to laughter. Rather, as there was
something abnormal and misbegotten in the very essence of the creature
that now faced me— something seizing, surprising, and revolting—this
fresh disparity seemed but to fit in with and to reinforce it; so that
to my interest in the man’s nature and character, there was added a
curiosity as to his origin, his life, his fortune and status in the
world.

These observations, though they have taken so great a space to be set
down in, were yet the work of a few seconds. My visitor was, indeed, on
fire with sombre excitement.

“Have you got it?” he cried. “Have you got it?” And so lively was his
impatience that he even laid his hand upon my arm and sought to shake
me.

I put him back, conscious at his touch of a certain icy pang along my
blood. “Come, sir,” said I. “You forget that I have not yet the
pleasure of your acquaintance. Be seated, if you please.” And I showed
him an example, and sat down myself in my customary seat and with as
fair an imitation of my ordinary manner to a patient, as the lateness
of the hour, the nature of my pre-occupations, and the horror I had of
my visitor, would suffer me to muster.

“I beg your pardon, Dr. Lanyon,” he replied civilly enough. “What you
say is very well founded; and my impatience has shown its heels to my
politeness. I come here at the instance of your colleague, Dr. Henry
Jekyll, on a piece of business of some moment; and I understood…” He
paused and put his hand to his throat, and I could see, in spite of his
collected manner, that he was wrestling against the approaches of the
hysteria—“I understood, a drawer…”

But here I took pity on my visitor’s suspense, and some perhaps on my
own growing curiosity.

“There it is, sir,” said I, pointing to the drawer, where it lay on the
floor behind a table and still covered with the sheet.

He sprang to it, and then paused, and laid his hand upon his heart: I
could hear his teeth grate with the convulsive action of his jaws; and
his face was so ghastly to see that I grew alarmed both for his life
and reason.

“Compose yourself,” said I.

He turned a dreadful smile to me, and as if with the decision of
despair, plucked away the sheet. At sight of the contents, he uttered
one loud sob of such immense relief that I sat petrified. And the next
moment, in a voice that was already fairly well under control, “Have
you a graduated glass?” he asked.

I rose from my place with something of an effort and gave him what he
asked.

He thanked me with a smiling nod, measured out a few minims of the red
tincture and added one of the powders. The mixture, which was at first
of a reddish hue, began, in proportion as the crystals melted, to
brighten in colour, to effervesce audibly, and to throw off small fumes
of vapour. Suddenly and at the same moment, the ebullition ceased and
the compound changed to a dark purple, which faded again more slowly to
a watery green. My visitor, who had watched these metamorphoses with a
keen eye, smiled, set down the glass upon the table, and then turned
and looked upon me with an air of scrutiny.

“And now,” said he, “to settle what remains. Will you be wise? will you
be guided? will you suffer me to take this glass in my hand and to go
forth from your house without further parley? or has the greed of
curiosity too much command of you? Think before you answer, for it
shall be done as you decide. As you decide, you shall be left as you
were before, and neither richer nor wiser, unless the sense of service
rendered to a man in mortal distress may be counted as a kind of riches
of the soul. Or, if you shall so prefer to choose, a new province of
knowledge and new avenues to fame and power shall be laid open to you,
here, in this room, upon the instant; and your sight shall be blasted
by a prodigy to stagger the unbelief of Satan.”

“Sir,” said I, affecting a coolness that I was far from truly
possessing, “you speak enigmas, and you will perhaps not wonder that I
hear you with no very strong impression of belief. But I have gone too
far in the way of inexplicable services to pause before I see the end.”

“It is well,” replied my visitor. “Lanyon, you remember your vows: what
follows is under the seal of our profession. And now, you who have so
long been bound to the most narrow and material views, you who have
denied the virtue of transcendental medicine, you who have derided your
superiors— behold!”

He put the glass to his lips and drank at one gulp. A cry followed; he
reeled, staggered, clutched at the table and held on, staring with
injected eyes, gasping with open mouth; and as I looked there came, I
thought, a change—he seemed to swell— his face became suddenly black
and the features seemed to melt and alter—and the next moment, I had
sprung to my feet and leaped back against the wall, my arm raised to
shield me from that prodigy, my mind submerged in terror.

“O God!” I screamed, and “O God!” again and again; for there before my
eyes—pale and shaken, and half-fainting, and groping before him with
his hands, like a man restored from death— there stood Henry Jekyll!

What he told me in the next hour, I cannot bring my mind to set on
paper. I saw what I saw, I heard what I heard, and my soul sickened at
it; and yet now when that sight has faded from my eyes, I ask myself if
I believe it, and I cannot answer. My life is shaken to its roots;
sleep has left me; the deadliest terror sits by me at all hours of the
day and night; I feel that my days are numbered, and that I must die;
and yet I shall die incredulous. As for the moral turpitude that man
unveiled to me, even with tears of penitence, I cannot, even in memory,
dwell on it without a start of horror. I will say but one thing,
Utterson, and that (if you can bring your mind to credit it) will be
more than enough. The creature who crept into my house that night was,
on Jekyll’s own confession, known by the name of Hyde and hunted for in
every corner of the land as the murderer of Carew.

HASTIE LANYON

HENRY JEKYLL’S FULL STATEMENT OF THE CASE

I was born in the year 18—— to a large fortune, endowed besides with
excellent parts, inclined by nature to industry, fond of the respect of
the wise and good among my fellow-men, and thus, as might have been
supposed, with every guarantee of an honourable and distinguished
future. And indeed the worst of my faults was a certain impatient
gaiety of disposition, such as has made the happiness of many, but such
as I found it hard to reconcile with my imperious desire to carry my
head high, and wear a more than commonly grave countenance before the
public. Hence it came about that I concealed my pleasures; and that
when I reached years of reflection, and began to look round me and take
stock of my progress and position in the world, I stood already
committed to a profound duplicity of life. Many a man would have even
blazoned such irregularities as I was guilty of; but from the high
views that I had set before me, I regarded and hid them with an almost
morbid sense of shame. It was thus rather the exacting nature of my
aspirations than any particular degradation in my faults, that made me
what I was and, with even a deeper trench than in the majority of men,
severed in me those provinces of good and ill which divide and compound
man’s dual nature. In this case, I was driven to reflect deeply and
inveterately on that hard law of life, which lies at the root of
religion and is one of the most plentiful springs of distress. Though
so profound a double-dealer, I was in no sense a hypocrite; both sides
of me were in dead earnest; I was no more myself when I laid aside
restraint and plunged in shame, than when I laboured, in the eye of
day, at the furtherance of knowledge or the relief of sorrow and
suffering. And it chanced that the direction of my scientific studies,
which led wholly toward the mystic and the transcendental, re-acted and
shed a strong light on this consciousness of the perennial war among my
members. With every day, and from both sides of my intelligence, the
moral and the intellectual, I thus drew steadily nearer to that truth,
by whose partial discovery I have been doomed to such a dreadful
shipwreck: that man is not truly one, but truly two. I say two, because
the state of my own knowledge does not pass beyond that point. Others
will follow, others will outstrip me on the same lines; and I hazard
the guess that man will be ultimately known for a mere polity of
multifarious, incongruous, and independent denizens. I, for my part,
from the nature of my life, advanced infallibly in one direction and in
one direction only. It was on the moral side, and in my own person,
that I learned to recognise the thorough and primitive duality of man;
I saw that, of the two natures that contended in the field of my
consciousness, even if I could rightly be said to be either, it was
only because I was radically both; and from an early date, even before
the course of my scientific discoveries had begun to suggest the most
naked possibility of such a miracle, I had learned to dwell with
pleasure, as a beloved day-dream, on the thought of the separation of
these elements. If each, I told myself, could but be housed in separate
identities, life would be relieved of all that was unbearable; the
unjust might go his way, delivered from the aspirations and remorse of
his more upright twin; and the just could walk steadfastly and securely
on his upward path, doing the good things in which he found his
pleasure, and no longer exposed to disgrace and penitence by the hands
of this extraneous evil. It was the curse of mankind that these
incongruous fagots were thus bound together that in the agonised womb
of consciousness, these polar twins should be continuously struggling.
How, then, were they dissociated?

I was so far in my reflections when, as I have said, a side-light began
to shine upon the subject from the laboratory table. I began to
perceive more deeply than it has ever yet been stated, the trembling
immateriality, the mist-like transience of this seemingly so solid body
in which we walk attired. Certain agents I found to have the power to
shake and to pluck back that fleshly vestment, even as a wind might
toss the curtains of a pavilion. For two good reasons, I will not enter
deeply into this scientific branch of my confession. First, because I
have been made to learn that the doom and burthen of our life is bound
for ever on man’s shoulders, and when the attempt is made to cast it
off, it but returns upon us with more unfamiliar and more awful
pressure. Second, because, as my narrative will make, alas! too
evident, my discoveries were incomplete. Enough, then, that I not only
recognised my natural body for the mere aura and effulgence of certain
of the powers that made up my spirit, but managed to compound a drug by
which these powers should be dethroned from their supremacy, and a
second form and countenance substituted, none the less natural to me
because they were the expression, and bore the stamp, of lower elements
in my soul.

I hesitated long before I put this theory to the test of practice. I
knew well that I risked death; for any drug that so potently controlled
and shook the very fortress of identity, might by the least scruple of
an overdose or at the least inopportunity in the moment of exhibition,
utterly blot out that immaterial tabernacle which I looked to it to
change. But the temptation of a discovery so singular and profound, at
last overcame the suggestions of alarm. I had long since prepared my
tincture; I purchased at once, from a firm of wholesale chemists, a
large quantity of a particular salt which I knew, from my experiments,
to be the last ingredient required; and late one accursed night, I
compounded the elements, watched them boil and smoke together in the
glass, and when the ebullition had subsided, with a strong glow of
courage, drank off the potion.

The most racking pangs succeeded: a grinding in the bones, deadly
nausea, and a horror of the spirit that cannot be exceeded at the hour
of birth or death. Then these agonies began swiftly to subside, and I
came to myself as if out of a great sickness. There was something
strange in my sensations, something indescribably new and, from its
very novelty, incredibly sweet. I felt younger, lighter, happier in
body; within I was conscious of a heady recklessness, a current of
disordered sensual images running like a mill-race in my fancy, a
solution of the bonds of obligation, an unknown but not an innocent
freedom of the soul. I knew myself, at the first breath of this new
life, to be more wicked, tenfold more wicked, sold a slave to my
original evil; and the thought, in that moment, braced and delighted me
like wine. I stretched out my hands, exulting in the freshness of these
sensations; and in the act, I was suddenly aware that I had lost in
stature.

There was no mirror, at that date, in my room; that which stands beside
me as I write, was brought there later on and for the very purpose of
these transformations. The night, however, was far gone into the
morning—the morning, black as it was, was nearly ripe for the
conception of the day—the inmates of my house were locked in the most
rigorous hours of slumber; and I determined, flushed as I was with hope
and triumph, to venture in my new shape as far as to my bedroom. I
crossed the yard, wherein the constellations looked down upon me, I
could have thought, with wonder, the first creature of that sort that
their unsleeping vigilance had yet disclosed to them; I stole through
the corridors, a stranger in my own house; and coming to my room, I saw
for the first time the appearance of Edward Hyde.

I must here speak by theory alone, saying not that which I know, but
that which I suppose to be most probable. The evil side of my nature,
to which I had now transferred the stamping efficacy, was less robust
and less developed than the good which I had just deposed. Again, in
the course of my life, which had been, after all, nine-tenths a life of
effort, virtue, and control, it had been much less exercised and much
less exhausted. And hence, as I think, it came about that Edward Hyde
was so much smaller, slighter, and younger than Henry Jekyll. Even as
good shone upon the countenance of the one, evil was written broadly
and plainly on the face of the other. Evil besides (which I must still
believe to be the lethal side of man) had left on that body an imprint
of deformity and decay. And yet when I looked upon that ugly idol in
the glass, I was conscious of no repugnance, rather of a leap of
welcome. This, too, was myself. It seemed natural and human. In my eyes
it bore a livelier image of the spirit, it seemed more express and
single, than the imperfect and divided countenance I had been hitherto
accustomed to call mine. And in so far I was doubtless right. I have
observed that when I wore the semblance of Edward Hyde, none could come
near to me at first without a visible misgiving of the flesh. This, as
I take it, was because all human beings, as we meet them, are
commingled out of good and evil: and Edward Hyde, alone in the ranks of
mankind, was pure evil.

I lingered but a moment at the mirror: the second and conclusive
experiment had yet to be attempted; it yet remained to be seen if I had
lost my identity beyond redemption and must flee before daylight from a
house that was no longer mine; and hurrying back to my cabinet, I once
more prepared and drank the cup, once more suffered the pangs of
dissolution, and came to myself once more with the character, the
stature, and the face of Henry Jekyll.

That night I had come to the fatal cross-roads. Had I approached my
discovery in a more noble spirit, had I risked the experiment while
under the empire of generous or pious aspirations, all must have been
otherwise, and from these agonies of death and birth, I had come forth
an angel instead of a fiend. The drug had no discriminating action; it
was neither diabolical nor divine; it but shook the doors of the
prison-house of my disposition; and like the captives of Philippi, that
which stood within ran forth. At that time my virtue slumbered; my
evil, kept awake by ambition, was alert and swift to seize the
occasion; and the thing that was projected was Edward Hyde. Hence,
although I had now two characters as well as two appearances, one was
wholly evil, and the other was still the old Henry Jekyll, that
incongruous compound of whose reformation and improvement I had already
learned to despair. The movement was thus wholly toward the worse.

Even at that time, I had not yet conquered my aversion to the dryness
of a life of study. I would still be merrily disposed at times; and as
my pleasures were (to say the least) undignified, and I was not only
well known and highly considered, but growing toward the elderly man,
this incoherency of my life was daily growing more unwelcome. It was on
this side that my new power tempted me until I fell in slavery. I had
but to drink the cup, to doff at once the body of the noted professor,
and to assume, like a thick cloak, that of Edward Hyde. I smiled at the
notion; it seemed to me at the time to be humorous; and I made my
preparations with the most studious care. I took and furnished that
house in Soho, to which Hyde was tracked by the police; and engaged as
housekeeper a creature whom I well knew to be silent and unscrupulous.
On the other side, I announced to my servants that a Mr. Hyde (whom I
described) was to have full liberty and power about my house in the
square; and to parry mishaps, I even called and made myself a familiar
object, in my second character. I next drew up that will to which you
so much objected; so that if anything befell me in the person of Dr.
Jekyll, I could enter on that of Edward Hyde without pecuniary loss.
And thus fortified, as I supposed, on every side, I began to profit by
the strange immunities of my position.

Men have before hired bravos to transact their crimes, while their own
person and reputation sat under shelter. I was the first that ever did
so for his pleasures. I was the first that could thus plod in the
public eye with a load of genial respectability, and in a moment, like
a schoolboy, strip off these lendings and spring headlong into the sea
of liberty. But for me, in my impenetrable mantle, the safety was
complete. Think of it—I did not even exist! Let me but escape into my
laboratory door, give me but a second or two to mix and swallow the
draught that I had always standing ready; and whatever he had done,
Edward Hyde would pass away like the stain of breath upon a mirror; and
there in his stead, quietly at home, trimming the midnight lamp in his
study, a man who could afford to laugh at suspicion, would be Henry
Jekyll.

The pleasures which I made haste to seek in my disguise were, as I have
said, undignified; I would scarce use a harder term. But in the hands
of Edward Hyde, they soon began to turn toward the monstrous. When I
would come back from these excursions, I was often plunged into a kind
of wonder at my vicarious depravity. This familiar that I called out of
my own soul, and sent forth alone to do his good pleasure, was a being
inherently malign and villainous; his every act and thought centred on
self; drinking pleasure with bestial avidity from any degree of torture
to another; relentless like a man of stone. Henry Jekyll stood at times
aghast before the acts of Edward Hyde; but the situation was apart from
ordinary laws, and insidiously relaxed the grasp of conscience. It was
Hyde, after all, and Hyde alone, that was guilty. Jekyll was no worse;
he woke again to his good qualities seemingly unimpaired; he would even
make haste, where it was possible, to undo the evil done by Hyde. And
thus his conscience slumbered.

Into the details of the infamy at which I thus connived (for even now I
can scarce grant that I committed it) I have no design of entering; I
mean but to point out the warnings and the successive steps with which
my chastisement approached. I met with one accident which, as it
brought on no consequence, I shall no more than mention. An act of
cruelty to a child aroused against me the anger of a passer-by, whom I
recognised the other day in the person of your kinsman; the doctor and
the child’s family joined him; there were moments when I feared for my
life; and at last, in order to pacify their too just resentment, Edward
Hyde had to bring them to the door, and pay them in a cheque drawn in
the name of Henry Jekyll. But this danger was easily eliminated from
the future, by opening an account at another bank in the name of Edward
Hyde himself; and when, by sloping my own hand backward, I had supplied
my double with a signature, I thought I sat beyond the reach of fate.

Some two months before the murder of Sir Danvers, I had been out for
one of my adventures, had returned at a late hour, and woke the next
day in bed with somewhat odd sensations. It was in vain I looked about
me; in vain I saw the decent furniture and tall proportions of my room
in the square; in vain that I recognised the pattern of the
bed-curtains and the design of the mahogany frame; something still kept
insisting that I was not where I was, that I had not wakened where I
seemed to be, but in the little room in Soho where I was accustomed to
sleep in the body of Edward Hyde. I smiled to myself, and, in my
psychological way began lazily to inquire into the elements of this
illusion, occasionally, even as I did so, dropping back into a
comfortable morning doze. I was still so engaged when, in one of my
more wakeful moments, my eyes fell upon my hand. Now the hand of Henry
Jekyll (as you have often remarked) was professional in shape and size:
it was large, firm, white, and comely. But the hand which I now saw,
clearly enough, in the yellow light of a mid-London morning, lying half
shut on the bed-clothes, was lean, corded, knuckly, of a dusky pallor
and thickly shaded with a swart growth of hair. It was the hand of
Edward Hyde.

I must have stared upon it for near half a minute, sunk as I was in the
mere stupidity of wonder, before terror woke up in my breast as sudden
and startling as the crash of cymbals; and bounding from my bed, I
rushed to the mirror. At the sight that met my eyes, my blood was
changed into something exquisitely thin and icy. Yes, I had gone to bed
Henry Jekyll, I had awakened Edward Hyde. How was this to be explained?
I asked myself, and then, with another bound of terror—how was it to be
remedied? It was well on in the morning; the servants were up; all my
drugs were in the cabinet—a long journey down two pairs of stairs,
through the back passage, across the open court and through the
anatomical theatre, from where I was then standing horror-struck. It
might indeed be possible to cover my face; but of what use was that,
when I was unable to conceal the alteration in my stature? And then
with an overpowering sweetness of relief, it came back upon my mind
that the servants were already used to the coming and going of my
second self. I had soon dressed, as well as I was able, in clothes of
my own size: had soon passed through the house, where Bradshaw stared
and drew back at seeing Mr. Hyde at such an hour and in such a strange
array; and ten minutes later, Dr. Jekyll had returned to his own shape
and was sitting down, with a darkened brow, to make a feint of
breakfasting.

Small indeed was my appetite. This inexplicable incident, this reversal
of my previous experience, seemed, like the Babylonian finger on the
wall, to be spelling out the letters of my judgment; and I began to
reflect more seriously than ever before on the issues and possibilities
of my double existence. That part of me which I had the power of
projecting, had lately been much exercised and nourished; it had seemed
to me of late as though the body of Edward Hyde had grown in stature,
as though (when I wore that form) I were conscious of a more generous
tide of blood; and I began to spy a danger that, if this were much
prolonged, the balance of my nature might be permanently overthrown,
the power of voluntary change be forfeited, and the character of Edward
Hyde become irrevocably mine. The power of the drug had not been always
equally displayed. Once, very early in my career, it had totally failed
me; since then I had been obliged on more than one occasion to double,
and once, with infinite risk of death, to treble the amount; and these
rare uncertainties had cast hitherto the sole shadow on my contentment.
Now, however, and in the light of that morning’s accident, I was led to
remark that whereas, in the beginning, the difficulty had been to throw
off the body of Jekyll, it had of late gradually but decidedly
transferred itself to the other side. All things therefore seemed to
point to this: that I was slowly losing hold of my original and better
self, and becoming slowly incorporated with my second and worse.

Between these two, I now felt I had to choose. My two natures had
memory in common, but all other faculties were most unequally shared
between them. Jekyll (who was composite) now with the most sensitive
apprehensions, now with a greedy gusto, projected and shared in the
pleasures and adventures of Hyde; but Hyde was indifferent to Jekyll,
or but remembered him as the mountain bandit remembers the cavern in
which he conceals himself from pursuit. Jekyll had more than a father’s
interest; Hyde had more than a son’s indifference. To cast in my lot
with Jekyll, was to die to those appetites which I had long secretly
indulged and had of late begun to pamper. To cast it in with Hyde, was
to die to a thousand interests and aspirations, and to become, at a
blow and for ever, despised and friendless. The bargain might appear
unequal; but there was still another consideration in the scales; for
while Jekyll would suffer smartingly in the fires of abstinence, Hyde
would be not even conscious of all that he had lost. Strange as my
circumstances were, the terms of this debate are as old and commonplace
as man; much the same inducements and alarms cast the die for any
tempted and trembling sinner; and it fell out with me, as it falls with
so vast a majority of my fellows, that I chose the better part and was
found wanting in the strength to keep to it.

Yes, I preferred the elderly and discontented doctor, surrounded by
friends and cherishing honest hopes; and bade a resolute farewell to
the liberty, the comparative youth, the light step, leaping impulses
and secret pleasures, that I had enjoyed in the disguise of Hyde. I
made this choice perhaps with some unconscious reservation, for I
neither gave up the house in Soho, nor destroyed the clothes of Edward
Hyde, which still lay ready in my cabinet. For two months, however, I
was true to my determination; for two months I led a life of such
severity as I had never before attained to, and enjoyed the
compensations of an approving conscience. But time began at last to
obliterate the freshness of my alarm; the praises of conscience began
to grow into a thing of course; I began to be tortured with throes and
longings, as of Hyde struggling after freedom; and at last, in an hour
of moral weakness, I once again compounded and swallowed the
transforming draught.

I do not suppose that, when a drunkard reasons with himself upon his
vice, he is once out of five hundred times affected by the dangers that
he runs through his brutish, physical insensibility; neither had I,
long as I had considered my position, made enough allowance for the
complete moral insensibility and insensate readiness to evil, which
were the leading characters of Edward Hyde. Yet it was by these that I
was punished. My devil had been long caged, he came out roaring. I was
conscious, even when I took the draught, of a more unbridled, a more
furious propensity to ill. It must have been this, I suppose, that
stirred in my soul that tempest of impatience with which I listened to
the civilities of my unhappy victim; I declare, at least, before God,
no man morally sane could have been guilty of that crime upon so
pitiful a provocation; and that I struck in no more reasonable spirit
than that in which a sick child may break a plaything. But I had
voluntarily stripped myself of all those balancing instincts by which
even the worst of us continues to walk with some degree of steadiness
among temptations; and in my case, to be tempted, however slightly, was
to fall.

Instantly the spirit of hell awoke in me and raged. With a transport of
glee, I mauled the unresisting body, tasting delight from every blow;
and it was not till weariness had begun to succeed, that I was
suddenly, in the top fit of my delirium, struck through the heart by a
cold thrill of terror. A mist dispersed; I saw my life to be forfeit;
and fled from the scene of these excesses, at once glorying and
trembling, my lust of evil gratified and stimulated, my love of life
screwed to the topmost peg. I ran to the house in Soho, and (to make
assurance doubly sure) destroyed my papers; thence I set out through
the lamplit streets, in the same divided ecstasy of mind, gloating on
my crime, light-headedly devising others in the future, and yet still
hastening and still hearkening in my wake for the steps of the avenger.
Hyde had a song upon his lips as he compounded the draught, and as he
drank it, pledged the dead man. The pangs of transformation had not
done tearing him, before Henry Jekyll, with streaming tears of
gratitude and remorse, had fallen upon his knees and lifted his clasped
hands to God. The veil of self-indulgence was rent from head to foot, I
saw my life as a whole: I followed it up from the days of childhood,
when I had walked with my father’s hand, and through the self-denying
toils of my professional life, to arrive again and again, with the same
sense of unreality, at the damned horrors of the evening. I could have
screamed aloud; I sought with tears and prayers to smother down the
crowd of hideous images and sounds with which my memory swarmed against
me; and still, between the petitions, the ugly face of my iniquity
stared into my soul. As the acuteness of this remorse began to die
away, it was succeeded by a sense of joy. The problem of my conduct was
solved. Hyde was thenceforth impossible; whether I would or not, I was
now confined to the better part of my existence; and oh, how I rejoiced
to think it! with what willing humility, I embraced anew the
restrictions of natural life! with what sincere renunciation, I locked
the door by which I had so often gone and come, and ground the key
under my heel!

The next day, came the news that the murder not had been overlooked,
that the guilt of Hyde was patent to the world, and that the victim was
a man high in public estimation. It was not only a crime, it had been a
tragic folly. I think I was glad to know it; I think I was glad to have
my better impulses thus buttressed and guarded by the terrors of the
scaffold. Jekyll was now my city of refuge; let but Hyde peep out an
instant, and the hands of all men would be raised to take and slay him.

I resolved in my future conduct to redeem the past; and I can say with
honesty that my resolve was fruitful of some good. You know yourself
how earnestly in the last months of last year, I laboured to relieve
suffering; you know that much was done for others, and that the days
passed quietly, almost happily for myself. Nor can I truly say that I
wearied of this beneficent and innocent life; I think instead that I
daily enjoyed it more completely; but I was still cursed with my
duality of purpose; and as the first edge of my penitence wore off, the
lower side of me, so long indulged, so recently chained down, began to
growl for licence. Not that I dreamed of resuscitating Hyde; the bare
idea of that would startle me to frenzy: no, it was in my own person,
that I was once more tempted to trifle with my conscience; and it was
as an ordinary secret sinner, that I at last fell before the assaults
of temptation.

There comes an end to all things; the most capacious measure is filled
at last; and this brief condescension to evil finally destroyed the
balance of my soul. And yet I was not alarmed; the fall seemed natural,
like a return to the old days before I had made discovery. It was a
fine, clear, January day, wet under foot where the frost had melted,
but cloudless overhead; and the Regent’s Park was full of winter
chirrupings and sweet with spring odours. I sat in the sun on a bench;
the animal within me licking the chops of memory; the spiritual side a
little drowsed, promising subsequent penitence, but not yet moved to
begin. After all, I reflected, I was like my neighbours; and then I
smiled, comparing myself with other men, comparing my active goodwill
with the lazy cruelty of their neglect. And at the very moment of that
vain-glorious thought, a qualm came over me, a horrid nausea and the
most deadly shuddering. These passed away, and left me faint; and then
as in its turn the faintness subsided, I began to be aware of a change
in the temper of my thoughts, a greater boldness, a contempt of danger,
a solution of the bonds of obligation. I looked down; my clothes hung
formlessly on my shrunken limbs; the hand that lay on my knee was
corded and hairy. I was once more Edward Hyde. A moment before I had
been safe of all men’s respect, wealthy, beloved—the cloth laying for
me in the dining-room at home; and now I was the common quarry of
mankind, hunted, houseless, a known murderer, thrall to the gallows.

My reason wavered, but it did not fail me utterly. I have more than
once observed that, in my second character, my faculties seemed
sharpened to a point and my spirits more tensely elastic; thus it came
about that, where Jekyll perhaps might have succumbed, Hyde rose to the
importance of the moment. My drugs were in one of the presses of my
cabinet; how was I to reach them? That was the problem that (crushing
my temples in my hands) I set myself to solve. The laboratory door I
had closed. If I sought to enter by the house, my own servants would
consign me to the gallows. I saw I must employ another hand, and
thought of Lanyon. How was he to be reached? how persuaded? Supposing
that I escaped capture in the streets, how was I to make my way into
his presence? and how should I, an unknown and displeasing visitor,
prevail on the famous physician to rifle the study of his colleague,
Dr. Jekyll? Then I remembered that of my original character, one part
remained to me: I could write my own hand; and once I had conceived
that kindling spark, the way that I must follow became lighted up from
end to end.

Thereupon, I arranged my clothes as best I could, and summoning a
passing hansom, drove to an hotel in Portland Street, the name of which
I chanced to remember. At my appearance (which was indeed comical
enough, however tragic a fate these garments covered) the driver could
not conceal his mirth. I gnashed my teeth upon him with a gust of
devilish fury; and the smile withered from his face—happily for him—yet
more happily for myself, for in another instant I had certainly dragged
him from his perch. At the inn, as I entered, I looked about me with so
black a countenance as made the attendants tremble; not a look did they
exchange in my presence; but obsequiously took my orders, led me to a
private room, and brought me wherewithal to write. Hyde in danger of
his life was a creature new to me; shaken with inordinate anger, strung
to the pitch of murder, lusting to inflict pain. Yet the creature was
astute; mastered his fury with a great effort of the will; composed his
two important letters, one to Lanyon and one to Poole; and that he
might receive actual evidence of their being posted, sent them out with
directions that they should be registered.

Thenceforward, he sat all day over the fire in the private room,
gnawing his nails; there he dined, sitting alone with his fears, the
waiter visibly quailing before his eye; and thence, when the night was
fully come, he set forth in the corner of a closed cab, and was driven
to and fro about the streets of the city. He, I say—I cannot say, I.
That child of Hell had nothing human; nothing lived in him but fear and
hatred. And when at last, thinking the driver had begun to grow
suspicious, he discharged the cab and ventured on foot, attired in his
misfitting clothes, an object marked out for observation, into the
midst of the nocturnal passengers, these two base passions raged within
him like a tempest. He walked fast, hunted by his fears, chattering to
himself, skulking through the less-frequented thoroughfares, counting
the minutes that still divided him from midnight. Once a woman spoke to
him, offering, I think, a box of lights. He smote her in the face, and
she fled.

When I came to myself at Lanyon’s, the horror of my old friend perhaps
affected me somewhat: I do not know; it was at least but a drop in the
sea to the abhorrence with which I looked back upon these hours. A
change had come over me. It was no longer the fear of the gallows, it
was the horror of being Hyde that racked me. I received Lanyon’s
condemnation partly in a dream; it was partly in a dream that I came
home to my own house and got into bed. I slept after the prostration of
the day, with a stringent and profound slumber which not even the
nightmares that wrung me could avail to break. I awoke in the morning
shaken, weakened, but refreshed. I still hated and feared the thought
of the brute that slept within me, and I had not of course forgotten
the appalling dangers of the day before; but I was once more at home,
in my own house and close to my drugs; and gratitude for my escape
shone so strong in my soul that it almost rivalled the brightness of
hope.

I was stepping leisurely across the court after breakfast, drinking the
chill of the air with pleasure, when I was seized again with those
indescribable sensations that heralded the change; and I had but the
time to gain the shelter of my cabinet, before I was once again raging
and freezing with the passions of Hyde. It took on this occasion a
double dose to recall me to myself; and alas! Six hours after, as I sat
looking sadly in the fire, the pangs returned, and the drug had to be
re-administered. In short, from that day forth it seemed only by a
great effort as of gymnastics, and only under the immediate stimulation
of the drug, that I was able to wear the countenance of Jekyll. At all
hours of the day and night, I would be taken with the premonitory
shudder; above all, if I slept, or even dozed for a moment in my chair,
it was always as Hyde that I awakened. Under the strain of this
continually-impending doom and by the sleeplessness to which I now
condemned myself, ay, even beyond what I had thought possible to man, I
became, in my own person, a creature eaten up and emptied by fever,
languidly weak both in body and mind, and solely occupied by one
thought: the horror of my other self. But when I slept, or when the
virtue of the medicine wore off, I would leap almost without transition
(for the pangs of transformation grew daily less marked) into the
possession of a fancy brimming with images of terror, a soul boiling
with causeless hatreds, and a body that seemed not strong enough to
contain the raging energies of life. The powers of Hyde seemed to have
grown with the sickliness of Jekyll. And certainly the hate that now
divided them was equal on each side. With Jekyll, it was a thing of
vital instinct. He had now seen the full deformity of that creature
that shared with him some of the phenomena of consciousness, and was
co-heir with him to death: and beyond these links of community, which
in themselves made the most poignant part of his distress, he thought
of Hyde, for all his energy of life, as of something not only hellish
but inorganic. This was the shocking thing; that the slime of the pit
seemed to utter cries and voices; that the amorphous dust gesticulated
and sinned; that what was dead, and had no shape, should usurp the
offices of life. And this again, that that insurgent horror was knit to
him closer than a wife, closer than an eye; lay caged in his flesh,
where he heard it mutter and felt it struggle to be born; and at every
hour of weakness, and in the confidence of slumber, prevailed against
him and deposed him out of life. The hatred of Hyde for Jekyll, was of
a different order. His terror of the gallows drove him continually to
commit temporary suicide, and return to his subordinate station of a
part instead of a person; but he loathed the necessity, he loathed the
despondency into which Jekyll was now fallen, and he resented the
dislike with which he was himself regarded. Hence the ape-like tricks
that he would play me, scrawling in my own hand blasphemies on the
pages of my books, burning the letters and destroying the portrait of
my father; and indeed, had it not been for his fear of death, he would
long ago have ruined himself in order to involve me in the ruin. But
his love of life is wonderful; I go further: I, who sicken and freeze
at the mere thought of him, when I recall the abjection and passion of
this attachment, and when I know how he fears my power to cut him off
by suicide, I find it in my heart to pity him.

It is useless, and the time awfully fails me, to prolong this
description; no one has ever suffered such torments, let that suffice;
and yet even to these, habit brought—no, not alleviation—but a certain
callousness of soul, a certain acquiescence of despair; and my
punishment might have gone on for years, but for the last calamity
which has now fallen, and which has finally severed me from my own face
and nature. My provision of the salt, which had never been renewed
since the date of the first experiment, began to run low. I sent out
for a fresh supply, and mixed the draught; the ebullition followed, and
the first change of colour, not the second; I drank it and it was
without efficiency. You will learn from Poole how I have had London
ransacked; it was in vain; and I am now persuaded that my first supply
was impure, and that it was that unknown impurity which lent efficacy
to the draught.

About a week has passed, and I am now finishing this statement under
the influence of the last of the old powders. This, then, is the last
time, short of a miracle, that Henry Jekyll can think his own thoughts
or see his own face (now how sadly altered!) in the glass. Nor must I
delay too long to bring my writing to an end; for if my narrative has
hitherto escaped destruction, it has been by a combination of great
prudence and great good luck. Should the throes of change take me in
the act of writing it, Hyde will tear it in pieces; but if some time
shall have elapsed after I have laid it by, his wonderful selfishness
and Circumscription to the moment will probably save it once again from
the action of his ape-like spite. And indeed the doom that is closing
on us both, has already changed and crushed him. Half an hour from now,
when I shall again and for ever re-indue that hated personality, I know
how I shall sit shuddering and weeping in my chair, or continue, with
the most strained and fear-struck ecstasy of listening, to pace up and
down this room (my last earthly refuge) and give ear to every sound of
menace. Will Hyde die upon the scaffold? or will he find courage to
release himself at the last moment? God knows; I am careless; this is
my true hour of death, and what is to follow concerns another than
myself. Here then, as I lay down the pen and proceed to seal up my
confession, I bring the life of that unhappy Henry Jekyll to an end.

[Illustration]

THE SONG OF THE LARK

By Willa Cather

(1915 edition)

CONTENTS

PART I. FRIENDS OF CHILDHOOD
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX

PART II. THE SONG OF THE LARK
I
II
III
IV
V
VI
VII
VIII
IX
X
XI

PART III. STUPID FACES
I
II
III
IV
V
VI

PART IV. THE ANCIENT PEOPLE
I
II
III
IV
V
VI
VII
VIII

PART V. DR. ARCHIE’S VENTURE
I
II
III
IV
V

PART VI. KRONBORG
I
II
III
IV
V
VI
VII
VIII
IX
X
XI

EPILOGUE

PART I.
FRIENDS OF CHILDHOOD

I

Dr. Howard Archie had just come up from a game of pool with the Jewish
clothier and two traveling men who happened to be staying overnight in
Moonstone. His offices were in the Duke Block, over the drug store.
Larry, the doctor’s man, had lit the overhead light in the waiting-room
and the double student’s lamp on the desk in the study. The isinglass
sides of the hard-coal burner were aglow, and the air in the study was
so hot that as he came in the doctor opened the door into his little
operating-room, where there was no stove. The waiting room was carpeted
and stiffly furnished, something like a country parlor. The study had
worn, unpainted floors, but there was a look of winter comfort about
it. The doctor’s flat-top desk was large and well made; the papers were
in orderly piles, under glass weights. Behind the stove a wide
bookcase, with double glass doors, reached from the floor to the
ceiling. It was filled with medical books of every thickness and color.
On the top shelf stood a long row of thirty or forty volumes, bound all
alike in dark mottled board covers, with imitation leather backs.

As the doctor in New England villages is proverbially old, so the
doctor in small Colorado towns twenty-five years ago was generally
young. Dr. Archie was barely thirty. He was tall, with massive
shoulders which he held stiffly, and a large, well-shaped head. He was
a distinguished-looking man, for that part of the world, at least.

There was something individual in the way in which his reddish-brown
hair, parted cleanly at the side, bushed over his high forehead. His
nose was straight and thick, and his eyes were intelligent. He wore a
curly, reddish mustache and an imperial, cut trimly, which made him
look a little like the pictures of Napoleon III. His hands were large
and well kept, but ruggedly formed, and the backs were shaded with
crinkly reddish hair. He wore a blue suit of woolly, wide-waled serge;
the traveling men had known at a glance that it was made by a Denver
tailor. The doctor was always well dressed.

Dr. Archie turned up the student’s lamp and sat down in the swivel
chair before his desk. He sat uneasily, beating a tattoo on his knees
with his fingers, and looked about him as if he were bored. He glanced
at his watch, then absently took from his pocket a bunch of small keys,
selected one and looked at it. A contemptuous smile, barely
perceptible, played on his lips, but his eyes remained meditative.
Behind the door that led into the hall, under his buffalo-skin
driving-coat, was a locked cupboard. This the doctor opened
mechanically, kicking aside a pile of muddy overshoes. Inside, on the
shelves, were whiskey glasses and decanters, lemons, sugar, and
bitters. Hearing a step in the empty, echoing hall without, the doctor
closed the cupboard again, snapping the Yale lock. The door of the
waiting-room opened, a man entered and came on into the
consulting-room.

“Good-evening, Mr. Kronborg,” said the doctor carelessly. “Sit down.”

His visitor was a tall, loosely built man, with a thin brown beard,
streaked with gray. He wore a frock coat, a broad-brimmed black hat, a
white lawn necktie, and steel rimmed spectacles. Altogether there was a
pretentious and important air about him, as he lifted the skirts of his
coat and sat down.

“Good-evening, doctor. Can you step around to the house with me? I
think Mrs. Kronborg will need you this evening.” This was said with
profound gravity and, curiously enough, with a slight embarrassment.

“Any hurry?” the doctor asked over his shoulder as he went into his
operating-room.

Mr. Kronborg coughed behind his hand, and contracted his brows. His
face threatened at every moment to break into a smile of foolish
excitement. He controlled it only by calling upon his habitual pulpit
manner. “Well, I think it would be as well to go immediately. Mrs.
Kronborg will be more comfortable if you are there. She has been
suffering for some time.”

The doctor came back and threw a black bag upon his desk. He wrote some
instructions for his man on a prescription pad and then drew on his
overcoat. “All ready,” he announced, putting out his lamp. Mr. Kronborg
rose and they tramped through the empty hall and down the stairway to
the street. The drug store below was dark, and the saloon next door was
just closing. Every other light on Main Street was out.

On either side of the road and at the outer edge of the board sidewalk,
the snow had been shoveled into breastworks. The town looked small and
black, flattened down in the snow, muffled and all but extinguished.
Overhead the stars shone gloriously. It was impossible not to notice
them. The air was so clear that the white sand hills to the east of
Moonstone gleamed softly. Following the Reverend Mr. Kronborg along the
narrow walk, past the little dark, sleeping houses, the doctor looked
up at the flashing night and whistled softly. It did seem that people
were stupider than they need be; as if on a night like this there ought
to be something better to do than to sleep nine hours, or to assist
Mrs. Kronborg in functions which she could have performed so admirably
unaided. He wished he had gone down to Denver to hear Fay Templeton
sing “See-Saw.” Then he remembered that he had a personal interest in
this family, after all. They turned into another street and saw before
them lighted windows; a low story-and-a-half house, with a wing built
on at the right and a kitchen addition at the back, everything a little
on the slant—roofs, windows, and doors. As they approached the gate,
Peter Kronborg’s pace grew brisker. His nervous, ministerial cough
annoyed the doctor. “Exactly as if he were going to give out a text,”
he thought. He drew off his glove and felt in his vest pocket. “Have a
troche, Kronborg,” he said, producing some. “Sent me for samples. Very
good for a rough throat.”

“Ah, thank you, thank you. I was in something of a hurry. I neglected
to put on my overshoes. Here we are, doctor.” Kronborg opened his front
door—seemed delighted to be at home again.

The front hall was dark and cold; the hatrack was hung with an
astonishing number of children’s hats and caps and cloaks. They were
even piled on the table beneath the hatrack. Under the table was a heap
of rubbers and overshoes. While the doctor hung up his coat and hat,
Peter Kronborg opened the door into the living-room. A glare of light
greeted them, and a rush of hot, stale air, smelling of warming
flannels.

At three o’clock in the morning Dr. Archie was in the parlor putting on
his cuffs and coat—there was no spare bedroom in that house. Peter
Kronborg’s seventh child, a boy, was being soothed and cosseted by his
aunt, Mrs. Kronborg was asleep, and the doctor was going home. But he
wanted first to speak to Kronborg, who, coatless and fluttery, was
pouring coal into the kitchen stove. As the doctor crossed the
dining-room he paused and listened. From one of the wing rooms, off to
the left, he heard rapid, distressed breathing. He went to the kitchen
door.

“One of the children sick in there?” he asked, nodding toward the
partition.

Kronborg hung up the stove-lifter and dusted his fingers. “It must be
Thea. I meant to ask you to look at her. She has a croupy cold. But in
my excitement—Mrs. Kronborg is doing finely, eh, doctor? Not many of
your patients with such a constitution, I expect.”

“Oh, yes. She’s a fine mother.” The doctor took up the lamp from the
kitchen table and unceremoniously went into the wing room. Two chubby
little boys were asleep in a double bed, with the coverlids over their
noses and their feet drawn up. In a single bed, next to theirs, lay a
little girl of eleven, wide awake, two yellow braids sticking up on the
pillow behind her. Her face was scarlet and her eyes were blazing.

The doctor shut the door behind him. “Feel pretty sick, Thea?” he asked
as he took out his thermometer. “Why didn’t you call somebody?”

She looked at him with greedy affection. “I thought you were here,” she
spoke between quick breaths. “There is a new baby, isn’t there? Which?”

“Which?” repeated the doctor.

“Brother or sister?”

He smiled and sat down on the edge of the bed. “Brother,” he said,
taking her hand. “Open.”

“Good. Brothers are better,” she murmured as he put the glass tube
under her tongue.

“Now, be still, I want to count.” Dr. Archie reached for her hand and
took out his watch. When he put her hand back under the quilt he went
over to one of the windows—they were both tight shut—and lifted it a
little way. He reached up and ran his hand along the cold, unpapered
wall. “Keep under the covers; I’ll come back to you in a moment,” he
said, bending over the glass lamp with his thermometer. He winked at
her from the door before he shut it.

Peter Kronborg was sitting in his wife’s room, holding the bundle which
contained his son. His air of cheerful importance, his beard and
glasses, even his shirt-sleeves, annoyed the doctor. He beckoned
Kronborg into the living-room and said sternly:—

“You’ve got a very sick child in there. Why didn’t you call me before?
It’s pneumonia, and she must have been sick for several days. Put the
baby down somewhere, please, and help me make up the bed-lounge here in
the parlor. She’s got to be in a warm room, and she’s got to be quiet.
You must keep the other children out. Here, this thing opens up, I
see,” swinging back the top of the carpet lounge. “We can lift her
mattress and carry her in just as she is. I don’t want to disturb her
more than is necessary.”

Kronborg was all concern immediately. The two men took up the mattress
and carried the sick child into the parlor. “I’ll have to go down to my
office to get some medicine, Kronborg. The drug store won’t be open.
Keep the covers on her. I won’t be gone long. Shake down the stove and
put on a little coal, but not too much; so it’ll catch quickly, I mean.
Find an old sheet for me, and put it there to warm.”

The doctor caught his coat and hurried out into the dark street. Nobody
was stirring yet, and the cold was bitter. He was tired and hungry and
in no mild humor. “The idea!” he muttered; “to be such an ass at his
age, about the seventh! And to feel no responsibility about the little
girl. Silly old goat! The baby would have got into the world somehow;
they always do. But a nice little girl like that—she’s worth the whole
litter. Where she ever got it from—” He turned into the Duke Block and
ran up the stairs to his office.

Thea Kronborg, meanwhile, was wondering why she happened to be in the
parlor, where nobody but company—usually visiting preachers—ever slept.
She had moments of stupor when she did not see anything, and moments of
excitement when she felt that something unusual and pleasant was about
to happen, when she saw everything clearly in the red light from the
isinglass sides of the hard-coal burner—the nickel trimmings on the
stove itself, the pictures on the wall, which she thought very
beautiful, the flowers on the Brussels carpet, Czerny’s “Daily Studies”
which stood open on the upright piano. She forgot, for the time being,
all about the new baby.

When she heard the front door open, it occurred to her that the
pleasant thing which was going to happen was Dr. Archie himself. He
came in and warmed his hands at the stove. As he turned to her, she
threw herself wearily toward him, half out of her bed. She would have
tumbled to the floor had he not caught her. He gave her some medicine
and went to the kitchen for something he needed. She drowsed and lost
the sense of his being there. When she opened her eyes again, he was
kneeling before the stove, spreading something dark and sticky on a
white cloth, with a big spoon; batter, perhaps. Presently she felt him
taking off her nightgown. He wrapped the hot plaster about her chest.
There seemed to be straps which he pinned over her shoulders. Then he
took out a thread and needle and began to sew her up in it. That, she
felt, was too strange; she must be dreaming anyhow, so she succumbed to
her drowsiness.

Thea had been moaning with every breath since the doctor came back, but
she did not know it. She did not realize that she was suffering pain.
When she was conscious at all, she seemed to be separated from her
body; to be perched on top of the piano, or on the hanging lamp,
watching the doctor sew her up. It was perplexing and unsatisfactory,
like dreaming. She wished she could waken up and see what was going on.

The doctor thanked God that he had persuaded Peter Kronborg to keep out
of the way. He could do better by the child if he had her to himself.
He had no children of his own. His marriage was a very unhappy one. As
he lifted and undressed Thea, he thought to himself what a beautiful
thing a little girl’s body was,—like a flower. It was so neatly and
delicately fashioned, so soft, and so milky white. Thea must have got
her hair and her silky skin from her mother. She was a little Swede,
through and through. Dr. Archie could not help thinking how he would
cherish a little creature like this if she were his. Her hands, so
little and hot, so clever, too,—he glanced at the open exercise book on
the piano. When he had stitched up the flaxseed jacket, he wiped it
neatly about the edges, where the paste had worked out on the skin. He
put on her the clean nightgown he had warmed before the fire, and
tucked the blankets about her. As he pushed back the hair that had
fuzzed down over her eyebrows, he felt her head thoughtfully with the
tips of his fingers. No, he couldn’t say that it was different from any
other child’s head, though he believed that there was something very
different about her. He looked intently at her wide, flushed face,
freckled nose, fierce little mouth, and her delicate, tender chin—the
one soft touch in her hard little Scandinavian face, as if some fairy
godmother had caressed her there and left a cryptic promise. Her brows
were usually drawn together defiantly, but never when she was with Dr.
Archie. Her affection for him was prettier than most of the things that
went to make up the doctor’s life in Moonstone.

The windows grew gray. He heard a tramping on the attic floor, on the
back stairs, then cries: “Give me my shirt!” “Where’s my other
stocking?”

“I’ll have to stay till they get off to school,” he reflected, “or
they’ll be in here tormenting her, the whole lot of them.”

II

For the next four days it seemed to Dr. Archie that his patient might
slip through his hands, do what he might. But she did not. On the
contrary, after that she recovered very rapidly. As her father
remarked, she must have inherited the “constitution” which he was never
tired of admiring in her mother.

One afternoon, when her new brother was a week old, the doctor found
Thea very comfortable and happy in her bed in the parlor. The sunlight
was pouring in over her shoulders, the baby was asleep on a pillow in a
big rocking-chair beside her. Whenever he stirred, she put out her hand
and rocked him. Nothing of him was visible but a flushed, puffy
forehead and an uncompromisingly big, bald cranium. The door into her
mother’s room stood open, and Mrs. Kronborg was sitting up in bed
darning stockings. She was a short, stalwart woman, with a short neck
and a determined-looking head. Her skin was very fair, her face calm
and unwrinkled, and her yellow hair, braided down her back as she lay
in bed, still looked like a girl’s. She was a woman whom Dr. Archie
respected; active, practical, unruffled; goodhumored, but determined.
Exactly the sort of woman to take care of a flighty preacher. She had
brought her husband some property, too,—one fourth of her father’s
broad acres in Nebraska,—but this she kept in her own name. She had
profound respect for her husband’s erudition and eloquence. She sat
under his preaching with deep humility, and was as much taken in by his
stiff shirt and white neckties as if she had not ironed them herself by
lamplight the night before they appeared correct and spotless in the
pulpit. But for all this, she had no confidence in his administration
of worldly affairs. She looked to him for morning prayers and grace at
table; she expected him to name the babies and to supply whatever
parental sentiment there was in the house, to remember birthdays and
anniversaries, to point the children to moral and patriotic ideals. It
was her work to keep their bodies, their clothes, and their conduct in
some sort of order, and this she accomplished with a success that was a
source of wonder to her neighbors. As she used to remark, and her
husband admiringly to echo, she “had never lost one.” With all his
flightiness, Peter Kronborg appreciated the matter-of-fact, punctual
way in which his wife got her children into the world and along in it.
He believed, and he was right in believing, that the sovereign State of
Colorado was much indebted to Mrs. Kronborg and women like her.

Mrs. Kronborg believed that the size of every family was decided in
heaven. More modern views would not have startled her; they would
simply have seemed foolish—thin chatter, like the boasts of the men who
built the tower of Babel, or like Axel’s plan to breed ostriches in the
chicken yard. From what evidence Mrs. Kronborg formed her opinions on
this and other matters, it would have been difficult to say, but once
formed, they were unchangeable. She would no more have questioned her
convictions than she would have questioned revelation. Calm and even
tempered, naturally kind, she was capable of strong prejudices, and she
never forgave.

When the doctor came in to see Thea, Mrs. Kronborg was reflecting that
the washing was a week behind, and deciding what she had better do
about it. The arrival of a new baby meant a revision of her entire
domestic schedule, and as she drove her needle along she had been
working out new sleeping arrangements and cleaning days. The doctor had
entered the house without knocking, after making noise enough in the
hall to prepare his patients. Thea was reading, her book propped up
before her in the sunlight.

“Mustn’t do that; bad for your eyes,” he said, as Thea shut the book
quickly and slipped it under the covers.

Mrs. Kronborg called from her bed: “Bring the baby here, doctor, and
have that chair. She wanted him in there for company.”

Before the doctor picked up the baby, he put a yellow paper bag down on
Thea’s coverlid and winked at her. They had a code of winks and
grimaces. When he went in to chat with her mother, Thea opened the bag
cautiously, trying to keep it from crackling. She drew out a long bunch
of white grapes, with a little of the sawdust in which they had been
packed still clinging to them. They were called Malaga grapes in
Moonstone, and once or twice during the winter the leading grocer got a
keg of them. They were used mainly for table decoration, about
Christmas-time. Thea had never had more than one grape at a time
before. When the doctor came back she was holding the almost
transparent fruit up in the sunlight, feeling the pale-green skins
softly with the tips of her fingers. She did not thank him; she only
snapped her eyes at him in a special way which he understood, and, when
he gave her his hand, put it quickly and shyly under her cheek, as if
she were trying to do so without knowing it—and without his knowing it.

Dr. Archie sat down in the rocking-chair. “And how’s Thea feeling
to-day?”

He was quite as shy as his patient, especially when a third person
overheard his conversation. Big and handsome and superior to his fellow
townsmen as Dr. Archie was, he was seldom at his ease, and like Peter
Kronborg he often dodged behind a professional manner. There was
sometimes a contraction of embarrassment and self consciousness all
over his big body, which made him awkward—likely to stumble, to kick up
rugs, or to knock over chairs. If any one was very sick, he forgot
himself, but he had a clumsy touch in convalescent gossip.

Thea curled up on her side and looked at him with pleasure. “All right.
I like to be sick. I have more fun then than other times.”

“How’s that?”

“I don’t have to go to school, and I don’t have to practice. I can read
all I want to, and have good things,”—she patted the grapes. “I had
lots of fun that time I mashed my finger and you wouldn’t let Professor
Wunsch make me practice. Only I had to do left hand, even then. I think
that was mean.”

The doctor took her hand and examined the forefinger, where the nail
had grown back a little crooked. “You mustn’t trim it down close at the
corner there, and then it will grow straight. You won’t want it crooked
when you’re a big girl and wear rings and have sweethearts.”

She made a mocking little face at him and looked at his new scarf-pin.
“That’s the prettiest one you ev-ER had. I wish you’d stay a long while
and let me look at it. What is it?”

Dr. Archie laughed. “It’s an opal. Spanish Johnny brought it up for me
from Chihuahua in his shoe. I had it set in Denver, and I wore it
to-day for your benefit.”

Thea had a curious passion for jewelry. She wanted every shining stone
she saw, and in summer she was always going off into the sand hills to
hunt for crystals and agates and bits of pink chalcedony. She had two
cigar boxes full of stones that she had found or traded for, and she
imagined that they were of enormous value. She was always planning how
she would have them set.

“What are you reading?” The doctor reached under the covers and pulled
out a book of Byron’s poems. “Do you like this?”

She looked confused, turned over a few pages rapidly, and pointed to
“My native land, good-night.” “That,” she said sheepishly.

“How about ‘Maid of Athens’?”

She blushed and looked at him suspiciously. “I like ‘There was a sound
of revelry,’” she muttered.

The doctor laughed and closed the book. It was clumsily bound in padded
leather and had been presented to the Reverend Peter Kronborg by his
Sunday-School class as an ornament for his parlor table.

“Come into the office some day, and I’ll lend you a nice book. You can
skip the parts you don’t understand. You can read it in vacation.
Perhaps you’ll be able to understand all of it by then.”

Thea frowned and looked fretfully toward the piano. “In vacation I have
to practice four hours every day, and then there’ll be Thor to take
care of.” She pronounced it “Tor.”

“Thor? Oh, you’ve named the baby Thor?” exclaimed the doctor.

Thea frowned again, still more fiercely, and said quickly, “That’s a
nice name, only maybe it’s a little—old fashioned.” She was very
sensitive about being thought a foreigner, and was proud of the fact
that, in town, her father always preached in English; very bookish
English, at that, one might add.

Born in an old Scandinavian colony in Minnesota, Peter Kronborg had
been sent to a small divinity school in Indiana by the women of a
Swedish evangelical mission, who were convinced of his gifts and who
skimped and begged and gave church suppers to get the long, lazy youth
through the seminary. He could still speak enough Swedish to exhort and
to bury the members of his country church out at Copper Hole, and he
wielded in his Moonstone pulpit a somewhat pompous English vocabulary
he had learned out of books at college. He always spoke of “the infant
Saviour,” “our Heavenly Father,” etc. The poor man had no natural,
spontaneous human speech. If he had his sincere moments, they were
perforce inarticulate. Probably a good deal of his pretentiousness was
due to the fact that he habitually expressed himself in a book learned
language, wholly remote from anything personal, native, or homely. Mrs.
Kronborg spoke Swedish to her own sisters and to her sister-in-law
Tillie, and colloquial English to her neighbors. Thea, who had a rather
sensitive ear, until she went to school never spoke at all, except in
monosyllables, and her mother was convinced that she was tongue-tied.
She was still inept in speech for a child so intelligent. Her ideas
were usually clear, but she seldom attempted to explain them, even at
school, where she excelled in “written work” and never did more than
mutter a reply.

“Your music professor stopped me on the street to-day and asked me how
you were,” said the doctor, rising. “He’ll be sick himself, trotting
around in this slush with no overcoat or overshoes.”

“He’s poor,” said Thea simply.

The doctor sighed. “I’m afraid he’s worse than that. Is he always all
right when you take your lessons? Never acts as if he’d been drinking?”

Thea looked angry and spoke excitedly. “He knows a lot. More than
anybody. I don’t care if he does drink; he’s old and poor.” Her voice
shook a little.

Mrs. Kronborg spoke up from the next room. “He’s a good teacher,
doctor. It’s good for us he does drink. He’d never be in a little place
like this if he didn’t have some weakness. These women that teach music
around here don’t know nothing. I wouldn’t have my child wasting time
with them. If Professor Wunsch goes away, Thea’ll have nobody to take
from. He’s careful with his scholars; he don’t use bad language. Mrs.
Kohler is always present when Thea takes her lesson. It’s all right.”
Mrs. Kronborg spoke calmly and judicially. One could see that she had
thought the matter out before.

“I’m glad to hear that, Mrs. Kronborg. I wish we could get the old man
off his bottle and keep him tidy. Do you suppose if I gave you an old
overcoat you could get him to wear it?” The doctor went to the bedroom
door and Mrs. Kronborg looked up from her darning.

“Why, yes, I guess he’d be glad of it. He’ll take most anything from
me. He won’t buy clothes, but I guess he’d wear ’em if he had ’em. I’ve
never had any clothes to give him, having so many to make over for.”

“I’ll have Larry bring the coat around to-night. You aren’t cross with
me, Thea?” taking her hand.

Thea grinned warmly. “Not if you give Professor Wunsch a coat—and
things,” she tapped the grapes significantly. The doctor bent over and
kissed her.

III

Being sick was all very well, but Thea knew from experience that
starting back to school again was attended by depressing difficulties.
One Monday morning she got up early with Axel and Gunner, who shared
her wing room, and hurried into the back living-room, between the
dining-room and the kitchen. There, beside a soft-coal stove, the
younger children of the family undressed at night and dressed in the
morning. The older daughter, Anna, and the two big boys slept upstairs,
where the rooms were theoretically warmed by stovepipes from below. The
first (and the worst!) thing that confronted Thea was a suit of clean,
prickly red flannel, fresh from the wash. Usually the torment of
breaking in a clean suit of flannel came on Sunday, but yesterday, as
she was staying in the house, she had begged off. Their winter
underwear was a trial to all the children, but it was bitterest to Thea
because she happened to have the most sensitive skin. While she was
tugging it on, her Aunt Tillie brought in warm water from the boiler
and filled the tin pitcher. Thea washed her face, brushed and braided
her hair, and got into her blue cashmere dress. Over this she buttoned
a long apron, with sleeves, which would not be removed until she put on
her cloak to go to school. Gunner and Axel, on the soap box behind the
stove, had their usual quarrel about which should wear the tightest
stockings, but they exchanged reproaches in low tones, for they were
wholesomely afraid of Mrs. Kronborg’s rawhide whip. She did not
chastise her children often, but she did it thoroughly. Only a somewhat
stern system of discipline could have kept any degree of order and
quiet in that overcrowded house.

Mrs. Kronborg’s children were all trained to dress themselves at the
earliest possible age, to make their own beds,—the boys as well as the
girls,—to take care of their clothes, to eat what was given them, and
to keep out of the way. Mrs. Kronborg would have made a good chess
player; she had a head for moves and positions.

Anna, the elder daughter, was her mother’s lieutenant. All the children
knew that they must obey Anna, who was an obstinate contender for
proprieties and not always fair minded. To see the young Kronborgs
headed for Sunday School was like watching a military drill. Mrs.
Kronborg let her children’s minds alone. She did not pry into their
thoughts or nag them. She respected them as individuals, and outside of
the house they had a great deal of liberty. But their communal life was
definitely ordered.

In the winter the children breakfasted in the kitchen; Gus and Charley
and Anna first, while the younger children were dressing. Gus was
nineteen and was a clerk in a dry-goods store. Charley, eighteen months
younger, worked in a feed store. They left the house by the kitchen
door at seven o’clock, and then Anna helped her Aunt Tillie get the
breakfast for the younger ones. Without the help of this sister-in-law,
Tillie Kronborg, Mrs. Kronborg’s life would have been a hard one. Mrs.
Kronborg often reminded Anna that “no hired help would ever have taken
the same interest.”

Mr. Kronborg came of a poorer stock than his wife; from a lowly,
ignorant family that had lived in a poor part of Sweden. His
great-grandfather had gone to Norway to work as a farm laborer and had
married a Norwegian girl. This strain of Norwegian blood came out
somewhere in each generation of the Kronborgs. The intemperance of one
of Peter Kronborg’s uncles, and the religious mania of another, had
been alike charged to the Norwegian grandmother. Both Peter Kronborg
and his sister Tillie were more like the Norwegian root of the family
than like the Swedish, and this same Norwegian strain was strong in
Thea, though in her it took a very different character.

Tillie was a queer, addle-pated thing, as flighty as a girl at
thirty-five, and overweeningly fond of gay clothes—which taste, as Mrs.
Kronborg philosophically said, did nobody any harm. Tillie was always
cheerful, and her tongue was still for scarcely a minute during the
day. She had been cruelly overworked on her father’s Minnesota farm
when she was a young girl, and she had never been so happy as she was
now; had never before, as she said, had such social advantages. She
thought her brother the most important man in Moonstone. She never
missed a church service, and, much to the embarrassment of the
children, she always “spoke a piece” at the Sunday-School concerts. She
had a complete set of “Standard Recitations,” which she conned on
Sundays. This morning, when Thea and her two younger brothers sat down
to breakfast, Tillie was remonstrating with Gunner because he had not
learned a recitation assigned to him for George Washington Day at
school. The unmemorized text lay heavily on Gunner’s conscience as he
attacked his buckwheat cakes and sausage. He knew that Tillie was in
the right, and that “when the day came he would be ashamed of himself.”

“I don’t care,” he muttered, stirring his coffee; “they oughtn’t to
make boys speak. It’s all right for girls. They like to show off.”

“No showing off about it. Boys ought to like to speak up for their
country. And what was the use of your father buying you a new suit, if
you’re not going to take part in anything?”

“That was for Sunday-School. I’d rather wear my old one, anyhow. Why
didn’t they give the piece to Thea?” Gunner grumbled.

Tillie was turning buckwheat cakes at the griddle. “Thea can play and
sing, she don’t need to speak. But you’ve got to know how to do
something, Gunner, that you have. What are you going to do when you git
big and want to git into society, if you can’t do nothing? Everybody’ll
say, ‘Can you sing? Can you play? Can you speak? Then git right out of
society.’ An’ that’s what they’ll say to you, Mr. Gunner.”

Gunner and Alex grinned at Anna, who was preparing her mother’s
breakfast. They never made fun of Tillie, but they understood well
enough that there were subjects upon which her ideas were rather
foolish. When Tillie struck the shallows, Thea was usually prompt in
turning the conversation.

“Will you and Axel let me have your sled at recess?” she asked.

“All the time?” asked Gunner dubiously.

“I’ll work your examples for you to-night, if you do.”

“Oh, all right. There’ll be a lot of ’em.”

“I don’t mind, I can work ’em fast. How about yours, Axel?”

Axel was a fat little boy of seven, with pretty, lazy blue eyes. “I
don’t care,” he murmured, buttering his last buckwheat cake without
ambition; “too much trouble to copy ’em down. Jenny Smiley’ll let me
have hers.”

The boys were to pull Thea to school on their sled, as the snow was
deep. The three set off together. Anna was now in the high school, and
she no longer went with the family party, but walked to school with
some of the older girls who were her friends, and wore a hat, not a
hood like Thea.

IV

“And it was Summer, beautiful Summer!” Those were the closing words of
Thea’s favorite fairy tale, and she thought of them as she ran out into
the world one Saturday morning in May, her music book under her arm.
She was going to the Kohlers’ to take her lesson, but she was in no
hurry.

It was in the summer that one really lived. Then all the little
overcrowded houses were opened wide, and the wind blew through them
with sweet, earthy smells of garden-planting. The town looked as if it
had just been washed. People were out painting their fences. The
cottonwood trees were a-flicker with sticky, yellow little leaves, and
the feathery tamarisks were in pink bud. With the warm weather came
freedom for everybody. People were dug up, as it were. The very old
people, whom one had not seen all winter, came out and sunned
themselves in the yard. The double windows were taken off the houses,
the tormenting flannels in which children had been encased all winter
were put away in boxes, and the youngsters felt a pleasure in the cool
cotton things next their skin.

Thea had to walk more than a mile to reach the Kohlers’ house, a very
pleasant mile out of town toward the glittering sand hills,—yellow this
morning, with lines of deep violet where the clefts and valleys were.
She followed the sidewalk to the depot at the south end of the town;
then took the road east to the little group of adobe houses where the
Mexicans lived, then dropped into a deep ravine; a dry sand creek,
across which the railroad track ran on a trestle. Beyond that gulch, on
a little rise of ground that faced the open sandy plain, was the
Kohlers’ house, where Professor Wunsch lived. Fritz Kohler was the town
tailor, one of the first settlers. He had moved there, built a little
house and made a garden, when Moonstone was first marked down on the
map. He had three sons, but they now worked on the railroad and were
stationed in distant cities. One of them had gone to work for the Santa
Fé, and lived in New Mexico.

Mrs. Kohler seldom crossed the ravine and went into the town except at
Christmas-time, when she had to buy presents and Christmas cards to
send to her old friends in Freeport, Illinois. As she did not go to
church, she did not possess such a thing as a hat. Year after year she
wore the same red hood in winter and a black sunbonnet in summer. She
made her own dresses; the skirts came barely to her shoe-tops, and were
gathered as full as they could possibly be to the waistband. She
preferred men’s shoes, and usually wore the cast-offs of one of her
sons. She had never learned much English, and her plants and shrubs
were her companions. She lived for her men and her garden. Beside that
sand gulch, she had tried to reproduce a bit of her own village in the
Rhine Valley. She hid herself behind the growth she had fostered, lived
under the shade of what she had planted and watered and pruned. In the
blaze of the open plain she was stupid and blind like an owl. Shade,
shade; that was what she was always planning and making. Behind the
high tamarisk hedge, her garden was a jungle of verdure in summer.
Above the cherry trees and peach trees and golden plums stood the
windmill, with its tank on stilts, which kept all this verdure alive.
Outside, the sage-brush grew up to the very edge of the garden, and the
sand was always drifting up to the tamarisks.

Every one in Moonstone was astonished when the Kohlers took the
wandering music-teacher to live with them. In seventeen years old Fritz
had never had a crony, except the harness-maker and Spanish Johnny.
This Wunsch came from God knew where,—followed Spanish Johnny into town
when that wanderer came back from one of his tramps. Wunsch played in
the dance orchestra, tuned pianos, and gave lessons. When Mrs. Kohler
rescued him, he was sleeping in a dirty, unfurnished room over one of
the saloons, and he had only two shirts in the world. Once he was under
her roof, the old woman went at him as she did at her garden. She sewed
and washed and mended for him, and made him so clean and respectable
that he was able to get a large class of pupils and to rent a piano. As
soon as he had money ahead, he sent to the Narrow Gauge lodging-house,
in Denver, for a trunkful of music which had been held there for unpaid
board. With tears in his eyes the old man—he was not over fifty, but
sadly battered—told Mrs. Kohler that he asked nothing better of God
than to end his days with her, and to be buried in the garden, under
her linden trees. They were not American basswood, but the European
linden, which has honey-colored blooms in summer, with a fragrance that
surpasses all trees and flowers and drives young people wild with joy.

Thea was reflecting as she walked along that had it not been for
Professor Wunsch she might have lived on for years in Moonstone without
ever knowing the Kohlers, without ever seeing their garden or the
inside of their house. Besides the cuckoo clock,—which was wonderful
enough, and which Mrs. Kohler said she kept for “company when she was
lonesome,”—the Kohlers had in their house the most wonderful thing Thea
had ever seen—but of that later.

Professor Wunsch went to the houses of his other pupils to give them
their lessons, but one morning he told Mrs. Kronborg that Thea had
talent, and that if she came to him he could teach her in his slippers,
and that would be better. Mrs. Kronborg was a strange woman. That word
“talent,” which no one else in Moonstone, not even Dr. Archie, would
have understood, she comprehended perfectly. To any other woman there,
it would have meant that a child must have her hair curled every day
and must play in public. Mrs. Kronborg knew it meant that Thea must
practice four hours a day. A child with talent must be kept at the
piano, just as a child with measles must be kept under the blankets.
Mrs. Kronborg and her three sisters had all studied piano, and all sang
well, but none of them had talent. Their father had played the oboe in
an orchestra in Sweden, before he came to America to better his
fortunes. He had even known Jenny Lind. A child with talent had to be
kept at the piano; so twice a week in summer and once a week in winter
Thea went over the gulch to the Kohlers’, though the Ladies’ Aid
Society thought it was not proper for their preacher’s daughter to go
“where there was so much drinking.” Not that the Kohler sons ever so
much as looked at a glass of beer. They were ashamed of their old folks
and got out into the world as fast as possible; had their clothes made
by a Denver tailor and their necks shaved up under their hair and
forgot the past. Old Fritz and Wunsch, however, indulged in a friendly
bottle pretty often. The two men were like comrades; perhaps the bond
between them was the glass wherein lost hopes are found; perhaps it was
common memories of another country; perhaps it was the grapevine in the
garden—knotty, fibrous shrub, full of homesickness and sentiment, which
the Germans have carried around the world with them.

As Thea approached the house she peeped between the pink sprays of the
tamarisk hedge and saw the Professor and Mrs. Kohler in the garden,
spading and raking. The garden looked like a relief-map now, and gave
no indication of what it would be in August; such a jungle! Pole beans
and potatoes and corn and leeks and kale and red cabbage—there would
even be vegetables for which there is no American name. Mrs. Kohler was
always getting by mail packages of seeds from Freeport and from the old
country. Then the flowers! There were big sunflowers for the canary
bird, tiger lilies and phlox and zinnias and lady’s-slippers and
portulaca and hollyhocks,—giant hollyhocks. Beside the fruit trees
there was a great umbrella-shaped catalpa, and a balm-of-Gilead, two
lindens, and even a ginka,—a rigid, pointed tree with leaves shaped
like butterflies, which shivered, but never bent to the wind.

This morning Thea saw to her delight that the two oleander trees, one
white and one red, had been brought up from their winter quarters in
the cellar. There is hardly a German family in the most arid parts of
Utah, New Mexico, Arizona, but has its oleander trees. However loutish
the American-born sons of the family may be, there was never one who
refused to give his muscle to the back-breaking task of getting those
tubbed trees down into the cellar in the fall and up into the sunlight
in the spring. They may strive to avert the day, but they grapple with
the tub at last.

When Thea entered the gate, her professor leaned his spade against the
white post that supported the turreted dove-house, and wiped his face
with his shirt-sleeve; someway he never managed to have a handkerchief
about him. Wunsch was short and stocky, with something rough and
bear-like about his shoulders. His face was a dark, bricky red, deeply
creased rather than wrinkled, and the skin was like loose leather over
his neck band—he wore a brass collar button but no collar. His hair was
cropped close; iron-gray bristles on a bullet-like head. His eyes were
always suffused and bloodshot. He had a coarse, scornful mouth, and
irregular, yellow teeth, much worn at the edges. His hands were square
and red, seldom clean, but always alive, impatient, even sympathetic.

“_Morgen_,” he greeted his pupil in a businesslike way, put on a black
alpaca coat, and conducted her at once to the piano in Mrs. Kohler’s
sitting-room. He twirled the stool to the proper height, pointed to it,
and sat down in a wooden chair beside Thea.

“The scale of B flat major,” he directed, and then fell into an
attitude of deep attention. Without a word his pupil set to work.

To Mrs. Kohler, in the garden, came the cheerful sound of effort, of
vigorous striving. Unconsciously she wielded her rake more lightly.
Occasionally she heard the teacher’s voice. “Scale of E minor….
_Weiter, weiter!… Immer_ I hear the thumb, like a lame foot.
_Weiter… weiter_, once… _Schön!_ The chords, quick!”

The pupil did not open her mouth until they began the second movement
of the Clementi sonata, when she remonstrated in low tones about the
way he had marked the fingering of a passage.

“It makes no matter what you think,” replied her teacher coldly. “There
is only one right way. The thumb there. _Ein, zwei, drei, vier_,” etc.
Then for an hour there was no further interruption.

At the end of the lesson Thea turned on her stool and leaned her arm on
the keyboard. They usually had a little talk after the lesson.

Herr Wunsch grinned. “How soon is it you are free from school? Then we
make ahead faster, eh?”

“First week in June. Then will you give me the ‘Invitation to the
Dance’?”

He shrugged his shoulders. “It makes no matter. If you want him, you
play him out of lesson hours.”

“All right.” Thea fumbled in her pocket and brought out a crumpled slip
of paper. “What does this mean, please? I guess it’s Latin.”

Wunsch blinked at the line penciled on the paper. “Wherefrom you get
this?” he asked gruffly.

“Out of a book Dr. Archie gave me to read. It’s all English but that.
Did you ever see it before?” she asked, watching his face.

“Yes. A long time ago,” he muttered, scowling. “Ovidius!” He took a
stub of lead pencil from his vest pocket, steadied his hand by a
visible effort, and under the words:

“Lente currite, lente currite, noctis equi,”

he wrote in a clear, elegant Gothic hand,—

“Go slowly, go slowly, ye steeds of the night.”

He put the pencil back in his pocket and continued to stare at the
Latin. It recalled the poem, which he had read as a student, and
thought very fine. There were treasures of memory which no
lodging-house keeper could attach. One carried things about in one’s
head, long after one’s linen could be smuggled out in a tuning-bag. He
handed the paper back to Thea. “There is the English, quite elegant,”
he said, rising.

Mrs. Kohler stuck her head in at the door, and Thea slid off the stool.
“Come in, Mrs. Kohler,” she called, “and show me the piece-picture.”

The old woman laughed, pulled off her big gardening gloves, and pushed
Thea to the lounge before the object of her delight. The
“piece-picture,” which hung on the wall and nearly covered one whole
end of the room, was the handiwork of Fritz Kohler. He had learned his
trade under an old-fashioned tailor in Magdeburg who required from each
of his apprentices a thesis: that is, before they left his shop, each
apprentice had to copy in cloth some well known German painting,
stitching bits of colored stuff together on a linen background; a kind
of mosaic. The pupil was allowed to select his subject, and Fritz
Kohler had chosen a popular painting of Napoleon’s retreat from Moscow.
The gloomy Emperor and his staff were represented as crossing a stone
bridge, and behind them was the blazing city, the walls and fortresses
done in gray cloth with orange tongues of flame darting about the domes
and minarets. Napoleon rode his white horse; Murat, in Oriental dress,
a bay charger. Thea was never tired of examining this work, of hearing
how long it had taken Fritz to make it, how much it had been admired,
and what narrow escapes it had had from moths and fire. Silk, Mrs.
Kohler explained, would have been much easier to manage than woolen
cloth, in which it was often hard to get the right shades. The reins of
the horses, the wheels of the spurs, the brooding eyebrows of the
Emperor, Murat’s fierce mustaches, the great shakos of the Guard, were
all worked out with the minutest fidelity. Thea’s admiration for this
picture had endeared her to Mrs. Kohler. It was now many years since
she used to point out its wonders to her own little boys. As Mrs.
Kohler did not go to church, she never heard any singing, except the
songs that floated over from Mexican Town, and Thea often sang for her
after the lesson was over. This morning Wunsch pointed to the piano.

“On Sunday, when I go by the church, I hear you sing something.”

Thea obediently sat down on the stool again and began, “_Come, ye
Disconsolate_.” Wunsch listened thoughtfully, his hands on his knees.
Such a beautiful child’s voice! Old Mrs. Kohler’s face relaxed in a
smile of happiness; she half closed her eyes. A big fly was darting in
and out of the window; the sunlight made a golden pool on the rag
carpet and bathed the faded cretonne pillows on the lounge, under the
piece-picture. “_Earth has no sorrow that Heaven cannot heal_,” the
song died away.

“That is a good thing to remember,” Wunsch shook himself. “You believe
that?” looking quizzically at Thea.

She became confused and pecked nervously at a black key with her middle
finger. “I don’t know. I guess so,” she murmured.

Her teacher rose abruptly. “Remember, for next time, thirds. You ought
to get up earlier.”

That night the air was so warm that Fritz and Herr Wunsch had their
after-supper pipe in the grape arbor, smoking in silence while the
sound of fiddles and guitars came across the ravine from Mexican Town.
Long after Fritz and his old Paulina had gone to bed, Wunsch sat
motionless in the arbor, looking up through the woolly vine leaves at
the glittering machinery of heaven.

“Lente currite, noctis equi.”

That line awoke many memories. He was thinking of youth; of his own, so
long gone by, and of his pupil’s, just beginning. He would even have
cherished hopes for her, except that he had become superstitious. He
believed that whatever he hoped for was destined not to be; that his
affection brought ill-fortune, especially to the young; that if he held
anything in his thoughts, he harmed it. He had taught in music schools
in St. Louis and Kansas City, where the shallowness and complacency of
the young misses had maddened him. He had encountered bad manners and
bad faith, had been the victim of sharpers of all kinds, was dogged by
bad luck. He had played in orchestras that were never paid and
wandering opera troupes which disbanded penniless. And there was always
the old enemy, more relentless than the others. It was long since he
had wished anything or desired anything beyond the necessities of the
body. Now that he was tempted to hope for another, he felt alarmed and
shook his head.

It was his pupil’s power of application, her rugged will, that
interested him. He had lived for so long among people whose sole
ambition was to get something for nothing that he had learned not to
look for seriousness in anything. Now that he by chance encountered it,
it recalled standards, ambitions, a society long forgot. What was it
she reminded him of? A yellow flower, full of sunlight, perhaps. No; a
thin glass full of sweet-smelling, sparkling Moselle wine. He seemed to
see such a glass before him in the arbor, to watch the bubbles rising
and breaking, like the silent discharge of energy in the nerves and
brain, the rapid florescence in young blood—Wunsch felt ashamed and
dragged his slippers along the path to the kitchen, his eyes on the
ground.

V

The children in the primary grades were sometimes required to make
relief maps of Moonstone in sand. Had they used colored sands, as the
Navajo medicine men do in their sand mosaics, they could easily have
indicated the social classifications of Moonstone, since these
conformed to certain topographical boundaries, and every child
understood them perfectly.

The main business street ran, of course, through the center of the
town. To the west of this street lived all the people who were, as
Tillie Kronborg said, “in society.” Sylvester Street, the third
parallel with Main Street on the west, was the longest in town, and the
best dwellings were built along it. Far out at the north end, nearly a
mile from the court-house and its cottonwood grove, was Dr. Archie’s
house, its big yard and garden surrounded by a white paling fence. The
Methodist Church was in the center of the town, facing the court-house
square. The Kronborgs lived half a mile south of the church, on the
long street that stretched out like an arm to the depot settlement.
This was the first street west of Main, and was built up only on one
side. The preacher’s house faced the backs of the brick and frame store
buildings and a draw full of sunflowers and scraps of old iron. The
sidewalk which ran in front of the Kronborgs’ house was the one
continuous sidewalk to the depot, and all the train men and roundhouse
employees passed the front gate every time they came uptown. Thea and
Mrs. Kronborg had many friends among the railroad men, who often paused
to chat across the fence, and of one of these we shall have more to
say.

In the part of Moonstone that lay east of Main Street, toward the deep
ravine which, farther south, wound by Mexican Town, lived all the
humbler citizens, the people who voted but did not run for office. The
houses were little story-and-a-half cottages, with none of the fussy
architectural efforts that marked those on Sylvester Street. They
nestled modestly behind their cottonwoods and Virginia creeper; their
occupants had no social pretensions to keep up. There were no
half-glass front doors with doorbells, or formidable parlors behind
closed shutters. Here the old women washed in the back yard, and the
men sat in the front doorway and smoked their pipes. The people on
Sylvester Street scarcely knew that this part of the town existed. Thea
liked to take Thor and her express wagon and explore these quiet, shady
streets, where the people never tried to have lawns or to grow elms and
pine trees, but let the native timber have its way and spread in
luxuriance. She had many friends there, old women who gave her a yellow
rose or a spray of trumpet vine and appeased Thor with a cooky or a
doughnut. They called Thea “that preacher’s girl,” but the
demonstrative was misplaced, for when they spoke of Mr. Kronborg they
called him “the Methodist preacher.”

Dr. Archie was very proud of his yard and garden, which he worked
himself. He was the only man in Moonstone who was successful at growing
rambler roses, and his strawberries were famous. One morning when Thea
was downtown on an errand, the doctor stopped her, took her hand and
went over her with a quizzical eye, as he nearly always did when they
met.

“You haven’t been up to my place to get any strawberries yet, Thea.
They’re at their best just now. Mrs. Archie doesn’t know what to do
with them all. Come up this afternoon. Just tell Mrs. Archie I sent
you. Bring a big basket and pick till you are tired.”

When she got home Thea told her mother that she didn’t want to go,
because she didn’t like Mrs. Archie.

“She is certainly one queer woman,” Mrs. Kronborg assented, “but he’s
asked you so often, I guess you’ll have to go this time. She won’t bite
you.”

After dinner Thea took a basket, put Thor in his baby buggy, and set
out for Dr. Archie’s house at the other end of town. As soon as she
came within sight of the house, she slackened her pace. She approached
it very slowly, stopping often to pick dandelions and sand-peas for
Thor to crush up in his fist.

It was his wife’s custom, as soon as Dr. Archie left the house in the
morning, to shut all the doors and windows to keep the dust out, and to
pull down the shades to keep the sun from fading the carpets. She
thought, too, that neighbors were less likely to drop in if the house
was closed up. She was one of those people who are stingy without
motive or reason, even when they can gain nothing by it. She must have
known that skimping the doctor in heat and food made him more
extravagant than he would have been had she made him comfortable. He
never came home for lunch, because she gave him such miserable scraps
and shreds of food. No matter how much milk he bought, he could never
get thick cream for his strawberries. Even when he watched his wife
lift it from the milk in smooth, ivory-colored blankets, she managed,
by some sleight-of-hand, to dilute it before it got to the breakfast
table. The butcher’s favorite joke was about the kind of meat he sold
Mrs. Archie. She felt no interest in food herself, and she hated to
prepare it. She liked nothing better than to have Dr. Archie go to
Denver for a few days—he often went chiefly because he was hungry—and
to be left alone to eat canned salmon and to keep the house shut up
from morning until night.

Mrs. Archie would not have a servant because, she said, “they ate too
much and broke too much”; she even said they knew too much. She used
what mind she had in devising shifts to minimize her housework. She
used to tell her neighbors that if there were no men, there would be no
housework. When Mrs. Archie was first married, she had been always in a
panic for fear she would have children. Now that her apprehensions on
that score had grown paler, she was almost as much afraid of having
dust in the house as she had once been of having children in it. If
dust did not get in, it did not have to be got out, she said. She would
take any amount of trouble to avoid trouble. Why, nobody knew.
Certainly her husband had never been able to make her out. Such little,
mean natures are among the darkest and most baffling of created things.
There is no law by which they can be explained. The ordinary incentives
of pain and pleasure do not account for their behavior. They live like
insects, absorbed in petty activities that seem to have nothing to do
with any genial aspect of human life.

Mrs. Archie, as Mrs. Kronborg said, “liked to gad.” She liked to have
her house clean, empty, dark, locked, and to be out of it—anywhere. A
church social, a prayer meeting, a ten-cent show; she seemed to have no
preference. When there was nowhere else to go, she used to sit for
hours in Mrs. Smiley’s millinery and notion store, listening to the
talk of the women who came in, watching them while they tried on hats,
blinking at them from her corner with her sharp, restless little eyes.
She never talked much herself, but she knew all the gossip of the town
and she had a sharp ear for racy anecdotes—“traveling men’s stories,”
they used to be called in Moonstone. Her clicking laugh sounded like a
typewriting machine in action, and, for very pointed stories, she had a
little screech.

Mrs. Archie had been Mrs. Archie for only six years, and when she was
Belle White she was one of the “pretty” girls in Lansing, Michigan. She
had then a train of suitors. She could truly remind Archie that “the
boys hung around her.” They did. They thought her very spirited and
were always saying, “Oh, that Belle White, she’s a case!” She used to
play heavy practical jokes which the young men thought very clever.
Archie was considered the most promising young man in “the young
crowd,” so Belle selected him. She let him see, made him fully aware,
that she had selected him, and Archie was the sort of boy who could not
withstand such enlightenment. Belle’s family were sorry for him. On his
wedding day her sisters looked at the big, handsome boy—he was
twenty-four—as he walked down the aisle with his bride, and then they
looked at each other. His besotted confidence, his sober, radiant face,
his gentle, protecting arm, made them uncomfortable. Well, they were
glad that he was going West at once, to fulfill his doom where they
would not be onlookers. Anyhow, they consoled themselves, they had got
Belle off their hands.

More than that, Belle seemed to have got herself off her hands. Her
reputed prettiness must have been entirely the result of determination,
of a fierce little ambition. Once she had married, fastened herself on
some one, come to port,—it vanished like the ornamental plumage which
drops away from some birds after the mating season. The one aggressive
action of her life was over. She began to shrink in face and stature.
Of her harum-scarum spirit there was nothing left but the little
screech. Within a few years she looked as small and mean as she was.

Thor’s chariot crept along. Thea approached the house unwillingly. She
didn’t care about the strawberries, anyhow. She had come only because
she did not want to hurt Dr. Archie’s feelings. She not only disliked
Mrs. Archie, she was a little afraid of her. While Thea was getting the
heavy baby-buggy through the iron gate she heard some one call, “Wait a
minute!” and Mrs. Archie came running around the house from the back
door, her apron over her head. She came to help with the buggy, because
she was afraid the wheels might scratch the paint off the gateposts.
She was a skinny little woman with a great pile of frizzy light hair on
a small head.

“Dr. Archie told me to come up and pick some strawberries,” Thea
muttered, wishing she had stayed at home.

Mrs. Archie led the way to the back door, squinting and shading her
eyes with her hand. “Wait a minute,” she said again, when Thea
explained why she had come.

She went into her kitchen and Thea sat down on the porch step. When
Mrs. Archie reappeared she carried in her hand a little wooden
butter-basket trimmed with fringed tissue paper, which she must have
brought home from some church supper. “You’ll have to have something to
put them in,” she said, ignoring the yawning willow basket which stood
empty on Thor’s feet. “You can have this, and you needn’t mind about
returning it. You know about not trampling the vines, don’t you?”

Mrs. Archie went back into the house and Thea leaned over in the sand
and picked a few strawberries. As soon as she was sure that she was not
going to cry, she tossed the little basket into the big one and ran
Thor’s buggy along the gravel walk and out of the gate as fast as she
could push it. She was angry, and she was ashamed for Dr. Archie. She
could not help thinking how uncomfortable he would be if he ever found
out about it. Little things like that were the ones that cut him most.
She slunk home by the back way, and again almost cried when she told
her mother about it.

Mrs. Kronborg was frying doughnuts for her husband’s supper. She
laughed as she dropped a new lot into the hot grease. “It’s wonderful,
the way some people are made,” she declared. “But I wouldn’t let that
upset me if I was you. Think what it would be to live with it all the
time. You look in the black pocketbook inside my handbag and take a
dime and go downtown and get an ice-cream soda. That’ll make you feel
better. Thor can have a little of the ice-cream if you feed it to him
with a spoon. He likes it, don’t you, son?” She stooped to wipe his
chin. Thor was only six months old and inarticulate, but it was quite
true that he liked ice-cream.

VI

Seen from a balloon, Moonstone would have looked like a Noah’s ark town
set out in the sand and lightly shaded by gray-green tamarisks and
cottonwoods. A few people were trying to make soft maples grow in their
turfed lawns, but the fashion of planting incongruous trees from the
North Atlantic States had not become general then, and the frail,
brightly painted desert town was shaded by the light-reflecting,
wind-loving trees of the desert, whose roots are always seeking water
and whose leaves are always talking about it, making the sound of rain.
The long porous roots of the cottonwood are irrepressible. They break
into the wells as rats do into granaries, and thieve the water.

The long street which connected Moonstone with the depot settlement
traversed in its course a considerable stretch of rough open country,
staked out in lots but not built up at all, a weedy hiatus between the
town and the railroad. When you set out along this street to go to the
station, you noticed that the houses became smaller and farther apart,
until they ceased altogether, and the board sidewalk continued its
uneven course through sunflower patches, until you reached the
solitary, new brick Catholic Church. The church stood there because the
land was given to the parish by the man who owned the adjoining waste
lots, in the hope of making them more salable—“Farrier’s Addition,”
this patch of prairie was called in the clerk’s office. An eighth of a
mile beyond the church was a washout, a deep sand-gully, where the
board sidewalk became a bridge for perhaps fifty feet. Just beyond the
gully was old Uncle Billy Beemer’s grove,—twelve town lots set out in
fine, well-grown cottonwood trees, delightful to look upon, or to
listen to, as they swayed and rippled in the wind. Uncle Billy had been
one of the most worthless old drunkards who ever sat on a store box and
told filthy stories. One night he played hide-and-seek with a switch
engine and got his sodden brains knocked out. But his grove, the one
creditable thing he had ever done in his life, rustled on. Beyond this
grove the houses of the depot settlement began, and the naked board
walk, that had run in out of the sunflowers, again became a link
between human dwellings.

One afternoon, late in the summer, Dr. Howard Archie was fighting his
way back to town along this walk through a blinding sandstorm, a silk
handkerchief tied over his mouth. He had been to see a sick woman down
in the depot settlement, and he was walking because his ponies had been
out for a hard drive that morning.

As he passed the Catholic Church he came upon Thea and Thor. Thea was
sitting in a child’s express wagon, her feet out behind, kicking the
wagon along and steering by the tongue. Thor was on her lap and she
held him with one arm. He had grown to be a big cub of a baby, with a
constitutional grievance, and he had to be continually amused. Thea
took him philosophically, and tugged and pulled him about, getting as
much fun as she could under her encumbrance. Her hair was blowing about
her face, and her eyes were squinting so intently at the uneven board
sidewalk in front of her that she did not see the doctor until he spoke
to her.

“Look out, Thea. You’ll steer that youngster into the ditch.”

The wagon stopped. Thea released the tongue, wiped her hot, sandy face,
and pushed back her hair. “Oh, no, I won’t! I never ran off but once,
and then he didn’t get anything but a bump. He likes this better than a
baby buggy, and so do I.”

“Are you going to kick that cart all the way home?”

“Of course. We take long trips; wherever there is a sidewalk. It’s no
good on the road.”

“Looks to me like working pretty hard for your fun. Are you going to be
busy to-night? Want to make a call with me? Spanish Johnny’s come home
again, all used up. His wife sent me word this morning, and I said I’d
go over to see him to-night. He’s an old chum of yours, isn’t he?”

“Oh, I’m glad. She’s been crying her eyes out. When did he come?”

“Last night, on Number Six. Paid his fare, they tell me. Too sick to
beat it. There’ll come a time when that boy won’t get back, I’m afraid.
Come around to my office about eight o’clock,—and you needn’t bring
that!”

Thor seemed to understand that he had been insulted, for he scowled and
began to kick the side of the wagon, shouting, “Go-go, go-go!” Thea
leaned forward and grabbed the wagon tongue. Dr. Archie stepped in
front of her and blocked the way. “Why don’t you make him wait? What do
you let him boss you like that for?”

“If he gets mad he throws himself, and then I can’t do anything with
him. When he’s mad he’s lots stronger than me, aren’t you, Thor?” Thea
spoke with pride, and the idol was appeased. He grunted approvingly as
his sister began to kick rapidly behind her, and the wagon rattled off
and soon disappeared in the flying currents of sand.

That evening Dr. Archie was seated in his office, his desk chair tilted
back, reading by the light of a hot coal-oil lamp. All the windows were
open, but the night was breathless after the sandstorm, and his hair
was moist where it hung over his forehead. He was deeply engrossed in
his book and sometimes smiled thoughtfully as he read. When Thea
Kronborg entered quietly and slipped into a seat, he nodded, finished
his paragraph, inserted a bookmark, and rose to put the book back into
the case. It was one out of the long row of uniform volumes on the top
shelf.

“Nearly every time I come in, when you’re alone, you’re reading one of
those books,” Thea remarked thoughtfully. “They must be very nice.”

The doctor dropped back into his swivel chair, the mottled volume still
in his hand. “They aren’t exactly books, Thea,” he said seriously.
“They’re a city.”

“A history, you mean?”

“Yes, and no. They’re a history of a live city, not a dead one. A
Frenchman undertook to write about a whole cityful of people, all the
kinds he knew. And he got them nearly all in, I guess. Yes, it’s very
interesting. You’ll like to read it some day, when you’re grown up.”

Thea leaned forward and made out the title on the back, “A
Distinguished Provincial in Paris.”

“It doesn’t sound very interesting.”

“Perhaps not, but it is.” The doctor scrutinized her broad face, low
enough to be in the direct light from under the green lamp shade.
“Yes,” he went on with some satisfaction, “I think you’ll like them
some day. You’re always curious about people, and I expect this man
knew more about people than anybody that ever lived.”

“City people or country people?”

“Both. People are pretty much the same everywhere.”

“Oh, no, they’re not. The people who go through in the dining-car
aren’t like us.”

“What makes you think they aren’t, my girl? Their clothes?”

Thea shook her head. “No, it’s something else. I don’t know.” Her eyes
shifted under the doctor’s searching gaze and she glanced up at the row
of books. “How soon will I be old enough to read them?”

“Soon enough, soon enough, little girl.” The doctor patted her hand and
looked at her index finger. “The nail’s coming all right, isn’t it? But
I think that man makes you practice too much. You have it on your mind
all the time.” He had noticed that when she talked to him she was
always opening and shutting her hands. “It makes you nervous.”

“No, he don’t,” Thea replied stubbornly, watching Dr. Archie return the
book to its niche.

He took up a black leather case, put on his hat, and they went down the
dark stairs into the street. The summer moon hung full in the sky. For
the time being, it was the great fact in the world. Beyond the edge of
the town the plain was so white that every clump of sage stood out
distinct from the sand, and the dunes looked like a shining lake. The
doctor took off his straw hat and carried it in his hand as they walked
toward Mexican Town, across the sand.

North of Pueblo, Mexican settlements were rare in Colorado then. This
one had come about accidentally. Spanish Johnny was the first Mexican
who came to Moonstone. He was a painter and decorator, and had been
working in Trinidad, when Ray Kennedy told him there was a “boom” on in
Moonstone, and a good many new buildings were going up. A year after
Johnny settled in Moonstone, his cousin, Famos Serreños, came to work
in the brickyard; then Serreños’ cousins came to help him. During the
strike, the master mechanic put a gang of Mexicans to work in the
roundhouse. The Mexicans had arrived so quietly, with their blankets
and musical instruments, that before Moonstone was awake to the fact,
there was a Mexican quarter; a dozen families or more.

As Thea and the doctor approached the ’dobe houses, they heard a
guitar, and a rich barytone voice—that of Famos Serreños—singing “La
Golandrina.” All the Mexican houses had neat little yards, with
tamarisk hedges and flowers, and walks bordered with shells or
whitewashed stones. Johnny’s house was dark. His wife, Mrs.
Tellamantez, was sitting on the doorstep, combing her long, blue-black
hair. (Mexican women are like the Spartans; when they are in trouble,
in love, under stress of any kind, they comb and comb their hair.) She
rose without embarrassment or apology, comb in hand, and greeted the
doctor.

“Good-evening; will you go in?” she asked in a low, musical voice. “He
is in the back room. I will make a light.” She followed them indoors,
lit a candle and handed it to the doctor, pointing toward the bedroom.
Then she went back and sat down on her doorstep.

Dr. Archie and Thea went into the bedroom, which was dark and quiet.
There was a bed in the corner, and a man was lying on the clean sheets.
On the table beside him was a glass pitcher, half-full of water.
Spanish Johnny looked younger than his wife, and when he was in health
he was very handsome: slender, gold-colored, with wavy black hair, a
round, smooth throat, white teeth, and burning black eyes. His profile
was strong and severe, like an Indian’s. What was termed his “wildness”
showed itself only in his feverish eyes and in the color that burned on
his tawny cheeks. That night he was a coppery green, and his eyes were
like black holes. He opened them when the doctor held the candle before
his face.

“_Mi testa!_” he muttered, “_mi testa_,” doctor. “_La fiebre!_” Seeing
the doctor’s companion at the foot of the bed, he attempted a smile.
“_Muchacha!_” he exclaimed deprecatingly.

Dr. Archie stuck a thermometer into his mouth. “Now, Thea, you can run
outside and wait for me.”

Thea slipped noiselessly through the dark house and joined Mrs.
Tellamantez. The somber Mexican woman did not seem inclined to talk,
but her nod was friendly. Thea sat down on the warm sand, her back to
the moon, facing Mrs. Tellamantez on her doorstep, and began to count
the moon flowers on the vine that ran over the house. Mrs. Tellamantez
was always considered a very homely woman. Her face was of a strongly
marked type not sympathetic to Americans. Such long, oval faces, with a
full chin, a large, mobile mouth, a high nose, are not uncommon in
Spain. Mrs. Tellamantez could not write her name, and could read but
little. Her strong nature lived upon itself. She was chiefly known in
Moonstone for her forbearance with her incorrigible husband.

Nobody knew exactly what was the matter with Johnny, and everybody
liked him. His popularity would have been unusual for a white man, for
a Mexican it was unprecedented. His talents were his undoing. He had a
high, uncertain tenor voice, and he played the mandolin with
exceptional skill. Periodically he went crazy. There was no other way
to explain his behavior. He was a clever workman, and, when he worked,
as regular and faithful as a burro. Then some night he would fall in
with a crowd at the saloon and begin to sing. He would go on until he
had no voice left, until he wheezed and rasped. Then he would play his
mandolin furiously, and drink until his eyes sank back into his head.
At last, when he was put out of the saloon at closing time, and could
get nobody to listen to him, he would run away—along the railroad
track, straight across the desert. He always managed to get aboard a
freight somewhere. Once beyond Denver, he played his way southward from
saloon to saloon until he got across the border. He never wrote to his
wife; but she would soon begin to get newspapers from La Junta,
Albuquerque, Chihuahua, with marked paragraphs announcing that Juan
Tellamantez and his wonderful mandolin could be heard at the Jack
Rabbit Grill, or the Pearl of Cadiz Saloon. Mrs. Tellamantez waited and
wept and combed her hair. When he was completely wrung out and burned
up,—all but destroyed,—her Juan always came back to her to be taken
care of,—once with an ugly knife wound in the neck, once with a finger
missing from his right hand,—but he played just as well with three
fingers as he had with four.

Public sentiment was lenient toward Johnny, but everybody was disgusted
with Mrs. Tellamantez for putting up with him. She ought to discipline
him, people said; she ought to leave him; she had no self-respect. In
short, Mrs. Tellamantez got all the blame. Even Thea thought she was
much too humble. To-night, as she sat with her back to the moon,
looking at the moon flowers and Mrs. Tellamantez’s somber face, she was
thinking that there is nothing so sad in the world as that kind of
patience and resignation. It was much worse than Johnny’s craziness.
She even wondered whether it did not help to make Johnny crazy. People
had no right to be so passive and resigned. She would like to roll over
and over in the sand and screech at Mrs. Tellamantez. She was glad when
the doctor came out.

The Mexican woman rose and stood respectful and expectant. The doctor
held his hat in his hand and looked kindly at her.

“Same old thing, Mrs. Tellamantez. He’s no worse than he’s been before.
I’ve left some medicine. Don’t give him anything but toast water until
I see him again. You’re a good nurse; you’ll get him out.” Dr. Archie
smiled encouragingly. He glanced about the little garden and wrinkled
his brows. “I can’t see what makes him behave so. He’s killing himself,
and he’s not a rowdy sort of fellow. Can’t you tie him up someway?
Can’t you tell when these fits are coming on?”

Mrs. Tellamantez put her hand to her forehead. “The saloon, doctor, the
excitement; that is what makes him. People listen to him, and it
excites him.”

The doctor shook his head. “Maybe. He’s too much for my calculations. I
don’t see what he gets out of it.”

“He is always fooled,”—the Mexican woman spoke rapidly and tremulously,
her long under lip quivering.

“He is good at heart, but he has no head. He fools himself. You do not
understand in this country, you are progressive. But he has no
judgment, and he is fooled.” She stooped quickly, took up one of the
white conch-shells that bordered the walk, and, with an apologetic
inclination of her head, held it to Dr. Archie’s ear. “Listen, doctor.
You hear something in there? You hear the sea; and yet the sea is very
far from here. You have judgment, and you know that. But he is fooled.
To him, it is the sea itself. A little thing is big to him.” She bent
and placed the shell in the white row, with its fellows. Thea took it
up softly and pressed it to her own ear. The sound in it startled her;
it was like something calling one. So that was why Johnny ran away.
There was something awe-inspiring about Mrs. Tellamantez and her shell.

Thea caught Dr. Archie’s hand and squeezed it hard as she skipped along
beside him back toward Moonstone. She went home, and the doctor went
back to his lamp and his book. He never left his office until after
midnight. If he did not play whist or pool in the evening, he read. It
had become a habit with him to lose himself.

VII

Thea’s twelfth birthday had passed a few weeks before her memorable
call upon Mrs. Tellamantez. There was a worthy man in Moonstone who was
already planning to marry Thea as soon as she should be old enough. His
name was Ray Kennedy, his age was thirty, and he was conductor on a
freight train, his run being from Moonstone to Denver. Ray was a big
fellow, with a square, open American face, a rock chin, and features
that one would never happen to remember. He was an aggressive idealist,
a freethinker, and, like most railroad men, deeply sentimental. Thea
liked him for reasons that had to do with the adventurous life he had
led in Mexico and the Southwest, rather than for anything very
personal. She liked him, too, because he was the only one of her
friends who ever took her to the sand hills. The sand hills were a
constant tantalization; she loved them better than anything near
Moonstone, and yet she could so seldom get to them. The first dunes
were accessible enough; they were only a few miles beyond the Kohlers’,
and she could run out there any day when she could do her practicing in
the morning and get Thor off her hands for an afternoon. But the real
hills—the Turquoise Hills, the Mexicans called them—were ten good miles
away, and one reached them by a heavy, sandy road. Dr. Archie sometimes
took Thea on his long drives, but as nobody lived in the sand hills, he
never had calls to make in that direction. Ray Kennedy was her only
hope of getting there.

This summer Thea had not been to the hills once, though Ray had planned
several Sunday expeditions. Once Thor was sick, and once the organist
in her father’s church was away and Thea had to play the organ for the
three Sunday services. But on the first Sunday in September, Ray drove
up to the Kronborgs’ front gate at nine o’clock in the morning and the
party actually set off. Gunner and Axel went with Thea, and Ray had
asked Spanish Johnny to come and to bring Mrs. Tellamantez and his
mandolin. Ray was artlessly fond of music, especially of Mexican music.
He and Mrs. Tellamantez had got up the lunch between them, and they
were to make coffee in the desert.

When they left Mexican Town, Thea was on the front seat with Ray and
Johnny, and Gunner and Axel sat behind with Mrs. Tellamantez. They
objected to this, of course, but there were some things about which
Thea would have her own way. “As stubborn as a Finn,” Mrs. Kronborg
sometimes said of her, quoting an old Swedish saying. When they passed
the Kohlers’, old Fritz and Wunsch were cutting grapes at the arbor.
Thea gave them a businesslike nod. Wunsch came to the gate and looked
after them. He divined Ray Kennedy’s hopes, and he distrusted every
expedition that led away from the piano. Unconsciously he made Thea pay
for frivolousness of this sort.

As Ray Kennedy’s party followed the faint road across the sagebrush,
they heard behind them the sound of church bells, which gave them a
sense of escape and boundless freedom. Every rabbit that shot across
the path, every sage hen that flew up by the trail, was like a runaway
thought, a message that one sent into the desert. As they went farther,
the illusion of the mirage became more instead of less convincing; a
shallow silver lake that spread for many miles, a little misty in the
sunlight. Here and there one saw reflected the image of a heifer,
turned loose to live upon the sparse sand-grass. They were magnified to
a preposterous height and looked like mammoths, prehistoric beasts
standing solitary in the waters that for many thousands of years
actually washed over that desert;—the mirage itself may be the ghost of
that long-vanished sea. Beyond the phantom lake lay the line of
many-colored hills; rich, sun-baked yellow, glowing turquoise,
lavender, purple; all the open, pastel colors of the desert.

After the first five miles the road grew heavier. The horses had to
slow down to a walk and the wheels sank deep into the sand, which now
lay in long ridges, like waves, where the last high wind had drifted
it. Two hours brought the party to Pedro’s Cup, named for a Mexican
desperado who had once held the sheriff at bay there. The Cup was a
great amphitheater, cut out in the hills, its floor smooth and packed
hard, dotted with sagebrush and greasewood.

On either side of the Cup the yellow hills ran north and south, with
winding ravines between them, full of soft sand which drained down from
the crumbling banks. On the surface of this fluid sand, one could find
bits of brilliant stone, crystals and agates and onyx, and petrified
wood as red as blood. Dried toads and lizards were to be found there,
too. Birds, decomposing more rapidly, left only feathered skeletons.

After a little reconnoitering, Mrs. Tellamantez declared that it was
time for lunch, and Ray took his hatchet and began to cut greasewood,
which burns fiercely in its green state. The little boys dragged the
bushes to the spot that Mrs. Tellamantez had chosen for her fire.
Mexican women like to cook out of doors.

After lunch Thea sent Gunner and Axel to hunt for agates. “If you see a
rattlesnake, run. Don’t try to kill it,” she enjoined.

Gunner hesitated. “If Ray would let me take the hatchet, I could kill
one all right.”

Mrs. Tellamantez smiled and said something to Johnny in Spanish.

“Yes,” her husband replied, translating, “they say in Mexico, kill a
snake but never hurt his feelings. Down in the hot country,
_muchacha_,” turning to Thea, “people keep a pet snake in the house to
kill rats and mice. They call him the house snake. They keep a little
mat for him by the fire, and at night he curl up there and sit with the
family, just as friendly!”

Gunner sniffed with disgust. “Well, I think that’s a dirty Mexican way
to keep house; so there!”

Johnny shrugged his shoulders. “Perhaps,” he muttered. A Mexican learns
to dive below insults or soar above them, after he crosses the border.

By this time the south wall of the amphitheater cast a narrow shelf of
shadow, and the party withdrew to this refuge. Ray and Johnny began to
talk about the Grand Canyon and Death Valley, two places much shrouded
in mystery in those days, and Thea listened intently. Mrs. Tellamantez
took out her drawn-work and pinned it to her knee. Ray could talk well
about the large part of the continent over which he had been knocked
about, and Johnny was appreciative.

“You been all over, pretty near. Like a Spanish boy,” he commented
respectfully.

Ray, who had taken off his coat, whetted his pocketknife thoughtfully
on the sole of his shoe. “I began to browse around early. I had a mind
to see something of this world, and I ran away from home before I was
twelve. Rustled for myself ever since.”

“Ran away?” Johnny looked hopeful. “What for?”

“Couldn’t make it go with my old man, and didn’t take to farming. There
were plenty of boys at home. I wasn’t missed.”

Thea wriggled down in the hot sand and rested her chin on her arm.
“Tell Johnny about the melons, Ray, please do!”

Ray’s solid, sunburned cheeks grew a shade redder, and he looked
reproachfully at Thea. “You’re stuck on that story, kid. You like to
get the laugh on me, don’t you? That was the finishing split I had with
my old man, John. He had a claim along the creek, not far from Denver,
and raised a little garden stuff for market. One day he had a load of
melons and he decided to take ’em to town and sell ’em along the
street, and he made me go along and drive for him. Denver wasn’t the
queen city it is now, by any means, but it seemed a terrible big place
to me; and when we got there, if he didn’t make me drive right up
Capitol Hill! Pap got out and stopped at folkses houses to ask if they
didn’t want to buy any melons, and I was to drive along slow. The
farther I went the madder I got, but I was trying to look unconscious,
when the end-gate came loose and one of the melons fell out and
squashed. Just then a swell girl, all dressed up, comes out of one of
the big houses and calls out, ‘Hello, boy, you’re losing your melons!’
Some dudes on the other side of the street took their hats off to her
and began to laugh. I couldn’t stand it any longer. I grabbed the whip
and lit into that team, and they tore up the hill like jack-rabbits,
them damned melons bouncing out the back every jump, the old man
cussin’ an’ yellin’ behind and everybody laughin’. I never looked
behind, but the whole of Capitol Hill must have been a mess with them
squashed melons. I didn’t stop the team till I got out of sight of
town. Then I pulled up an’ left ’em with a rancher I was acquainted
with, and I never went home to get the lickin’ that was waitin’ for me.
I expect it’s waitin’ for me yet.”

Thea rolled over in the sand. “Oh, I wish I could have seen those
melons fly, Ray! I’ll never see anything as funny as that. Now, tell
Johnny about your first job.”

Ray had a collection of good stories. He was observant, truthful, and
kindly—perhaps the chief requisites in a good story-teller.
Occasionally he used newspaper phrases, conscientiously learned in his
efforts at self-instruction, but when he talked naturally he was always
worth listening to. Never having had any schooling to speak of, he had,
almost from the time he first ran away, tried to make good his loss. As
a sheep-herder he had worried an old grammar to tatters, and read
instructive books with the help of a pocket dictionary. By the light of
many camp-fires he had pondered upon Prescott’s histories, and the
works of Washington Irving, which he bought at a high price from a
book-agent. Mathematics and physics were easy for him, but general
culture came hard, and he was determined to get it. Ray was a
freethinker, and inconsistently believed himself damned for being one.
When he was braking, down on the Santa Fé, at the end of his run he
used to climb into the upper bunk of the caboose, while a noisy gang
played poker about the stove below him, and by the roof-lamp read
Robert Ingersoll’s speeches and “The Age of Reason.”

Ray was a loyal-hearted fellow, and it had cost him a great deal to
give up his God. He was one of the stepchildren of Fortune, and he had
very little to show for all his hard work; the other fellow always got
the best of it. He had come in too late, or too early, on several
schemes that had made money. He brought with him from all his
wanderings a good deal of information (more or less correct in itself,
but unrelated, and therefore misleading), a high standard of personal
honor, a sentimental veneration for all women, bad as well as good, and
a bitter hatred of Englishmen. Thea often thought that the nicest thing
about Ray was his love for Mexico and the Mexicans, who had been kind
to him when he drifted, a homeless boy, over the border. In Mexico, Ray
was Señor Ken-áy-dy, and when he answered to that name he was somehow a
different fellow. He spoke Spanish fluently, and the sunny warmth of
that tongue kept him from being quite as hard as his chin, or as narrow
as his popular science.

While Ray was smoking his cigar, he and Johnny fell to talking about
the great fortunes that had been made in the Southwest, and about
fellows they knew who had “struck it rich.”

“I guess you been in on some big deals down there?” Johnny asked
trustfully.

Ray smiled and shook his head. “I’ve been out on some, John. I’ve never
been exactly in on any. So far, I’ve either held on too long or let go
too soon. But mine’s coming to me, all right.” Ray looked reflective.
He leaned back in the shadow and dug out a rest for his elbow in the
sand. “The narrowest escape I ever had, was in the Bridal Chamber. If I
hadn’t let go there, it would have made me rich. That was a close
call.”

Johnny looked delighted. “You don’ say! She was silver mine, I guess?”

“I guess she was! Down at Lake Valley. I put up a few hundred for the
prospector, and he gave me a bunch of stock. Before we’d got anything
out of it, my brother-in-law died of the fever in Cuba. My sister was
beside herself to get his body back to Colorado to bury him. Seemed
foolish to me, but she’s the only sister I got. It’s expensive for dead
folks to travel, and I had to sell my stock in the mine to raise the
money to get Elmer on the move. Two months afterward, the boys struck
that big pocket in the rock, full of virgin silver. They named her the
Bridal Chamber. It wasn’t ore, you remember. It was pure, soft metal
you could have melted right down into dollars. The boys cut it out with
chisels. If old Elmer hadn’t played that trick on me, I’d have been in
for about fifty thousand. That was a close call, Spanish.”

“I recollec’. When the pocket gone, the town go bust.”

“You bet. Higher’n a kite. There was no vein, just a pocket in the rock
that had sometime or another got filled up with molten silver. You’d
think there would be more somewhere about, but _nada_. There’s fools
digging holes in that mountain yet.”

When Ray had finished his cigar, Johnny took his mandolin and began
Kennedy’s favorite, “Ultimo Amor.” It was now three o’clock in the
afternoon, the hottest hour in the day. The narrow shelf of shadow had
widened until the floor of the amphitheater was marked off in two
halves, one glittering yellow, and one purple. The little boys had come
back and were making a robbers’ cave to enact the bold deeds of Pedro
the bandit. Johnny, stretched gracefully on the sand, passed from
“Ultimo Amor” to “Fluvia de Oro,” and then to “Noches de Algeria,”
playing languidly.

Every one was busy with his own thoughts. Mrs. Tellamantez was thinking
of the square in the little town in which she was born; of the white
church steps, with people genuflecting as they passed, and the
round-topped acacia trees, and the band playing in the plaza. Ray
Kennedy was thinking of the future, dreaming the large Western dream of
easy money, of a fortune kicked up somewhere in the hills,—an oil well,
a gold mine, a ledge of copper. He always told himself, when he
accepted a cigar from a newly married railroad man, that he knew enough
not to marry until he had found his ideal, and could keep her like a
queen. He believed that in the yellow head over there in the sand he
had found his ideal, and that by the time she was old enough to marry,
he would be able to keep her like a queen. He would kick it up from
somewhere, when he got loose from the railroad.

Thea, stirred by tales of adventure, of the Grand Canyon and Death
Valley, was recalling a great adventure of her own. Early in the summer
her father had been invited to conduct a reunion of old frontiersmen,
up in Wyoming, near Laramie, and he took Thea along with him to play
the organ and sing patriotic songs. There they stayed at the house of
an old ranchman who told them about a ridge up in the hills called
Laramie Plain, where the wagon-trails of the Forty-niners and the
Mormons were still visible. The old man even volunteered to take Mr.
Kronborg up into the hills to see this place, though it was a very long
drive to make in one day. Thea had begged frantically to go along, and
the old rancher, flattered by her rapt attention to his stories, had
interceded for her.

They set out from Laramie before daylight, behind a strong team of
mules. All the way there was much talk of the Forty-niners. The old
rancher had been a teamster in a freight train that used to crawl back
and forth across the plains between Omaha and Cherry Creek, as Denver
was then called, and he had met many a wagon train bound for
California. He told of Indians and buffalo, thirst and slaughter,
wanderings in snowstorms, and lonely graves in the desert.

The road they followed was a wild and beautiful one. It led up and up,
by granite rocks and stunted pines, around deep ravines and echoing
gorges. The top of the ridge, when they reached it, was a great flat
plain, strewn with white boulders, with the wind howling over it. There
was not one trail, as Thea had expected; there were a score; deep
furrows, cut in the earth by heavy wagon wheels, and now grown over
with dry, whitish grass. The furrows ran side by side; when one trail
had been worn too deep, the next party had abandoned it and made a new
trail to the right or left. They were, indeed, only old wagon ruts,
running east and west, and grown over with grass. But as Thea ran about
among the white stones, her skirts blowing this way and that, the wind
brought to her eyes tears that might have come anyway. The old rancher
picked up an iron ox-shoe from one of the furrows and gave it to her
for a keepsake. To the west one could see range after range of blue
mountains, and at last the snowy range, with its white, windy peaks,
the clouds caught here and there on their spurs. Again and again Thea
had to hide her face from the cold for a moment. The wind never slept
on this plain, the old man said. Every little while eagles flew over.

Coming up from Laramie, the old man had told them that he was in
Brownsville, Nebraska, when the first telegraph wires were put across
the Missouri River, and that the first message that ever crossed the
river was “Westward the course of Empire takes its way.” He had been in
the room when the instrument began to click, and all the men there had,
without thinking what they were doing, taken off their hats, waiting
bareheaded to hear the message translated. Thea remembered that message
when she sighted down the wagon tracks toward the blue mountains. She
told herself she would never, never forget it. The spirit of human
courage seemed to live up there with the eagles. For long after, when
she was moved by a Fourth-of-July oration, or a band, or a circus
parade, she was apt to remember that windy ridge.

To-day she went to sleep while she was thinking about it. When Ray
wakened her, the horses were hitched to the wagon and Gunner and Axel
were begging for a place on the front seat. The air had cooled, the sun
was setting, and the desert was on fire. Thea contentedly took the back
seat with Mrs. Tellamantez. As they drove homeward the stars began to
come out, pale yellow in a yellow sky, and Ray and Johnny began to sing
one of those railroad ditties that are usually born on the Southern
Pacific and run the length of the Santa Fé and the “Q” system before
they die to give place to a new one. This was a song about a Greaser
dance, the refrain being something like this:—

“Pedró, Pedró, swing high, swing low,
And it’s allamand left again;
For there’s boys that’s bold and there’s some that’s cold,
But the góld boys come from Spain,
Oh, the góld boys come from Spain!”

VIII

Winter was long in coming that year. Throughout October the days were
bathed in sunlight and the air was clear as crystal. The town kept its
cheerful summer aspect, the desert glistened with light, the sand hills
every day went through magical changes of color. The scarlet sage
bloomed late in the front yards, the cottonwood leaves were bright gold
long before they fell, and it was not until November that the green on
the tamarisks began to cloud and fade. There was a flurry of snow about
Thanksgiving, and then December came on warm and clear.

Thea had three music pupils now, little girls whose mothers declared
that Professor Wunsch was “much too severe.” They took their lessons on
Saturday, and this, of course, cut down her time for play. She did not
really mind this because she was allowed to use the money—her pupils
paid her twenty-five cents a lesson—to fit up a little room for herself
upstairs in the half-story. It was the end room of the wing, and was
not plastered, but was snugly lined with soft pine. The ceiling was so
low that a grown person could reach it with the palm of the hand, and
it sloped down on either side. There was only one window, but it was a
double one and went to the floor. In October, while the days were still
warm, Thea and Tillie papered the room, walls and ceiling in the same
paper, small red and brown roses on a yellowish ground. Thea bought a
brown cotton carpet, and her big brother, Gus, put it down for her one
Sunday. She made white cheesecloth curtains and hung them on a tape.
Her mother gave her an old walnut dresser with a broken mirror, and she
had her own dumpy walnut single bed, and a blue washbowl and pitcher
which she had drawn at a church fair lottery. At the head of her bed
she had a tall round wooden hat-crate, from the clothing store. This,
standing on end and draped with cretonne, made a fairly steady table
for her lantern. She was not allowed to take a lamp upstairs, so Ray
Kennedy gave her a railroad lantern by which she could read at night.

In winter this loft room of Thea’s was bitterly cold, but against her
mother’s advice—and Tillie’s—she always left her window open a little
way. Mrs. Kronborg declared that she “had no patience with American
physiology,” though the lessons about the injurious effects of alcohol
and tobacco were well enough for the boys. Thea asked Dr. Archie about
the window, and he told her that a girl who sang must always have
plenty of fresh air, or her voice would get husky, and that the cold
would harden her throat. The important thing, he said, was to keep your
feet warm. On very cold nights Thea always put a brick in the oven
after supper, and when she went upstairs she wrapped it in an old
flannel petticoat and put it in her bed. The boys, who would never heat
bricks for themselves, sometimes carried off Thea’s, and thought it a
good joke to get ahead of her.

When Thea first plunged in between her red blankets, the cold sometimes
kept her awake for a good while, and she comforted herself by
remembering all she could of “Polar Explorations,” a fat, calf-bound
volume her father had bought from a book-agent, and by thinking about
the members of Greely’s party: how they lay in their frozen
sleeping-bags, each man hoarding the warmth of his own body and trying
to make it last as long as possible against the on-coming cold that
would be everlasting. After half an hour or so, a warm wave crept over
her body and round, sturdy legs; she glowed like a little stove with
the warmth of her own blood, and the heavy quilts and red blankets grew
warm wherever they touched her, though her breath sometimes froze on
the coverlid. Before daylight, her internal fires went down a little,
and she often wakened to find herself drawn up into a tight ball,
somewhat stiff in the legs. But that made it all the easier to get up.

The acquisition of this room was the beginning of a new era in Thea’s
life. It was one of the most important things that ever happened to
her. Hitherto, except in summer, when she could be out of doors, she
had lived in constant turmoil; the family, the day school, the
Sunday-School. The clamor about her drowned the voice within herself.
In the end of the wing, separated from the other upstairs
sleeping-rooms by a long, cold, unfinished lumber room, her mind worked
better. She thought things out more clearly. Pleasant plans and ideas
occurred to her which had never come before. She had certain thoughts
which were like companions, ideas which were like older and wiser
friends. She left them there in the morning, when she finished dressing
in the cold, and at night, when she came up with her lantern and shut
the door after a busy day, she found them awaiting her. There was no
possible way of heating the room, but that was fortunate, for otherwise
it would have been occupied by one of her older brothers.

From the time when she moved up into the wing, Thea began to live a
double life. During the day, when the hours were full of tasks, she was
one of the Kronborg children, but at night she was a different person.
On Friday and Saturday nights she always read for a long while after
she was in bed. She had no clock, and there was no one to nag her.

Ray Kennedy, on his way from the depot to his boardinghouse, often
looked up and saw Thea’s light burning when the rest of the house was
dark, and felt cheered as by a friendly greeting. He was a faithful
soul, and many disappointments had not changed his nature. He was
still, at heart, the same boy who, when he was sixteen, had settled
down to freeze with his sheep in a Wyoming blizzard, and had been
rescued only to play the losing game of fidelity to other charges.

Ray had no very clear idea of what might be going on in Thea’s head,
but he knew that something was. He used to remark to Spanish Johnny,
“That girl is developing something fine.” Thea was patient with Ray,
even in regard to the liberties he took with her name. Outside the
family, every one in Moonstone, except Wunsch and Dr. Archie, called
her “Thee-a,” but this seemed cold and distant to Ray, so he called her
“Thee.” Once, in a moment of exasperation, Thea asked him why he did
this, and he explained that he once had a chum, Theodore, whose name
was always abbreviated thus, and that since he was killed down on the
Santa Fé, it seemed natural to call somebody “Thee.” Thea sighed and
submitted. She was always helpless before homely sentiment and usually
changed the subject.

It was the custom for each of the different Sunday Schools in Moonstone
to give a concert on Christmas Eve. But this year all the churches were
to unite and give, as was announced from the pulpits, “a semi-sacred
concert of picked talent” at the opera house. The Moonstone Orchestra,
under the direction of Professor Wunsch, was to play, and the most
talented members of each Sunday School were to take part in the
programme. Thea was put down by the committee “for instrumental.” This
made her indignant, for the vocal numbers were always more popular.
Thea went to the president of the committee and demanded hotly if her
rival, Lily Fisher, were going to sing. The president was a big,
florid, powdered woman, a fierce W.C.T.U. worker, one of Thea’s natural
enemies. Her name was Johnson; her husband kept the livery stable, and
she was called Mrs. Livery Johnson, to distinguish her from other
families of the same surname. Mrs. Johnson was a prominent Baptist, and
Lily Fisher was the Baptist prodigy. There was a not very Christian
rivalry between the Baptist Church and Mr. Kronborg’s church.

When Thea asked Mrs. Johnson whether her rival was to be allowed to
sing, Mrs. Johnson, with an eagerness which told how she had waited for
this moment, replied that “Lily was going to recite to be obliging, and
to give other children a chance to sing.” As she delivered this thrust,
her eyes glittered more than the Ancient Mariner’s, Thea thought. Mrs.
Johnson disapproved of the way in which Thea was being brought up, of a
child whose chosen associates were Mexicans and sinners, and who was,
as she pointedly put it, “bold with men.” She so enjoyed an opportunity
to rebuke Thea, that, tightly corseted as she was, she could scarcely
control her breathing, and her lace and her gold watch chain rose and
fell “with short, uneasy motion.” Frowning, Thea turned away and walked
slowly homeward. She suspected guile. Lily Fisher was the most stuck-up
doll in the world, and it was certainly not like her to recite to be
obliging. Nobody who could sing ever recited, because the warmest
applause always went to the singers.

However, when the programme was printed in the Moonstone _Gleam_, there
it was: “Instrumental solo, Thea Kronborg. Recitation, Lily Fisher.”

Because his orchestra was to play for the concert, Mr. Wunsch imagined
that he had been put in charge of the music, and he became arrogant. He
insisted that Thea should play a “Ballade” by Reinecke. When Thea
consulted her mother, Mrs. Kronborg agreed with her that the “Ballade”
would “never take” with a Moonstone audience. She advised Thea to play
“something with variations,” or, at least, “The Invitation to the
Dance.”

“It makes no matter what they like,” Wunsch replied to Thea’s
entreaties. “It is time already that they learn something.”

Thea’s fighting powers had been impaired by an ulcerated tooth and
consequent loss of sleep, so she gave in. She finally had the molar
pulled, though it was a second tooth and should have been saved. The
dentist was a clumsy, ignorant country boy, and Mr. Kronborg would not
hear of Dr. Archie’s taking Thea to a dentist in Denver, though Ray
Kennedy said he could get a pass for her. What with the pain of the
tooth, and family discussions about it, with trying to make Christmas
presents and to keep up her school work and practicing, and giving
lessons on Saturdays, Thea was fairly worn out.

On Christmas Eve she was nervous and excited. It was the first time she
had ever played in the opera house, and she had never before had to
face so many people. Wunsch would not let her play with her notes, and
she was afraid of forgetting. Before the concert began, all the
participants had to assemble on the stage and sit there to be looked
at. Thea wore her white summer dress and a blue sash, but Lily Fisher
had a new pink silk, trimmed with white swansdown.

The hall was packed. It seemed as if every one in Moonstone was there,
even Mrs. Kohler, in her hood, and old Fritz. The seats were wooden
kitchen chairs, numbered, and nailed to long planks which held them
together in rows. As the floor was not raised, the chairs were all on
the same level. The more interested persons in the audience peered over
the heads of the people in front of them to get a good view of the
stage. From the platform Thea picked out many friendly faces. There was
Dr. Archie, who never went to church entertainments; there was the
friendly jeweler who ordered her music for her,—he sold accordions and
guitars as well as watches,—and the druggist who often lent her books,
and her favorite teacher from the school. There was Ray Kennedy, with a
party of freshly barbered railroad men he had brought along with him.
There was Mrs. Kronborg with all the children, even Thor, who had been
brought out in a new white plush coat. At the back of the hall sat a
little group of Mexicans, and among them Thea caught the gleam of
Spanish Johnny’s white teeth, and of Mrs. Tellamantez’s lustrous,
smoothly coiled black hair.

After the orchestra played “Selections from Erminie,” and the Baptist
preacher made a long prayer, Tillie Kronborg came on with a highly
colored recitation, “The Polish Boy.” When it was over every one
breathed more freely. No committee had the courage to leave Tillie off
a programme. She was accepted as a trying feature of every
entertainment. The Progressive Euchre Club was the only social
organization in the town that entirely escaped Tillie. After Tillie sat
down, the Ladies’ Quartette sang, “Beloved, it is Night,” and then it
was Thea’s turn.

The Song of Hiawatha

Henry W. Longfellow

CONTENTS

Introductory Note
Introduction
I. The Peace-Pipe
II. The Four Winds
III. Hiawatha’s Childhood
IV. Hiawatha and Mudjekeewis
V. Hiawatha’s Fasting
VI. Hiawatha’s Friends
VII. Hiawatha’s Sailing
VIII. Hiawatha’s Fishing
IX. Hiawatha and the Pearl-Feather
X. Hiawatha’s Wooing
XI. Hiawatha’s Wedding-Feast
XII. The Son of the Evening Star
XIII. Blessing the Corn-Fields
XIV. Picture-Writing
XV. Hiawatha’s Lamentation
XVI. Pau-Puk-Keewis
XVII. The Hunting of Pau-Puk-Keewis
XVIII. The Death of Kwasind
XIX. The Ghosts
XX. The Famine
XXI. The White Man’s Foot
XXII. Hiawatha’s Departure
Vocabulary

Introductory Note

The Song of Hiawatha is based on the legends and stories of many North
American Indian tribes, but especially those of the Ojibway Indians of
northern Michigan, Wisconsin, and Minnesota. They were collected by
Henry Rowe Schoolcraft, the reknowned historian, pioneer explorer, and
geologist. He was superintendent of Indian affairs for Michigan from
1836 to 1841.

Schoolcraft married Jane, O-bah-bahm-wawa-ge-zhe-go-qua (The Woman of
the Sound Which the Stars Make Rushing Through the Sky), Johnston. Jane
was a daughter of John Johnston, an early Irish fur trader, and
O-shau-gus-coday-way-qua (The Woman of the Green Prairie), who was a
daughter of Waub-o-jeeg (The White Fisher), who was Chief of the
Ojibway tribe at La Pointe, Wisconsin.

Jane and her mother are credited with having researched, authenticated,
and compiled much of the material Schoolcraft included in his Algic
Researches (1839) and a revision published in 1856 as The Myth of
Hiawatha. It was this latter revision that Longfellow used as the basis
for The Song of Hiawatha.

Longfellow began Hiawatha on June 25, 1854, he completed it on March
29, 1855, and it was published November 10, 1855. As soon as the poem
was published its popularity was assured. However, it also was severely
criticized as a plagiary of the Finnish epic poem Kalevala. Longfellow
made no secret of the fact that he had used the meter of the Kalevala;
but as for the legends, he openly gave credit to Schoolcraft in his
notes to the poem.

I would add a personal note here. My father’s roots include Ojibway
Indians: his mother, Margaret Caroline Davenport, was a daughter of
Susan des Carreaux, O-gee-em-a-qua (The Chief Woman), Davenport whose
mother was a daughter of Chief Waub-o-jeeg. Finally, my mother used to
rock me to sleep reading portions of Hiawatha to me, especially:

“Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!”

Woodrow W. Morris
April 1, 1991

The Song of Hiawatha

Introduction

Should you ask me, whence these stories?
Whence these legends and traditions,
With the odors of the forest
With the dew and damp of meadows,
With the curling smoke of wigwams,
With the rushing of great rivers,
With their frequent repetitions,
And their wild reverberations
As of thunder in the mountains?

I should answer, I should tell you,
“From the forests and the prairies,
From the great lakes of the Northland,
From the land of the Ojibways,
From the land of the Dacotahs,
From the mountains, moors, and fen-lands
Where the heron, the Shuh-shuh-gah,
Feeds among the reeds and rushes.
I repeat them as I heard them
From the lips of Nawadaha,
The musician, the sweet singer.”

Should you ask where Nawadaha
Found these songs so wild and wayward,
Found these legends and traditions,
I should answer, I should tell you,
“In the bird’s-nests of the forest,
In the lodges of the beaver,
In the hoofprint of the bison,
In the eyry of the eagle!

“All the wild-fowl sang them to him,
In the moorlands and the fen-lands,
In the melancholy marshes;
Chetowaik, the plover, sang them,
Mahng, the loon, the wild-goose, Wawa,
The blue heron, the Shuh-shuh-gah,
And the grouse, the Mushkodasa!”

If still further you should ask me,
Saying, “Who was Nawadaha?
Tell us of this Nawadaha,”
I should answer your inquiries
Straightway in such words as follow.

“In the vale of Tawasentha,
In the green and silent valley,
By the pleasant water-courses,
Dwelt the singer Nawadaha.
Round about the Indian village
Spread the meadows and the corn-fields,
And beyond them stood the forest,
Stood the groves of singing pine-trees,
Green in Summer, white in Winter,
Ever sighing, ever singing.

“And the pleasant water-courses,
You could trace them through the valley,
By the rushing in the Spring-time,
By the alders in the Summer,
By the white fog in the Autumn,
By the black line in the Winter;
And beside them dwelt the singer,
In the vale of Tawasentha,
In the green and silent valley.

“There he sang of Hiawatha,
Sang the Song of Hiawatha,
Sang his wondrous birth and being,
How he prayed and how he fasted,
How he lived, and toiled, and suffered,
That the tribes of men might prosper,
That he might advance his people!”

Ye who love the haunts of Nature,
Love the sunshine of the meadow,
Love the shadow of the forest,
Love the wind among the branches,
And the rain-shower and the snow-storm,
And the rushing of great rivers
Through their palisades of pine-trees,
And the thunder in the mountains,
Whose innumerable echoes
Flap like eagles in their eyries;–
Listen to these wild traditions,
To this Song of Hiawatha!

Ye who love a nation’s legends,
Love the ballads of a people,
That like voices from afar off
Call to us to pause and listen,
Speak in tones so plain and childlike,
Scarcely can the ear distinguish
Whether they are sung or spoken;–
Listen to this Indian Legend,
To this Song of Hiawatha!

Ye whose hearts are fresh and simple,
Who have faith in God and Nature,
Who believe that in all ages
Every human heart is human,
That in even savage bosoms
There are longings, yearnings, strivings
For the good they comprehend not,
That the feeble hands and helpless,
Groping blindly in the darkness,
Touch God’s right hand in that darkness
And are lifted up and strengthened;–
Listen to this simple story,
To this Song of Hiawatha!

Ye, who sometimes, in your rambles
Through the green lanes of the country,
Where the tangled barberry-bushes
Hang their tufts of crimson berries
Over stone walls gray with mosses,
Pause by some neglected graveyard,
For a while to muse, and ponder
On a half-effaced inscription,
Written with little skill of song-craft,
Homely phrases, but each letter
Full of hope and yet of heart-break,
Full of all the tender pathos
Of the Here and the Hereafter;
Stay and read this rude inscription,
Read this Song of Hiawatha!

I
The Peace-Pipe

On the Mountains of the Prairie,
On the great Red Pipe-stone Quarry,
Gitche Manito, the mighty,
He the Master of Life, descending,
On the red crags of the quarry
Stood erect, and called the nations,
Called the tribes of men together.

From his footprints flowed a river,
Leaped into the light of morning,
O’er the precipice plunging downward
Gleamed like Ishkoodah, the comet.
And the Spirit, stooping earthward,
With his finger on the meadow
Traced a winding pathway for it,
Saying to it, “Run in this way!”

From the red stone of the quarry
With his hand he broke a fragment,
Moulded it into a pipe-head,
Shaped and fashioned it with figures;
From the margin of the river
Took a long reed for a pipe-stem,
With its dark green leaves upon it;
Filled the pipe with bark of willow,
With the bark of the red willow;
Breathed upon the neighboring forest,
Made its great boughs chafe together,
Till in flame they burst and kindled;
And erect upon the mountains,
Gitche Manito, the mighty,
Smoked the calumet, the Peace-Pipe,
As a signal to the nations.

And the smoke rose slowly, slowly,
Through the tranquil air of morning,
First a single line of darkness,
Then a denser, bluer vapor,
Then a snow-white cloud unfolding,
Like the tree-tops of the forest,
Ever rising, rising, rising,
Till it touched the top of heaven,
Till it broke against the heaven,
And rolled outward all around it.

From the Vale of Tawasentha,
From the Valley of Wyoming,
From the groves of Tuscaloosa,
From the far-off Rocky Mountains,
From the Northern lakes and rivers
All the tribes beheld the signal,
Saw the distant smoke ascending,
The Pukwana of the Peace-Pipe.

And the Prophets of the nations
Said: “Behold it, the Pukwana!
By the signal of the Peace-Pipe,
Bending like a wand of willow,
Waving like a hand that beckons,
Gitche Manito, the mighty,
Calls the tribes of men together,
Calls the warriors to his council!”

Down the rivers, o’er the prairies,
Came the warriors of the nations,
Came the Delawares and Mohawks,
Came the Choctaws and Camanches,
Came the Shoshonies and Blackfeet,
Came the Pawnees and Omahas,

Came the Mandans and Dacotahs,
Came the Hurons and Ojibways,
All the warriors drawn together
By the signal of the Peace-Pipe,
To the Mountains of the Prairie,
To the great Red Pipe-stone Quarry,

And they stood there on the meadow,
With their weapons and their war-gear,
Painted like the leaves of Autumn,
Painted like the sky of morning,
Wildly glaring at each other;
In their faces stern defiance,
In their hearts the feuds of ages,
The hereditary hatred,
The ancestral thirst of vengeance.

Gitche Manito, the mighty,
The creator of the nations,
Looked upon them with compassion,
With paternal love and pity;
Looked upon their wrath and wrangling
But as quarrels among children,
But as feuds and fights of children!

Over them he stretched his right hand,
To subdue their stubborn natures,
To allay their thirst and fever,
By the shadow of his right hand;
Spake to them with voice majestic
As the sound of far-off waters,
Falling into deep abysses,
Warning, chiding, spake in this wise:

“O my children! my poor children!
Listen to the words of wisdom,
Listen to the words of warning,
From the lips of the Great Spirit,
From the Master of Life, who made you!

“I have given you lands to hunt in,
I have given you streams to fish in,
I have given you bear and bison,
I have given you roe and reindeer,
I have given you brant and beaver,
Filled the marshes full of wild-fowl,
Filled the rivers full of fishes:
Why then are you not contented?
Why then will you hunt each other?

“I am weary of your quarrels,
Weary of your wars and bloodshed,
Weary of your prayers for vengeance,
Of your wranglings and dissensions;
All your strength is in your union,
All your danger is in discord;
Therefore be at peace henceforward,
And as brothers live together.

“I will send a Prophet to you,
A Deliverer of the nations,
Who shall guide you and shall teach you,
Who shall toil and suffer with you.
If you listen to his counsels,
You will multiply and prosper;
If his warnings pass unheeded,
You will fade away and perish!

“Bathe now in the stream before you,
Wash the war-paint from your faces,
Wash the blood-stains from your fingers,
Bury your war-clubs and your weapons,
Break the red stone from this quarry,
Mould and make it into Peace-Pipes,
Take the reeds that grow beside you,
Deck them with your brightest feathers,
Smoke the calumet together,
And as brothers live henceforward!”

Then upon the ground the warriors
Threw their cloaks and shirts of deer-skin,
Threw their weapons and their war-gear,
Leaped into the rushing river,
Washed the war-paint from their faces.
Clear above them flowed the water,
Clear and limpid from the footprints
Of the Master of Life descending;
Dark below them flowed the water,
Soiled and stained with streaks of crimson,
As if blood were mingled with it!

From the river came the warriors,
Clean and washed from all their war-paint;
On the banks their clubs they buried,
Buried all their warlike weapons.
Gitche Manito, the mighty,
The Great Spirit, the creator,
Smiled upon his helpless children!

And in silence all the warriors
Broke the red stone of the quarry,
Smoothed and formed it into Peace-Pipes,
Broke the long reeds by the river,
Decked them with their brightest feathers,
And departed each one homeward,
While the Master of Life, ascending,
Through the opening of cloud-curtains,
Through the doorways of the heaven,
Vanished from before their faces,
In the smoke that rolled around him,
The Pukwana of the Peace-Pipe!

II
The Four Winds

“Honor be to Mudjekeewis!”
Cried the warriors, cried the old men,
When he came in triumph homeward
With the sacred Belt of Wampum,
From the regions of the North-Wind,
From the kingdom of Wabasso,
From the land of the White Rabbit.

He had stolen the Belt of Wampum
From the neck of Mishe-Mokwa,
From the Great Bear of the mountains,
From the terror of the nations,
As he lay asleep and cumbrous
On the summit of the mountains,
Like a rock with mosses on it,
Spotted brown and gray with mosses.

Silently he stole upon him
Till the red nails of the monster
Almost touched him, almost scared him,
Till the hot breath of his nostrils
Warmed the hands of Mudjekeewis,
As he drew the Belt of Wampum
Over the round ears, that heard not,
Over the small eyes, that saw not,
Over the long nose and nostrils,
The black muffle of the nostrils,
Out of which the heavy breathing
Warmed the hands of Mudjekeewis.

Then he swung aloft his war-club,
Shouted loud and long his war-cry,
Smote the mighty Mishe-Mokwa
In the middle of the forehead,
Right between the eyes he smote him.

With the heavy blow bewildered,
Rose the Great Bear of the mountains;
But his knees beneath him trembled,
And he whimpered like a woman,
As he reeled and staggered forward,
As he sat upon his haunches;
And the mighty Mudjekeewis,
Standing fearlessly before him,
Taunted him in loud derision,
Spake disdainfully in this wise:

“Hark you, Bear! you are a coward;
And no Brave, as you pretended;
Else you would not cry and whimper
Like a miserable woman!
Bear! you know our tribes are hostile,
Long have been at war together;
Now you find that we are strongest,
You go sneaking in the forest,
You go hiding in the mountains!
Had you conquered me in battle
Not a groan would I have uttered;
But you, Bear! sit here and whimper,
And disgrace your tribe by crying,
Like a wretched Shaugodaya,
Like a cowardly old woman!”

Then again he raised his war-club,
Smote again the Mishe-Mokwa
In the middle of his forehead,
Broke his skull, as ice is broken
When one goes to fish in Winter.
Thus was slain the Mishe-Mokwa,
He the Great Bear of the mountains,
He the terror of the nations.

“Honor be to Mudjekeewis!”
With a shout exclaimed the people,
“Honor be to Mudjekeewis!
Henceforth he shall be the West-Wind,
And hereafter and forever
Shall he hold supreme dominion
Over all the winds of heaven.
Call him no more Mudjekeewis,
Call him Kabeyun, the West-Wind!”

Thus was Mudjekeewis chosen
Father of the Winds of Heaven.
For himself he kept the West-Wind,
Gave the others to his children;
Unto Wabun gave the East-Wind,
Gave the South to Shawondasee,
And the North-Wind, wild and cruel,
To the fierce Kabibonokka.

Young and beautiful was Wabun;
He it was who brought the morning,
He it was whose silver arrows
Chased the dark o’er hill and valley;
He it was whose cheeks were painted
With the brightest streaks of crimson,
And whose voice awoke the village,
Called the deer, and called the hunter.

Lonely in the sky was Wabun;
Though the birds sang gayly to him,
Though the wild-flowers of the meadow
Filled the air with odors for him;
Though the forests and the rivers
Sang and shouted at his coming,
Still his heart was sad within him,
For he was alone in heaven.

But one morning, gazing earthward,
While the village still was sleeping,
And the fog lay on the river,
Like a ghost, that goes at sunrise,
He beheld a maiden walking
All alone upon a meadow,
Gathering water-flags and rushes
By a river in the meadow.

Every morning, gazing earthward,
Still the first thing he beheld there
Was her blue eyes looking at him,
Two blue lakes among the rushes.
And he loved the lonely maiden,
Who thus waited for his coming;
For they both were solitary,
She on earth and he in heaven.

And he wooed her with caresses,
Wooed her with his smile of sunshine,
With his flattering words he wooed her,
With his sighing and his singing,
Gentlest whispers in the branches,
Softest music, sweetest odors,
Till he drew her to his bosom,
Folded in his robes of crimson,
Till into a star he changed her,
Trembling still upon his bosom;
And forever in the heavens
They are seen together walking,
Wabun and the Wabun-Annung,
Wabun and the Star of Morning.

But the fierce Kabibonokka
Had his dwelling among icebergs,
In the everlasting snow-drifts,
In the kingdom of Wabasso,
In the land of the White Rabbit.
He it was whose hand in Autumn
Painted all the trees with scarlet,
Stained the leaves with red and yellow;
He it was who sent the snow-flake,
Sifting, hissing through the forest,
Froze the ponds, the lakes, the rivers,
Drove the loon and sea-gull southward,
Drove the cormorant and curlew
To their nests of sedge and sea-tang
In the realms of Shawondasee.

Once the fierce Kabibonokka
Issued from his lodge of snow-drifts
From his home among the icebergs,
And his hair, with snow besprinkled,
Streamed behind him like a river,
Like a black and wintry river,
As he howled and hurried southward,
Over frozen lakes and moorlands.

There among the reeds and rushes
Found he Shingebis, the diver,
Trailing strings of fish behind him,
O’er the frozen fens and moorlands,
Lingering still among the moorlands,
Though his tribe had long departed
To the land of Shawondasee.

Cried the fierce Kabibonokka,
“Who is this that dares to brave me?
Dares to stay in my dominions,
When the Wawa has departed,
When the wild-goose has gone southward,
And the heron, the Shuh-shuh-gah,
Long ago departed southward?
I will go into his wigwam,
I will put his smouldering fire out!”

And at night Kabibonokka,
To the lodge came wild and wailing,
Heaped the snow in drifts about it,
Shouted down into the smoke-flue,
Shook the lodge-poles in his fury,
Flapped the curtain of the door-way.
Shingebis, the diver, feared not,
Shingebis, the diver, cared not;
Four great logs had he for firewood,
One for each moon of the winter,
And for food the fishes served him.
By his blazing fire he sat there,
Warm and merry, eating, laughing,
Singing, “O Kabibonokka,
You are but my fellow-mortal!”

Then Kabibonokka entered,
And though Shingebis, the diver,
Felt his presence by the coldness,
Felt his icy breath upon him,
Still he did not cease his singing,
Still he did not leave his laughing,
Only turned the log a little,
Only made the fire burn brighter,
Made the sparks fly up the smoke-flue.

From Kabibonokka’s forehead,
From his snow-besprinkled tresses,
Drops of sweat fell fast and heavy,
Making dints upon the ashes,
As along the eaves of lodges,
As from drooping boughs of hemlock,
Drips the melting snow in spring-time,
Making hollows in the snow-drifts.

Till at last he rose defeated,
Could not bear the heat and laughter,
Could not bear the merry singing,
But rushed headlong through the door-way,
Stamped upon the crusted snow-drifts,
Stamped upon the lakes and rivers,
Made the snow upon them harder,
Made the ice upon them thicker,
Challenged Shingebis, the diver,
To come forth and wrestle with him,
To come forth and wrestle naked
On the frozen fens and moorlands.

Forth went Shingebis, the diver,
Wrestled all night with the North-Wind,
Wrestled naked on the moorlands
With the fierce Kabibonokka,
Till his panting breath grew fainter,
Till his frozen grasp grew feebler,
Till he reeled and staggered backward,
And retreated, baffled, beaten,
To the kingdom of Wabasso,
To the land of the White Rabbit,
Hearing still the gusty laughter,
Hearing Shingebis, the diver,
Singing, “O Kabibonokka,
You are but my fellow-mortal!”

Shawondasee, fat and lazy,
Had his dwelling far to southward,
In the drowsy, dreamy sunshine,
In the never-ending Summer.
He it was who sent the wood-birds,
Sent the robin, the Opechee,
Sent the bluebird, the Owaissa,
Sent the Shawshaw, sent the swallow,
Sent the wild-goose, Wawa, northward,
Sent the melons and tobacco,
And the grapes in purple clusters.

From his pipe the smoke ascending
Filled the sky with haze and vapor,
Filled the air with dreamy softness,
Gave a twinkle to the water,
Touched the rugged hills with smoothness,
Brought the tender Indian Summer
To the melancholy north-land,
In the dreary Moon of Snow-shoes.

Listless, careless Shawondasee!
In his life he had one shadow,
In his heart one sorrow had he.
Once, as he was gazing northward,
Far away upon a prairie
He beheld a maiden standing,
Saw a tall and slender maiden
All alone upon a prairie;
Brightest green were all her garments,
And her hair was like the sunshine.

Day by day he gazed upon her,
Day by day he sighed with passion,
Day by day his heart within him
Grew more hot with love and longing
For the maid with yellow tresses.
But he was too fat and lazy
To bestir himself and woo her.
Yes, too indolent and easy
To pursue her and persuade her;
So he only gazed upon her,
Only sat and sighed with passion
For the maiden of the prairie.

Till one morning, looking northward,
He beheld her yellow tresses
Changed and covered o’er with whiteness,
Covered as with whitest snow-flakes.
“Ah! my brother from the North-land,
From the kingdom of Wabasso,
From the land of the White Rabbit!
You have stolen the maiden from me,
You have laid your hand upon her,
You have wooed and won my maiden,
With your stories of the North-land!”

Thus the wretched Shawondasee
Breathed into the air his sorrow;
And the South-Wind o’er the prairie
Wandered warm with sighs of passion,
With the sighs of Shawondasee,
Till the air seemed full of snow-flakes,
Full of thistle-down the prairie,
And the maid with hair like sunshine
Vanished from his sight forever;
Never more did Shawondasee
See the maid with yellow tresses!

Poor, deluded Shawondasee!
’T was no woman that you gazed at,
’T was no maiden that you sighed for,
’T was the prairie dandelion
That through all the dreamy Summer
You had gazed at with such longing,
You had sighed for with such passion,
And had puffed away forever,
Blown into the air with sighing.
Ah! deluded Shawondasee!

Thus the Four Winds were divided
Thus the sons of Mudjekeewis
Had their stations in the heavens,
At the corners of the heavens;
For himself the West-Wind only
Kept the mighty Mudjekeewis.

III
Hiawatha’s Childhood

Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.

She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
“See! a star falls!” said the people;
“From the sky a star is falling!”

There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.

And Nokomis warned her often,
Saying oft, and oft repeating,
“Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!”

But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o’er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.

Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha’s gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.

For her daughter long and loudly
Wailed and wept the sad Nokomis;
“Oh that I were dead!” she murmured,
“Oh that I were dead, as thou art!
No more work, and no more weeping,
Wahonowin! Wahonowin!”

By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.

There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
“Hush! the Naked Bear will hear thee!”
Lulled him into slumber, singing,
“Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!”

Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.

At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
“Minne-wawa!” said the Pine-trees,
“Mudway-aushka!” said the water.

Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
“Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!”

Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, “What is that, Nokomis?”
And the good Nokomis answered:
“Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
’T is her body that you see there.”

Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, “What is that, Nokomis?”
And the good Nokomis answered:
“’T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us.”

When he heard the owls at midnight,
Hooting, laughing in the forest,
“What is that?” he cried in terror,
“What is that,” he said, “Nokomis?”
And the good Nokomis answered:
“That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other.”

Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene’er he met them,
Called them “Hiawatha’s Chickens.”

Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene’er he met them,
Called them “Hiawatha’s Brothers.”

Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.

Then he said to Hiawatha:
“Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!”

Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o’er him,
“Do not shoot us, Hiawatha!”
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
“Do not shoot us, Hiawatha!”

Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
“Do not shoot me, Hiawatha!”

And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
“Do not shoot me, Hiawatha!”

But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.

Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.

Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!

Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.

From the red deer’s hide Nokomis
Made a cloak for Hiawatha,
From the red deer’s flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!

IV
Hiawatha and Mudjekeewis

Out of childhood into manhood
Now had grown my Hiawatha,
Skilled in all the craft of hunters,
Learned in all the lore of old men,
In all youthful sports and pastimes,
In all manly arts and labors.

Swift of foot was Hiawatha;
He could shoot an arrow from him,
And run forward with such fleetness,
That the arrow fell behind him!
Strong of arm was Hiawatha;
He could shoot ten arrows upward,
Shoot them with such strength and swiftness,
That the tenth had left the bow-string
Ere the first to earth had fallen!

He had mittens, Minjekahwun,
Magic mittens made of deer-skin;
When upon his hands he wore them,
He could smite the rocks asunder,
He could grind them into powder.
He had moccasins enchanted,
Magic moccasins of deer-skin;
When he bound them round his ankles,
When upon his feet he tied them,
At each stride a mile he measured!

Much he questioned old Nokomis
Of his father Mudjekeewis;
Learned from her the fatal secret
Of the beauty of his mother,
Of the falsehood of his father;
And his heart was hot within him,
Like a living coal his heart was.

Then he said to old Nokomis,
“I will go to Mudjekeewis,
See how fares it with my father,
At the doorways of the West-Wind,
At the portals of the Sunset!”

From his lodge went Hiawatha,
Dressed for travel, armed for hunting;
Dressed in deer-skin shirt and leggings,
Richly wrought with quills and wampum;
On his head his eagle-feathers,
Round his waist his belt of wampum,
In his hand his bow of ash-wood,
Strung with sinews of the reindeer;
In his quiver oaken arrows,
Tipped with jasper, winged with feathers;
With his mittens, Minjekahwun,
With his moccasins enchanted.

Warning said the old Nokomis,
“Go not forth, O Hiawatha!
To the kingdom of the West-Wind,
To the realms of Mudjekeewis,
Lest he harm you with his magic,
Lest he kill you with his cunning!”

But the fearless Hiawatha
Heeded not her woman’s warning;
Forth he strode into the forest,
At each stride a mile he measured;
Lurid seemed the sky above him,
Lurid seemed the earth beneath him,
Hot and close the air around him,
Filled with smoke and fiery vapors,
As of burning woods and prairies,
For his heart was hot within him,
Like a living coal his heart was.

So he journeyed westward, westward,
Left the fleetest deer behind him,
Left the antelope and bison;
Crossed the rushing Esconaba,
Crossed the mighty Mississippi,
Passed the Mountains of the Prairie,
Passed the land of Crows and Foxes,
Passed the dwellings of the Blackfeet,
Came unto the Rocky Mountains,
To the kingdom of the West-Wind,
Where upon the gusty summits
Sat the ancient Mudjekeewis,
Ruler of the winds of heaven.

Filled with awe was Hiawatha
At the aspect of his father.
On the air about him wildly
Tossed and streamed his cloudy tresses,
Gleamed like drifting snow his tresses,
Glared like Ishkoodah, the comet,
Like the star with fiery tresses.

Filled with joy was Mudjekeewis
When he looked on Hiawatha,
Saw his youth rise up before him
In the face of Hiawatha,
Saw the beauty of Wenonah
From the grave rise up before him.

“Welcome!” said he, “Hiawatha,
To the kingdom of the West-Wind
Long have I been waiting for you
Youth is lovely, age is lonely,
Youth is fiery, age is frosty;
You bring back the days departed,
You bring back my youth of passion,
And the beautiful Wenonah!”

Many days they talked together,
Questioned, listened, waited, answered;
Much the mighty Mudjekeewis
Boasted of his ancient prowess,
Of his perilous adventures,
His indomitable courage,
His invulnerable body.

Patiently sat Hiawatha,
Listening to his father’s boasting;
With a smile he sat and listened,
Uttered neither threat nor menace,
Neither word nor look betrayed him,
But his heart was hot within him,
Like a living coal his heart was.

Then he said, “O Mudjekeewis,
Is there nothing that can harm you?
Nothing that you are afraid of?”
And the mighty Mudjekeewis,
Grand and gracious in his boasting,
Answered, saying, “There is nothing,
Nothing but the black rock yonder,
Nothing but the fatal Wawbeek!”

And he looked at Hiawatha
With a wise look and benignant,
With a countenance paternal,
Looked with pride upon the beauty
Of his tall and graceful figure,
Saying, “O my Hiawatha!
Is there anything can harm you?
Anything you are afraid of?”

But the wary Hiawatha
Paused awhile, as if uncertain,
Held his peace, as if resolving,
And then answered, “There is nothing,
Nothing but the bulrush yonder,
Nothing but the great Apukwa!”

And as Mudjekeewis, rising,
Stretched his hand to pluck the bulrush,
Hiawatha cried in terror,
Cried in well-dissembled terror,
“Kago! kago! do not touch it!”
“Ah, kaween!” said Mudjekeewis,
“No indeed, I will not touch it!”

Then they talked of other matters;
First of Hiawatha’s brothers,
First of Wabun, of the East-Wind,
Of the South-Wind, Shawondasee,
Of the North, Kabibonokka;
Then of Hiawatha’s mother,
Of the beautiful Wenonah,
Of her birth upon the meadow,
Of her death, as old Nokomis
Had remembered and related.

And he cried, “O Mudjekeewis,
It was you who killed Wenonah,
Took her young life and her beauty,
Broke the Lily of the Prairie,
Trampled it beneath your footsteps;
You confess it! you confess it!”
And the mighty Mudjekeewis
Tossed upon the wind his tresses,
Bowed his hoary head in anguish,
With a silent nod assented.

Then up started Hiawatha,
And with threatening look and gesture
Laid his hand upon the black rock,
On the fatal Wawbeek laid it,
With his mittens, Minjekahwun,
Rent the jutting crag asunder,
Smote and crushed it into fragments,
Hurled them madly at his father,
The remorseful Mudjekeewis,
For his heart was hot within him,
Like a living coal his heart was.

But the ruler of the West-Wind
Blew the fragments backward from him,
With the breathing of his nostrils,
With the tempest of his anger,
Blew them back at his assailant;
Seized the bulrush, the Apukwa,
Dragged it with its roots and fibres
From the margin of the meadow,
From its ooze the giant bulrush;
Long and loud laughed Hiawatha!

Then began the deadly conflict,
Hand to hand among the mountains;
From his eyry screamed the eagle,
The Keneu, the great war-eagle,
Sat upon the crags around them,
Wheeling flapped his wings above them.

Like a tall tree in the tempest
Bent and lashed the giant bulrush;
And in masses huge and heavy
Crashing fell the fatal Wawbeek;
Till the earth shook with the tumult
And confusion of the battle,
And the air was full of shoutings,
And the thunder of the mountains,
Starting, answered, “Baim-wawa!”

Back retreated Mudjekeewis,
Rushing westward o’er the mountains,
Stumbling westward down the mountains,
Three whole days retreated fighting,
Still pursued by Hiawatha
To the doorways of the West-Wind,
To the portals of the Sunset,
To the earth’s remotest border,
Where into the empty spaces
Sinks the sun, as a flamingo
Drops into her nest at nightfall
In the melancholy marshes.

“Hold!” at length cried Mudjekeewis,
“Hold, my son, my Hiawatha!
’T is impossible to kill me,
For you cannot kill the immortal
I have put you to this trial,
But to know and prove your courage;
Now receive the prize of valor!

“Go back to your home and people,
Live among them, toil among them,
Cleanse the earth from all that harms it,
Clear the fishing-grounds and rivers,
Slay all monsters and magicians,
All the Wendigoes, the giants,
All the serpents, the Kenabeeks,
As I slew the Mishe-Mokwa,
Slew the Great Bear of the mountains.

“And at last when Death draws near you,
When the awful eyes of Pauguk
Glare upon you in the darkness,
I will share my kingdom with you,
Ruler shall you be thenceforward
Of the Northwest-Wind, Keewaydin,
Of the home-wind, the Keewaydin.”

Thus was fought that famous battle
In the dreadful days of Shah-shah,
In the days long since departed,
In the kingdom of the West-Wind.
Still the hunter sees its traces
Scattered far o’er hill and valley;
Sees the giant bulrush growing
By the ponds and water-courses,
Sees the masses of the Wawbeek
Lying still in every valley.

Homeward now went Hiawatha;
Pleasant was the landscape round him,
Pleasant was the air above him,
For the bitterness of anger
Had departed wholly from him,
From his brain the thought of vengeance,
From his heart the burning fever.

Only once his pace he slackened,
Only once he paused or halted,
Paused to purchase heads of arrows
Of the ancient Arrow-maker,
In the land of the Dacotahs,
Where the Falls of Minnehaha
Flash and gleam among the oak-trees,
Laugh and leap into the valley.

There the ancient Arrow-maker
Made his arrow-heads of sandstone,
Arrow-heads of chalcedony,
Arrow-heads of flint and jasper,
Smoothed and sharpened at the edges,
Hard and polished, keen and costly.

With him dwelt his dark-eyed daughter,
Wayward as the Minnehaha,
With her moods of shade and sunshine,
Eyes that smiled and frowned alternate,
Feet as rapid as the river,
Tresses flowing like the water,
And as musical a laughter:
And he named her from the river,
From the water-fall he named her,
Minnehaha, Laughing Water.

Was it then for heads of arrows,
Arrow-heads of chalcedony,
Arrow-heads of flint and jasper,
That my Hiawatha halted
In the land of the Dacotahs?

Was it not to see the maiden,
See the face of Laughing Water
Peeping from behind the curtain,
Hear the rustling of her garments
From behind the waving curtain,
As one sees the Minnehaha
Gleaming, glancing through the branches,
As one hears the Laughing Water
From behind its screen of branches?

Who shall say what thoughts and visions
Fill the fiery brains of young men?
Who shall say what dreams of beauty
Filled the heart of Hiawatha?
All he told to old Nokomis,
When he reached the lodge at sunset,
Was the meeting with his father,
Was his fight with Mudjekeewis;
Not a word he said of arrows,
Not a word of Laughing Water.

V
Hiawatha’s Fasting

You shall hear how Hiawatha
Prayed and fasted in the forest,
Not for greater skill in hunting,
Not for greater craft in fishing,
Not for triumphs in the battle,
And renown among the warriors,
But for profit of the people,
For advantage of the nations.

First he built a lodge for fasting,
Built a wigwam in the forest,
By the shining Big-Sea-Water,
In the blithe and pleasant Spring-time,
In the Moon of Leaves he built it,
And, with dreams and visions many,
Seven whole days and nights he fasted.

On the first day of his fasting
Through the leafy woods he wandered;
Saw the deer start from the thicket,
Saw the rabbit in his burrow,
Heard the pheasant, Bena, drumming,
Heard the squirrel, Adjidaumo,
Rattling in his hoard of acorns,
Saw the pigeon, the Omeme,
Building nests among the pinetrees,
And in flocks the wild-goose, Wawa,
Flying to the fen-lands northward,
Whirring, wailing far above him.
“Master of Life!” he cried, desponding,
“Must our lives depend on these things?”

On the next day of his fasting
By the river’s brink he wandered,
Through the Muskoday, the meadow,
Saw the wild rice, Mahnomonee,
Saw the blueberry, Meenahga,
And the strawberry, Odahmin,
And the gooseberry, Shahbomin,
And the grape-vine, the Bemahgut,
Trailing o’er the alder-branches,
Filling all the air with fragrance!
“Master of Life!” he cried, desponding,
“Must our lives depend on these things?”

On the third day of his fasting
By the lake he sat and pondered,
By the still, transparent water;
Saw the sturgeon, Nahma, leaping,
Scattering drops like beads of wampum,
Saw the yellow perch, the Sahwa,
Like a sunbeam in the water,
Saw the pike, the Maskenozha,
And the herring, Okahahwis,
And the Shawgashee, the crawfish!
“Master of Life!” he cried, desponding,
“Must our lives depend on these things?”

On the fourth day of his fasting
In his lodge he lay exhausted;
From his couch of leaves and branches
Gazing with half-open eyelids,
Full of shadowy dreams and visions,
On the dizzy, swimming landscape,
On the gleaming of the water,
On the splendor of the sunset.

And he saw a youth approaching,
Dressed in garments green and yellow,
Coming through the purple twilight,
Through the splendor of the sunset;
Plumes of green bent o’er his forehead,
And his hair was soft and golden.

Standing at the open doorway,
Long he looked at Hiawatha,
Looked with pity and compassion
On his wasted form and features,
And, in accents like the sighing
Of the South-Wind in the tree-tops,
Said he, “O my Hiawatha!
All your prayers are heard in heaven,
For you pray not like the others;
Not for greater skill in hunting,
Not for greater craft in fishing,
Not for triumph in the battle,
Nor renown among the warriors,
But for profit of the people,
For advantage of the nations.

“From the Master of Life descending,
I, the friend of man, Mondamin,
Come to warn you and instruct you,
How by struggle and by labor
You shall gain what you have prayed for.
Rise up from your bed of branches,
Rise, O youth, and wrestle with me!”

Faint with famine, Hiawatha
Started from his bed of branches,
From the twilight of his wigwam
Forth into the flush of sunset
Came, and wrestled with Mondamin;
At his touch he felt new courage
Throbbing in his brain and bosom,
Felt new life and hope and vigor
Run through every nerve and fibre.

So they wrestled there together
In the glory of the sunset,
And the more they strove and struggled,
Stronger still grew Hiawatha;
Till the darkness fell around them,
And the heron, the Shuh-shuh-gah,
From her nest among the pine-trees,
Gave a cry of lamentation,
Gave a scream of pain and famine.

“’T is enough!” then said Mondamin,
Smiling upon Hiawatha,
“But tomorrow, when the sun sets,
I will come again to try you.”
And he vanished, and was seen not;
Whether sinking as the rain sinks,
Whether rising as the mists rise,
Hiawatha saw not, knew not,
Only saw that he had vanished,
Leaving him alone and fainting,
With the misty lake below him,
And the reeling stars above him.

On the morrow and the next day,
When the sun through heaven descending,
Like a red and burning cinder
From the hearth of the Great Spirit,
Fell into the western waters,
Came Mondamin for the trial,
For the strife with Hiawatha;
Came as silent as the dew comes,
From the empty air appearing,
Into empty air returning,
Taking shape when earth it touches,
But invisible to all men
In its coming and its going.

Thrice they wrestled there together
In the glory of the sunset,
Till the darkness fell around them,
Till the heron, the Shuh-shuh-gah,
From her nest among the pine-trees,
Uttered her loud cry of famine,
And Mondamin paused to listen.

Tall and beautiful he stood there,
In his garments green and yellow;
To and fro his plumes above him,
Waved and nodded with his breathing,
And the sweat of the encounter
Stood like drops of dew upon him.

And he cried, “O Hiawatha!
Bravely have you wrestled with me,
Thrice have wrestled stoutly with me,
And the Master of Life, who sees us,
He will give to you the triumph!”

Then he smiled, and said: “To-morrow
Is the last day of your conflict,
Is the last day of your fasting.
You will conquer and o’ercome me;
Make a bed for me to lie in,
Where the rain may fall upon me,
Where the sun may come and warm me;
Strip these garments, green and yellow,
Strip this nodding plumage from me,
Lay me in the earth, and make it
Soft and loose and light above me.

“Let no hand disturb my slumber,
Let no weed nor worm molest me,
Let not Kahgahgee, the raven,
Come to haunt me and molest me,
Only come yourself to watch me,
Till I wake, and start, and quicken,
Till I leap into the sunshine”

And thus saying, he departed;
Peacefully slept Hiawatha,
But he heard the Wawonaissa,
Heard the whippoorwill complaining,
Perched upon his lonely wigwam;
Heard the rushing Sebowisha,
Heard the rivulet rippling near him,
Talking to the darksome forest;
Heard the sighing of the branches,
As they lifted and subsided
At the passing of the night-wind,
Heard them, as one hears in slumber
Far-off murmurs, dreamy whispers:
Peacefully slept Hiawatha.

On the morrow came Nokomis,
On the seventh day of his fasting,
Came with food for Hiawatha,
Came imploring and bewailing,
Lest his hunger should o’ercome him,
Lest his fasting should be fatal.

But he tasted not, and touched not,
Only said to her, “Nokomis,
Wait until the sun is setting,
Till the darkness falls around us,
Till the heron, the Shuh-shuh-gah,
Crying from the desolate marshes,
Tells us that the day is ended.”

Homeward weeping went Nokomis,
Sorrowing for her Hiawatha,
Fearing lest his strength should fail him,
Lest his fasting should be fatal.
He meanwhile sat weary waiting
For the coming of Mondamin,
Till the shadows, pointing eastward,
Lengthened over field and forest,
Till the sun dropped from the heaven,
Floating on the waters westward,
As a red leaf in the Autumn
Falls and floats upon the water,
Falls and sinks into its bosom.

And behold! the young Mondamin,
With his soft and shining tresses,
With his garments green and yellow,
With his long and glossy plumage,
Stood and beckoned at the doorway.
And as one in slumber walking,
Pale and haggard, but undaunted,
From the wigwam Hiawatha
Came and wrestled with Mondamin.

Round about him spun the landscape,
Sky and forest reeled together,
And his strong heart leaped within him,
As the sturgeon leaps and struggles
In a net to break its meshes.
Like a ring of fire around him
Blazed and flared the red horizon,
And a hundred suns seemed looking
At the combat of the wrestlers.

Suddenly upon the greensward
All alone stood Hiawatha,
Panting with his wild exertion,
Palpitating with the struggle;
And before him breathless, lifeless,
Lay the youth, with hair dishevelled,
Plumage torn, and garments tattered,
Dead he lay there in the sunset.

And victorious Hiawatha
Made the grave as he commanded,
Stripped the garments from Mondamin,
Stripped his tattered plumage from him,
Laid him in the earth, and made it
Soft and loose and light above him;
And the heron, the Shuh-shuh-gah,
From the melancholy moorlands,
Gave a cry of lamentation,
Gave a cry of pain and anguish!

Homeward then went Hiawatha
To the lodge of old Nokomis,
And the seven days of his fasting
Were accomplished and completed.
But the place was not forgotten
Where he wrestled with Mondamin;
Nor forgotten nor neglected
Was the grave where lay Mondamin,
Sleeping in the rain and sunshine,
Where his scattered plumes and garments
Faded in the rain and sunshine.

Day by day did Hiawatha
Go to wait and watch beside it;
Kept the dark mould soft above it,
Kept it clean from weeds and insects,
Drove away, with scoffs and shoutings,
Kahgahgee, the king of ravens.

Till at length a small green feather
From the earth shot slowly upward,
Then another and another,
And before the Summer ended
Stood the maize in all its beauty,
With its shining robes about it,
And its long, soft, yellow tresses;
And in rapture Hiawatha
Cried aloud, “It is Mondamin!
Yes, the friend of man, Mondamin!”

Then he called to old Nokomis
And Iagoo, the great boaster,
Showed them where the maize was growing,
Told them of his wondrous vision,
Of his wrestling and his triumph,
Of this new gift to the nations,
Which should be their food forever.

And still later, when the Autumn
Changed the long, green leaves to yellow,
And the soft and juicy kernels
Grew like wampum hard and yellow,
Then the ripened ears he gathered,
Stripped the withered husks from off them,
As he once had stripped the wrestler,
Gave the first Feast of Mondamin,
And made known unto the people
This new gift of the Great Spirit.

VI
Hiawatha’s Friends

Two good friends had Hiawatha,
Singled out from all the others,
Bound to him in closest union,
And to whom he gave the right hand
Of his heart, in joy and sorrow;
Chibiabos, the musician,
And the very strong man, Kwasind.

Straight between them ran the pathway,
Never grew the grass upon it;
Singing birds, that utter falsehoods,
Story-tellers, mischief-makers,
Found no eager ear to listen,
Could not breed ill-will between them,
For they kept each other’s counsel,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.

Most beloved by Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers.
Beautiful and childlike was he,
Brave as man is, soft as woman,
Pliant as a wand of willow,
Stately as a deer with antlers.

When he sang, the village listened;
All the warriors gathered round him,
All the women came to hear him;
Now he stirred their souls to passion,
Now he melted them to pity.

From the hollow reeds he fashioned
Flutes so musical and mellow,
That the brook, the Sebowisha,
Ceased to murmur in the woodland,
That the wood-birds ceased from singing,
And the squirrel, Adjidaumo,
Ceased his chatter in the oak-tree,
And the rabbit, the Wabasso,
Sat upright to look and listen.

Yes, the brook, the Sebowisha,
Pausing, said, “O Chibiabos,
Teach my waves to flow in music,
Softly as your words in singing!”

Yes, the bluebird, the Owaissa,
Envious, said, “O Chibiabos,
Teach me tones as wild and wayward,
Teach me songs as full of frenzy!”

Yes, the robin, the Opechee,
Joyous, said, “O Chibiabos,
Teach me tones as sweet and tender,
Teach me songs as full of gladness!”

And the whippoorwill, Wawonaissa,
Sobbing, said, “O Chibiabos,
Teach me tones as melancholy,
Teach me songs as full of sadness!”

All the many sounds of nature
Borrowed sweetness from his singing;
All the hearts of men were softened
By the pathos of his music;
For he sang of peace and freedom,
Sang of beauty, love, and longing;
Sang of death, and life undying
In the Islands of the Blessed,
In the kingdom of Ponemah,
In the land of the Hereafter.

Very dear to Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers;
For his gentleness he loved him,
And the magic of his singing.

Dear, too, unto Hiawatha
Was the very strong man, Kwasind,
He the strongest of all mortals,
He the mightiest among many;
For his very strength he loved him,
For his strength allied to goodness.

Idle in his youth was Kwasind,
Very listless, dull, and dreamy,
Never played with other children,
Never fished and never hunted,
Not like other children was he;
But they saw that much he fasted,
Much his Manito entreated,
Much besought his Guardian Spirit.

“Lazy Kwasind!” said his mother,
“In my work you never help me!
In the Summer you are roaming
Idly in the fields and forests;
In the Winter you are cowering
O’er the firebrands in the wigwam!
In the coldest days of Winter
I must break the ice for fishing;
With my nets you never help me!
At the door my nets are hanging,
Dripping, freezing with the water;
Go and wring them, Yenadizze!
Go and dry them in the sunshine!”

Slowly, from the ashes, Kwasind
Rose, but made no angry answer;
From the lodge went forth in silence,
Took the nets, that hung together,
Dripping, freezing at the doorway;
Like a wisp of straw he wrung them,
Like a wisp of straw he broke them,
Could not wring them without breaking,
Such the strength was in his fingers.

“Lazy Kwasind!” said his father,
“In the hunt you never help me;
Every bow you touch is broken,
Snapped asunder every arrow;
Yet come with me to the forest,
You shall bring the hunting homeward.”

Down a narrow pass they wandered,
Where a brooklet led them onward,
Where the trail of deer and bison
Marked the soft mud on the margin,
Till they found all further passage
Shut against them, barred securely
By the trunks of trees uprooted,
Lying lengthwise, lying crosswise,
And forbidding further passage.

“We must go back,” said the old man,
“O’er these logs we cannot clamber;
Not a woodchuck could get through them,
Not a squirrel clamber o’er them!”
And straightway his pipe he lighted,
And sat down to smoke and ponder.
But before his pipe was finished,
Lo! the path was cleared before him;
All the trunks had Kwasind lifted,
To the right hand, to the left hand,
Shot the pine-trees swift as arrows,
Hurled the cedars light as lances.

“Lazy Kwasind!” said the young men,
As they sported in the meadow:
“Why stand idly looking at us,
Leaning on the rock behind you?
Come and wrestle with the others,
Let us pitch the quoit together!”

Lazy Kwasind made no answer,
To their challenge made no answer,
Only rose, and slowly turning,
Seized the huge rock in his fingers,
Tore it from its deep foundation,
Poised it in the air a moment,
Pitched it sheer into the river,
Sheer into the swift Pauwating,
Where it still is seen in Summer.

Once as down that foaming river,
Down the rapids of Pauwating,
Kwasind sailed with his companions,
In the stream he saw a beaver,
Saw Ahmeek, the King of Beavers,
Struggling with the rushing currents,
Rising, sinking in the water.

Without speaking, without pausing,
Kwasind leaped into the river,
Plunged beneath the bubbling surface,
Through the whirlpools chased the beaver,
Followed him among the islands,
Stayed so long beneath the water,
That his terrified companions
Cried, “Alas! good-by to Kwasind!
We shall never more see Kwasind!”
But he reappeared triumphant,
And upon his shining shoulders
Brought the beaver, dead and dripping,
Brought the King of all the Beavers.

And these two, as I have told you,
Were the friends of Hiawatha,
Chibiabos, the musician,
And the very strong man, Kwasind.
Long they lived in peace together,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.

VII
Hiawatha’s Sailing

“Give me of your bark, O Birch-tree!
Of your yellow bark, O Birch-tree!
Growing by the rushing river,
Tall and stately in the valley!
I a light canoe will build me,
Build a swift Cheemaun for sailing,
That shall float upon the river,
Like a yellow leaf in Autumn,
Like a yellow water-lily!

“Lay aside your cloak, O Birch-tree!
Lay aside your white-skin wrapper,
For the Summer-time is coming,
And the sun is warm in heaven,
And you need no white-skin wrapper!”

Thus aloud cried Hiawatha
In the solitary forest,
By the rushing Taquamenaw,
When the birds were singing gayly,
In the Moon of Leaves were singing,
And the sun, from sleep awaking,
Started up and said, “Behold me!
Gheezis, the great Sun, behold me!”

And the tree with all its branches
Rustled in the breeze of morning,
Saying, with a sigh of patience,
“Take my cloak, O Hiawatha!”

With his knife the tree he girdled;
Just beneath its lowest branches,
Just above the roots, he cut it,
Till the sap came oozing outward;
Down the trunk, from top to bottom,
Sheer he cleft the bark asunder,
With a wooden wedge he raised it,
Stripped it from the trunk unbroken.

“Give me of your boughs, O Cedar!
Of your strong and pliant branches,
My canoe to make more steady,
Make more strong and firm beneath me!”

Through the summit of the Cedar
Went a sound, a cry of horror,
Went a murmur of resistance;
But it whispered, bending downward,
“Take my boughs, O Hiawatha!”

Down he hewed the boughs of cedar,
Shaped them straightway to a frame-work,
Like two bows he formed and shaped them,
Like two bended bows together.

“Give me of your roots, O Tamarack!
Of your fibrous roots, O Larch-tree!
My canoe to bind together,
So to bind the ends together
That the water may not enter,
That the river may not wet me!”

And the Larch, with all its fibres,
Shivered in the air of morning,
Touched his forehead with its tassels,
Slid, with one long sigh of sorrow.
“Take them all, O Hiawatha!”

From the earth he tore the fibres,
Tore the tough roots of the Larch-tree,
Closely sewed the bark together,
Bound it closely to the frame-work.

“Give me of your balm, O Fir-tree!
Of your balsam and your resin,
So to close the seams together
That the water may not enter,
That the river may not wet me!”

And the Fir-tree, tall and sombre,
Sobbed through all its robes of darkness,
Rattled like a shore with pebbles,
Answered wailing, answered weeping,
“Take my balm, O Hiawatha!”

And he took the tears of balsam,
Took the resin of the Fir-tree,
Smeared therewith each seam and fissure,
Made each crevice safe from water.

“Give me of your quills, O Hedgehog!
All your quills, O Kagh, the Hedgehog!
I will make a necklace of them,
Make a girdle for my beauty,
And two stars to deck her bosom!”

From a hollow tree the Hedgehog
With his sleepy eyes looked at him,
Shot his shining quills, like arrows,
Saying with a drowsy murmur,
Through the tangle of his whiskers,
“Take my quills, O Hiawatha!”

From the ground the quills he gathered,
All the little shining arrows,
Stained them red and blue and yellow,
With the juice of roots and berries;
Into his canoe he wrought them,
Round its waist a shining girdle,
Round its bows a gleaming necklace,
On its breast two stars resplendent.

Thus the Birch Canoe was builded
In the valley, by the river,
In the bosom of the forest;
And the forest’s life was in it,
All its mystery and its magic,
All the lightness of the birch-tree,
All the toughness of the cedar,
All the larch’s supple sinews;
And it floated on the river
Like a yellow leaf in Autumn,
Like a yellow water-lily.

Paddles none had Hiawatha,
Paddles none he had or needed,
For his thoughts as paddles served him,
And his wishes served to guide him;
Swift or slow at will he glided,
Veered to right or left at pleasure.

Then he called aloud to Kwasind,
To his friend, the strong man, Kwasind,
Saying, “Help me clear this river
Of its sunken logs and sand-bars.”

Straight into the river Kwasind
Plunged as if he were an otter,
Dived as if he were a beaver,
Stood up to his waist in water,
To his arm-pits in the river,
Swam and scouted in the river,
Tugged at sunken logs and branches,
With his hands he scooped the sand-bars,
With his feet the ooze and tangle.

And thus sailed my Hiawatha
Down the rushing Taquamenaw,
Sailed through all its bends and windings,
Sailed through all its deeps and shallows,
While his friend, the strong man, Kwasind,
Swam the deeps, the shallows waded.

Up and down the river went they,
In and out among its islands,
Cleared its bed of root and sand-bar,
Dragged the dead trees from its channel,
Made its passage safe and certain,
Made a pathway for the people,
From its springs among the mountains,
To the waters of Pauwating,
To the bay of Taquamenaw.

VIII
Hiawatha’s Fishing

Forth upon the Gitche Gumee,
On the shining Big-Sea-Water,
With his fishing-line of cedar,
Of the twisted bark of cedar,
Forth to catch the sturgeon Nahma,
Mishe-Nahma, King of Fishes,
In his birch canoe exulting
All alone went Hiawatha.

Through the clear, transparent water
He could see the fishes swimming
Far down in the depths below him;
See the yellow perch, the Sahwa,
Like a sunbeam in the water,
See the Shawgashee, the craw-fish,
Like a spider on the bottom,
On the white and sandy bottom.

At the stern sat Hiawatha,
With his fishing-line of cedar;
In his plumes the breeze of morning
Played as in the hemlock branches;
On the bows, with tail erected,
Sat the squirrel, Adjidaumo;
In his fur the breeze of morning
Played as in the prairie grasses.

On the white sand of the bottom
Lay the monster Mishe-Nahma,
Lay the sturgeon, King of Fishes;
Through his gills he breathed the water,
With his fins he fanned and winnowed,
With his tail he swept the sand-floor.

There he lay in all his armor;
On each side a shield to guard him,
Plates of bone upon his forehead,
Down his sides and back and shoulders
Plates of bone with spines projecting
Painted was he with his war-paints,
Stripes of yellow, red, and azure,
Spots of brown and spots of sable;
And he lay there on the bottom,
Fanning with his fins of purple,
As above him Hiawatha
In his birch canoe came sailing,
With his fishing-line of cedar.

“Take my bait,” cried Hiawatha,
Dawn into the depths beneath him,
“Take my bait, O Sturgeon, Nahma!
Come up from below the water,
Let us see which is the stronger!”
And he dropped his line of cedar
Through the clear, transparent water,
Waited vainly for an answer,
Long sat waiting for an answer,
And repeating loud and louder,
“Take my bait, O King of Fishes!”

Quiet lay the sturgeon, Nahma,
Fanning slowly in the water,
Looking up at Hiawatha,
Listening to his call and clamor,
His unnecessary tumult,
Till he wearied of the shouting;
And he said to the Kenozha,
To the pike, the Maskenozha,
“Take the bait of this rude fellow,
Break the line of Hiawatha!”

In his fingers Hiawatha
Felt the loose line jerk and tighten,
As he drew it in, it tugged so
That the birch canoe stood endwise,
Like a birch log in the water,
With the squirrel, Adjidaumo,
Perched and frisking on the summit.

Full of scorn was Hiawatha
When he saw the fish rise upward,
Saw the pike, the Maskenozha,
Coming nearer, nearer to him,
And he shouted through the water,
“Esa! esa! shame upon you!
You are but the pike, Kenozha,
You are not the fish I wanted,
You are not the King of Fishes!”

Reeling downward to the bottom
Sank the pike in great confusion,
And the mighty sturgeon, Nahma,
Said to Ugudwash, the sun-fish,
To the bream, with scales of crimson,
“Take the bait of this great boaster,
Break the line of Hiawatha!”

Slowly upward, wavering, gleaming,
Rose the Ugudwash, the sun-fish,
Seized the line of Hiawatha,
Swung with all his weight upon it,
Made a whirlpool in the water,
Whirled the birch canoe in circles,
Round and round in gurgling eddies,
Till the circles in the water
Reached the far-off sandy beaches,
Till the water-flags and rushes
Nodded on the distant margins.

But when Hiawatha saw him
Slowly rising through the water,
Lifting up his disk refulgent,
Loud he shouted in derision,
“Esa! esa! shame upon you!
You are Ugudwash, the sun-fish,
You are not the fish I wanted,
You are not the King of Fishes!”

Slowly downward, wavering, gleaming,
Sank the Ugudwash, the sun-fish,
And again the sturgeon, Nahma,
Heard the shout of Hiawatha,
Heard his challenge of defiance,
The unnecessary tumult,
Ringing far across the water.

From the white sand of the bottom
Up he rose with angry gesture,
Quivering in each nerve and fibre,
Clashing all his plates of armor,
Gleaming bright with all his war-paint;
In his wrath he darted upward,
Flashing leaped into the sunshine,
Opened his great jaws, and swallowed
Both canoe and Hiawatha.

Down into that darksome cavern
Plunged the headlong Hiawatha,
As a log on some black river
Shoots and plunges down the rapids,
Found himself in utter darkness,
Groped about in helpless wonder,
Till he felt a great heart beating,
Throbbing in that utter darkness.

And he smote it in his anger,
With his fist, the heart of Nahma,
Felt the mighty King of Fishes
Shudder through each nerve and fibre,
Heard the water gurgle round him
As he leaped and staggered through it,
Sick at heart, and faint and weary.

Crosswise then did Hiawatha
Drag his birch-canoe for safety,
Lest from out the jaws of Nahma,
In the turmoil and confusion,
Forth he might be hurled and perish.
And the squirrel, Adjidaumo,
Frisked and chatted very gayly,
Toiled and tugged with Hiawatha
Till the labor was completed.

Then said Hiawatha to him,
“O my little friend, the squirrel,
Bravely have you toiled to help me;
Take the thanks of Hiawatha,
And the name which now he gives you;
For hereafter and forever
Boys shall call you Adjidaumo,
Tail-in-air the boys shall call you!”

And again the sturgeon, Nahma,
Gasped and quivered in the water,
Then was still, and drifted landward
Till he grated on the pebbles,
Till the listening Hiawatha
Heard him grate upon the margin,
Felt him strand upon the pebbles,
Knew that Nahma, King of Fishes,
Lay there dead upon the margin.

Then he heard a clang and flapping,
As of many wings assembling,
Heard a screaming and confusion,
As of birds of prey contending,
Saw a gleam of light above him,
Shining through the ribs of Nahma,
Saw the glittering eyes of sea-gulls,
Of Kayoshk, the sea-gulls, peering,
Gazing at him through the opening,
Heard them saying to each other,
“’T is our brother, Hiawatha!”

And he shouted from below them,
Cried exulting from the caverns:
“O ye sea-gulls! O my brothers!
I have slain the sturgeon, Nahma;
Make the rifts a little larger,
With your claws the openings widen,
Set me free from this dark prison,
And henceforward and forever
Men shall speak of your achievements,
Calling you Kayoshk, the sea-gulls,
Yes, Kayoshk, the Noble Scratchers!”

And the wild and clamorous sea-gulls
Toiled with beak and claws together,
Made the rifts and openings wider
In the mighty ribs of Nahma,
And from peril and from prison,
From the body of the sturgeon,
From the peril of the water,
They released my Hiawatha.

He was standing near his wigwam,
On the margin of the water,
And he called to old Nokomis,
Called and beckoned to Nokomis,
Pointed to the sturgeon, Nahma,
Lying lifeless on the pebbles,
With the sea-gulls feeding on him.

“I have slain the Mishe-Nahma,
Slain the King of Fishes!” said he;
“Look! the sea-gulls feed upon him,
Yes, my friends Kayoshk, the sea-gulls;
Drive them not away, Nokomis,
They have saved me from great peril
In the body of the sturgeon,
Wait until their meal is ended,
Till their craws are full with feasting,
Till they homeward fly, at sunset,
To their nests among the marshes;
Then bring all your pots and kettles,
And make oil for us in Winter.”

And she waited till the sun set,
Till the pallid moon, the Night-sun,
Rose above the tranquil water,
Till Kayoshk, the sated sea-gulls,
From their banquet rose with clamor,
And across the fiery sunset
Winged their way to far-off islands,
To their nests among the rushes.

To his sleep went Hiawatha,
And Nokomis to her labor,
Toiling patient in the moonlight,
Till the sun and moon changed places,
Till the sky was red with sunrise,
And Kayoshk, the hungry sea-gulls,
Came back from the reedy islands,
Clamorous for their morning banquet.

Three whole days and nights alternate
Old Nokomis and the sea-gulls
Stripped the oily flesh of Nahma,
Till the waves washed through the rib-bones,
Till the sea-gulls came no longer,
And upon the sands lay nothing
But the skeleton of Nahma.

IX
Hiawatha and the Pearl-Feather

On the shores of Gitche Gumee,
Of the shining Big-Sea-Water,
Stood Nokomis, the old woman,
Pointing with her finger westward,
O’er the water pointing westward,
To the purple clouds of sunset.

Fiercely the red sun descending
Burned his way along the heavens,
Set the sky on fire behind him,
As war-parties, when retreating,
Burn the prairies on their war-trail;
And the moon, the Night-sun, eastward,
Suddenly starting from his ambush,
Followed fast those bloody footprints,
Followed in that fiery war-trail,
With its glare upon his features.

And Nokomis, the old woman,
Pointing with her finger westward,
Spake these words to Hiawatha:
“Yonder dwells the great Pearl-Feather,
Megissogwon, the Magician,
Manito of Wealth and Wampum,
Guarded by his fiery serpents,
Guarded by the black pitch-water.
You can see his fiery serpents,
The Kenabeek, the great serpents,
Coiling, playing in the water;
You can see the black pitch-water
Stretching far away beyond them,
To the purple clouds of sunset!

“He it was who slew my father,
By his wicked wiles and cunning,
When he from the moon descended,
When he came on earth to seek me.
He, the mightiest of Magicians,
Sends the fever from the marshes,
Sends the pestilential vapors,
Sends the poisonous exhalations,
Sends the white fog from the fen-lands,
Sends disease and death among us!

“Take your bow, O Hiawatha,
Take your arrows, jasper-headed,
Take your war-club, Puggawaugun,
And your mittens, Minjekahwun,
And your birch-canoe for sailing,
And the oil of Mishe-Nahma,
So to smear its sides, that swiftly
You may pass the black pitch-water;
Slay this merciless magician,
Save the people from the fever
That he breathes across the fen-lands,
And avenge my father’s murder!”

Straightway then my Hiawatha
Armed himself with all his war-gear,
Launched his birch-canoe for sailing;
With his palm its sides he patted,
Said with glee, “Cheemaun, my darling,
O my Birch-canoe! leap forward,
Where you see the fiery serpents,
Where you see the black pitch-water!”

Forward leaped Cheemaun exulting,
And the noble Hiawatha
Sang his war-song wild and woful,
And above him the war-eagle,
The Keneu, the great war-eagle,
Master of all fowls with feathers,
Screamed and hurtled through the heavens.

Soon he reached the fiery serpents,
The Kenabeek, the great serpents,
Lying huge upon the water,
Sparkling, rippling in the water,
Lying coiled across the passage,
With their blazing crests uplifted,
Breathing fiery fogs and vapors,
So that none could pass beyond them.

But the fearless Hiawatha
Cried aloud, and spake in this wise,
“Let me pass my way, Kenabeek,
Let me go upon my journey!”
And they answered, hissing fiercely,
With their fiery breath made answer:
“Back, go back! O Shaugodaya!
Back to old Nokomis, Faint-heart!”

Then the angry Hiawatha
Raised his mighty bow of ash-tree,
Seized his arrows, jasper-headed,
Shot them fast among the serpents;
Every twanging of the bow-string
Was a war-cry and a death-cry,
Every whizzing of an arrow
Was a death-song of Kenabeek.

Weltering in the bloody water,
Dead lay all the fiery serpents,
And among them Hiawatha
Harmless sailed, and cried exulting:
“Onward, O Cheemaun, my darling!
Onward to the black pitch-water!”

Then he took the oil of Nahma,
And the bows and sides anointed,
Smeared them well with oil, that swiftly
He might pass the black pitch-water.

All night long he sailed upon it,
Sailed upon that sluggish water,
Covered with its mould of ages,
Black with rotting water-rushes,
Rank with flags and leaves of lilies,
Stagnant, lifeless, dreary, dismal,
Lighted by the shimmering moonlight,
And by will-o’-the-wisps illumined,
Fires by ghosts of dead men kindled,
In their weary night-encampments.

All the air was white with moonlight,
All the water black with shadow,
And around him the Suggema,
The mosquito, sang his war-song,
And the fire-flies, Wah-wah-taysee,
Waved their torches to mislead him;
And the bull-frog, the Dahinda,
Thrust his head into the moonlight,
Fixed his yellow eyes upon him,
Sobbed and sank beneath the surface;
And anon a thousand whistles,
Answered over all the fen-lands,
And the heron, the Shuh-shuh-gah,
Far off on the reedy margin,
Heralded the hero’s coming.

Westward thus fared Hiawatha,
Toward the realm of Megissogwon,
Toward the land of the Pearl-Feather,
Till the level moon stared at him
In his face stared pale and haggard,
Till the sun was hot behind him,
Till it burned upon his shoulders,
And before him on the upland
He could see the Shining Wigwam
Of the Manito of Wampum,
Of the mightiest of Magicians.

Then once more Cheemaun he patted,
To his birch-canoe said, “Onward!”
And it stirred in all its fibres,
And with one great bound of triumph
Leaped across the water-lilies,
Leaped through tangled flags and rushes,
And upon the beach beyond them
Dry-shod landed Hiawatha.

Straight he took his bow of ash-tree,
On the sand one end he rested,
With his knee he pressed the middle,
Stretched the faithful bow-string tighter,
Took an arrow, jasperheaded,
Shot it at the Shining Wigwam,
Sent it singing as a herald,
As a bearer of his message,
Of his challenge loud and lofty:
“Come forth from your lodge, Pearl-Feather!
Hiawatha waits your coming!”

Straightway from the Shining Wigwam
Came the mighty Megissogwon,
Tall of stature, broad of shoulder,
Dark and terrible in aspect,
Clad from head to foot in wampum,
Armed with all his warlike weapons,
Painted like the sky of morning,
Streaked with crimson, blue, and yellow,
Crested with great eagle-feathers,
Streaming upward, streaming outward.

“Well I know you, Hiawatha!”
Cried he in a voice of thunder,
In a tone of loud derision.
“Hasten back, O Shaugodaya!
Hasten back among the women,
Back to old Nokomis, Faint-heart!
I will slay you as you stand there,
As of old I slew her father!”

But my Hiawatha answered,
Nothing daunted, fearing nothing:
“Big words do not smite like war-clubs,
Boastful breath is not a bow-string,
Taunts are not so sharp as arrows,
Deeds are better things than words are,
Actions mightier than boastings!”

Then began the greatest battle
That the sun had ever looked on,
That the war-birds ever witnessed.
All a Summer’s day it lasted,
From the sunrise to the sunset;
For the shafts of Hiawatha
Harmless hit the shirt of wampum,
Harmless fell the blows he dealt it
With his mittens, Minjekahwun,
Harmless fell the heavy war-club;
It could dash the rocks asunder,
But it could not break the meshes
Of that magic shirt of wampum.

Till at sunset Hiawatha,
Leaning on his bow of ash-tree,
Wounded, weary, and desponding,
With his mighty war-club broken,
With his mittens torn and tattered,
And three useless arrows only,
Paused to rest beneath a pine-tree,
From whose branches trailed the mosses,
And whose trunk was coated over
With the Dead-man’s Moccasin-leather,
With the fungus white and yellow.

Suddenly from the boughs above him
Sang the Mama, the woodpecker:
“Aim your arrows, Hiawatha,
At the head of Megissogwon,
Strike the tuft of hair upon it,
At their roots the long black tresses;
There alone can he be wounded!”

Winged with feathers, tipped with jasper,
Swift flew Hiawatha’s arrow,
Just as Megissogwon, stooping,
Raised a heavy stone to throw it.
Full upon the crown it struck him,
At the roots of his long tresses,
And he reeled and staggered forward,
Plunging like a wounded bison,
Yes, like Pezhekee, the bison,
When the snow is on the prairie.

Swifter flew the second arrow,
In the pathway of the other,
Piercing deeper than the other,
Wounding sorer than the other;
And the knees of Megissogwon
Shook like windy reeds beneath him,
Bent and trembled like the rushes.

But the third and latest arrow
Swiftest flew, and wounded sorest,
And the mighty Megissogwon
Saw the fiery eyes of Pauguk,
Saw the eyes of Death glare at him,
Heard his voice call in the darkness;
At the feet of Hiawatha
Lifeless lay the great Pearl-Feather,
Lay the mightiest of Magicians.

Then the grateful Hiawatha
Called the Mama, the woodpecker,
From his perch among the branches
Of the melancholy pine-tree,
And, in honor of his service,
Stained with blood the tuft of feathers
On the little head of Mama;
Even to this day he wears it,
Wears the tuft of crimson feathers,
As a symbol of his service.

Then he stripped the shirt of wampum
From the back of Megissogwon,
As a trophy of the battle,
As a signal of his conquest.
On the shore he left the body,
Half on land and half in water,
In the sand his feet were buried,
And his face was in the water.
And above him, wheeled and clamored
The Keneu, the great war-eagle,
Sailing round in narrower circles,
Hovering nearer, nearer, nearer.

From the wigwam Hiawatha
Bore the wealth of Megissogwon,
All his wealth of skins and wampum,
Furs of bison and of beaver,
Furs of sable and of ermine,
Wampum belts and strings and pouches,
Quivers wrought with beads of wampum,
Filled with arrows, silver-headed.

Homeward then he sailed exulting,
Homeward through the black pitch-water,
Homeward through the weltering serpents,
With the trophies of the battle,
With a shout and song of triumph.

On the shore stood old Nokomis,
On the shore stood Chibiabos,
And the very strong man, Kwasind,
Waiting for the hero’s coming,
Listening to his songs of triumph.
And the people of the village
Welcomed him with songs and dances,
Made a joyous feast, and shouted:
“Honor be to Hiawatha!
He has slain the great Pearl-Feather,
Slain the mightiest of Magicians,
Him, who sent the fiery fever,
Sent the white fog from the fen-lands,
Sent disease and death among us!”

Ever dear to Hiawatha
Was the memory of Mama!
And in token of his friendship,
As a mark of his remembrance,
He adorned and decked his pipe-stem
With the crimson tuft of feathers,
With the blood-red crest of Mama.
But the wealth of Megissogwon,
All the trophies of the battle,
He divided with his people,
Shared it equally among them.

X
Hiawatha’s Wooing

“As unto the bow the cord is,
So unto the man is woman;
Though she bends him, she obeys him,
Though she draws him, yet she follows;
Useless each without the other!”

Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.

“Wed a maiden of your people,”
Warning said the old Nokomis;
“Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor’s homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!”

Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: “Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!”

Gravely then said old Nokomis:
“Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!”

Smiling answered Hiawatha:
“In the land of the Dacotahs
Lives the Arrow-maker’s daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!”

Still dissuading said Nokomis:
“Bring not to my lodge a stranger
From the land of the Dacotahs!
Very fierce are the Dacotahs,
Often is there war between us,
There are feuds yet unforgotten,
Wounds that ache and still may open!”

Laughing answered Hiawatha:
“For that reason, if no other,
Would I wed the fair Dacotah,
That our tribes might be united,
That old feuds might be forgotten,
And old wounds be healed forever!”

Thus departed Hiawatha
To the land of the Dacotahs,
To the land of handsome women;
Striding over moor and meadow,
Through interminable forests,
Through uninterrupted silence.

With his moccasins of magic,
At each stride a mile he measured;
Yet the way seemed long before him,
And his heart outran his footsteps;
And he journeyed without resting,
Till he heard the cataract’s laughter,
Heard the Falls of Minnehaha
Calling to him through the silence.
“Pleasant is the sound!” he murmured,
“Pleasant is the voice that calls me!”

On the outskirts of the forests,
’Twixt the shadow and the sunshine,
Herds of fallow deer were feeding,
But they saw not Hiawatha;
To his bow he whispered, “Fail not!”
To his arrow whispered, “Swerve not!”
Sent it singing on its errand,
To the red heart of the roebuck;
Threw the deer across his shoulder,
And sped forward without pausing.

At the doorway of his wigwam
Sat the ancient Arrow-maker,
In the land of the Dacotahs,
Making arrow-heads of jasper,
Arrow-heads of chalcedony.
At his side, in all her beauty,
Sat the lovely Minnehaha,
Sat his daughter, Laughing Water,
Plaiting mats of flags and rushes
Of the past the old man’s thoughts were,
And the maiden’s of the future.

He was thinking, as he sat there,
Of the days when with such arrows
He had struck the deer and bison,
On the Muskoday, the meadow;
Shot the wild goose, flying southward
On the wing, the clamorous Wawa;
Thinking of the great war-parties,
How they came to buy his arrows,
Could not fight without his arrows.
Ah, no more such noble warriors
Could be found on earth as they were!
Now the men were all like women,
Only used their tongues for weapons!

She was thinking of a hunter,
From another tribe and country,
Young and tall and very handsome,
Who one morning, in the Spring-time,
Came to buy her father’s arrows,
Sat and rested in the wigwam,
Lingered long about the doorway,
Looking back as he departed.
She had heard her father praise him,
Praise his courage and his wisdom;
Would he come again for arrows
To the Falls of Minnehaha?
On the mat her hands lay idle,
And her eyes were very dreamy.

Through their thoughts they heard a footstep,
Heard a rustling in the branches,
And with glowing cheek and forehead,
With the deer upon his shoulders,
Suddenly from out the woodlands
Hiawatha stood before them.

Straight the ancient Arrow-maker
Looked up gravely from his labor,
Laid aside the unfinished arrow,
Bade him enter at the doorway,
Saying, as he rose to meet him,
“Hiawatha, you are welcome!”

At the feet of Laughing Water
Hiawatha laid his burden,
Threw the red deer from his shoulders;
And the maiden looked up at him,
Looked up from her mat of rushes,
Said with gentle look and accent,
“You are welcome, Hiawatha!”

Very spacious was the wigwam,
Made of deer-skins dressed and whitened,
With the Gods of the Dacotahs
Drawn and painted on its curtains,
And so tall the doorway, hardly
Hiawatha stooped to enter,
Hardly touched his eagle-feathers
As he entered at the doorway.

Then uprose the Laughing Water,
From the ground fair Minnehaha,
Laid aside her mat unfinished,
Brought forth food and set before them,
Water brought them from the brooklet,
Gave them food in earthen vessels,
Gave them drink in bowls of bass-wood,
Listened while the guest was speaking,
Listened while her father answered,
But not once her lips she opened,
Not a single word she uttered.

Yes, as in a dream she listened
To the words of Hiawatha,
As he talked of old Nokomis,
Who had nursed him in his childhood,
As he told of his companions,
Chibiabos, the musician,
And the very strong man, Kwasind,
And of happiness and plenty
In the land of the Ojibways,
In the pleasant land and peaceful.

“After many years of warfare,
Many years of strife and bloodshed,
There is peace between the Ojibways
And the tribe of the Dacotahs.”
Thus continued Hiawatha,
And then added, speaking slowly,
“That this peace may last forever,
And our hands be clasped more closely,
And our hearts be more united,
Give me as my wife this maiden,
Minnehaha, Laughing Water,
Loveliest of Dacotah women!”

And the ancient Arrow-maker
Paused a moment ere he answered,
Smoked a little while in silence,
Looked at Hiawatha proudly,
Fondly looked at Laughing Water,
And made answer very gravely:
“Yes, if Minnehaha wishes;
Let your heart speak, Minnehaha!”

And the lovely Laughing Water
Seemed more lovely as she stood there,
Neither willing nor reluctant,
As she went to Hiawatha,
Softly took the seat beside him,
While she said, and blushed to say it,
“I will follow you, my husband!”

This was Hiawatha’s wooing!
Thus it was he won the daughter
Of the ancient Arrow-maker,
In the land of the Dacotahs!

From the wigwam he departed,
Leading with him Laughing Water;
Hand in hand they went together,
Through the woodland and the meadow,
Left the old man standing lonely
At the doorway of his wigwam,
Heard the Falls of Minnehaha
Calling to them from the distance,
Crying to them from afar off,
“Fare thee well, O Minnehaha!”

And the ancient Arrow-maker
Turned again unto his labor,
Sat down by his sunny doorway,
Murmuring to himself, and saying:
“Thus it is our daughters leave us,
Those we love, and those who love us!
Just when they have learned to help us,
When we are old and lean upon them,
Comes a youth with flaunting feathers,
With his flute of reeds, a stranger
Wanders piping through the village,
Beckons to the fairest maiden,
And she follows where he leads her,
Leaving all things for the stranger!”

Pleasant was the journey homeward,
Through interminable forests,
Over meadow, over mountain,
Over river, hill, and hollow.
Short it seemed to Hiawatha,
Though they journeyed very slowly,
Though his pace he checked and slackened
To the steps of Laughing Water.

Over wide and rushing rivers
In his arms he bore the maiden;
Light he thought her as a feather,
As the plume upon his head-gear;
Cleared the tangled pathway for her,
Bent aside the swaying branches,
Made at night a lodge of branches,
And a bed with boughs of hemlock,
And a fire before the doorway
With the dry cones of the pine-tree.

All the travelling winds went with them,
O’er the meadows, through the forest;
All the stars of night looked at them,
Watched with sleepless eyes their slumber;
From his ambush in the oak-tree
Peeped the squirrel, Adjidaumo,
Watched with eager eyes the lovers;
And the rabbit, the Wabasso,
Scampered from the path before them,
Peering, peeping from his burrow,
Sat erect upon his haunches,
Watched with curious eyes the lovers.

Pleasant was the journey homeward!
All the birds sang loud and sweetly
Songs of happiness and heart’s-ease;
Sang the bluebird, the Owaissa,
“Happy are you, Hiawatha,
Having such a wife to love you!”
Sang the robin, the Opechee,
“Happy are you, Laughing Water,
Having such a noble husband!”

From the sky the sun benignant
Looked upon them through the branches,
Saying to them, “O my children,
Love is sunshine, hate is shadow,
Life is checkered shade and sunshine,
Rule by love, O Hiawatha!”

From the sky the moon looked at them,
Filled the lodge with mystic splendors,
Whispered to them, “O my children,
Day is restless, night is quiet,
Man imperious, woman feeble;
Half is mine, although I follow;
Rule by patience, Laughing Water!”

Thus it was they journeyed homeward;
Thus it was that Hiawatha
To the lodge of old Nokomis
Brought the moonlight, starlight, firelight,
Brought the sunshine of his people,
Minnehaha, Laughing Water,
Handsomest of all the women
In the land of the Dacotahs,
In the land of handsome women.

XI
Hiawatha’s Wedding-Feast

You shall hear how Pau-Puk-Keewis,
How the handsome Yenadizze
Danced at Hiawatha’s wedding;
How the gentle Chibiabos,
He the sweetest of musicians,
Sang his songs of love and longing;
How Iagoo, the great boaster,
He the marvellous story-teller,
Told his tales of strange adventure,
That the feast might be more joyous,
That the time might pass more gayly,
And the guests be more contented.

Sumptuous was the feast Nokomis
Made at Hiawatha’s wedding;
All the bowls were made of bass-wood,
White and polished very smoothly,
All the spoons of horn of bison,
Black and polished very smoothly.

She had sent through all the village
Messengers with wands of willow,
As a sign of invitation,
As a token of the feasting;
And the wedding guests assembled,
Clad in all their richest raiment,
Robes of fur and belts of wampum,
Splendid with their paint and plumage,
Beautiful with beads and tassels.

First they ate the sturgeon, Nahma,
And the pike, the Maskenozha,
Caught and cooked by old Nokomis;
Then on pemican they feasted,
Pemican and buffalo marrow,
Haunch of deer and hump of bison,
Yellow cakes of the Mondamin,
And the wild rice of the river.

But the gracious Hiawatha,
And the lovely Laughing Water,
And the careful old Nokomis,
Tasted not the food before them,
Only waited on the others
Only served their guests in silence.

And when all the guests had finished,
Old Nokomis, brisk and busy,
From an ample pouch of otter,
Filled the red-stone pipes for smoking
With tobacco from the South-land,
Mixed with bark of the red willow,
And with herbs and leaves of fragrance.

Then she said, “O Pau-Puk-Keewis,
Dance for us your merry dances,
Dance the Beggar’s Dance to please us,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!”

Then the handsome Pau-Puk-Keewis,
He the idle Yenadizze,
He the merry mischief-maker,
Whom the people called the Storm-Fool,
Rose among the guests assembled.

Skilled was he in sports and pastimes,
In the merry dance of snow-shoes,
In the play of quoits and ball-play;
Skilled was he in games of hazard,
In all games of skill and hazard,
Pugasaing, the Bowl and Counters,
Kuntassoo, the Game of Plum-stones.
Though the warriors called him Faint-Heart,
Called him coward, Shaugodaya,
Idler, gambler, Yenadizze,
Little heeded he their jesting,
Little cared he for their insults,
For the women and the maidens
Loved the handsome Pau-Puk-Keewis.

He was dressed in shirt of doeskin,
White and soft, and fringed with ermine,
All inwrought with beads of wampum;
He was dressed in deer-skin leggings,
Fringed with hedgehog quills and ermine,
And in moccasins of buck-skin,
Thick with quills and beads embroidered.
On his head were plumes of swan’s down,
On his heels were tails of foxes,
In one hand a fan of feathers,
And a pipe was in the other.

Barred with streaks of red and yellow,
Streaks of blue and bright vermilion,
Shone the face of Pau-Puk-Keewis.
From his forehead fell his tresses,
Smooth, and parted like a woman’s,
Shining bright with oil, and plaited,
Hung with braids of scented grasses,
As among the guests assembled,
To the sound of flutes and singing,
To the sound of drums and voices,
Rose the handsome Pau-Puk-Keewis,
And began his mystic dances.

First he danced a solemn measure,
Very slow in step and gesture,
In and out among the pine-trees,
Through the shadows and the sunshine,
Treading softly like a panther.
Then more swiftly and still swifter,
Whirling, spinning round in circles,
Leaping o’er the guests assembled,
Eddying round and round the wigwam,
Till the leaves went whirling with him,
Till the dust and wind together
Swept in eddies round about him.

Then along the sandy margin
Of the lake, the Big-Sea-Water,
On he sped with frenzied gestures,
Stamped upon the sand, and tossed it
Wildly in the air around him;
Till the wind became a whirlwind,
Till the sand was blown and sifted
Like great snowdrifts o’er the landscape,
Heaping all the shores with Sand Dunes,
Sand Hills of the Nagow Wudjoo!

Thus the merry Pau-Puk-Keewis
Danced his Beggar’s Dance to please them,
And, returning, sat down laughing
There among the guests assembled,
Sat and fanned himself serenely
With his fan of turkey-feathers.

Then they said to Chibiabos,
To the friend of Hiawatha,
To the sweetest of all singers,
To the best of all musicians,
“Sing to us, O Chibiabos!
Songs of love and songs of longing,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!”

And the gentle Chibiabos
Sang in accents sweet and tender,
Sang in tones of deep emotion,
Songs of love and songs of longing;
Looking still at Hiawatha,
Looking at fair Laughing Water,
Sang he softly, sang in this wise:

“Onaway! Awake, beloved!
Thou the wild-flower of the forest!
Thou the wild-bird of the prairie!
Thou with eyes so soft and fawn-like!

“If thou only lookest at me,
I am happy, I am happy,
As the lilies of the prairie,
When they feel the dew upon them!

“Sweet thy breath is as the fragrance
Of the wild-flowers in the morning,
As their fragrance is at evening,
In the Moon when leaves are falling.

“Does not all the blood within me
Leap to meet thee, leap to meet thee,
As the springs to meet the sunshine,
In the Moon when nights are brightest?

“Onaway! my heart sings to thee,
Sings with joy when thou art near me,
As the sighing, singing branches
In the pleasant Moon of Strawberries!

“When thou art not pleased, beloved,
Then my heart is sad and darkened,
As the shining river darkens
When the clouds drop shadows on it!

“When thou smilest, my beloved,
Then my troubled heart is brightened,
As in sunshine gleam the ripples
That the cold wind makes in rivers.

“Smiles the earth, and smile the waters,
Smile the cloudless skies above us,
But I lose the way of smiling
When thou art no longer near me!

“I myself, myself! behold me!
Blood of my beating heart, behold me!
Oh awake, awake, beloved!
Onaway! awake, beloved!”

Thus the gentle Chibiabos
Sang his song of love and longing;
And Iagoo, the great boaster,
He the marvellous story-teller,
He the friend of old Nokomis,
Jealous of the sweet musician,
Jealous of the applause they gave him,
Saw in all the eyes around him,
Saw in all their looks and gestures,
That the wedding guests assembled
Longed to hear his pleasant stories,
His immeasurable falsehoods.

Very boastful was Iagoo;
Never heard he an adventure
But himself had met a greater;
Never any deed of daring
But himself had done a bolder;
Never any marvellous story
But himself could tell a stranger.

Would you listen to his boasting,
Would you only give him credence,
No one ever shot an arrow
Half so far and high as he had;
Ever caught so many fishes,
Ever killed so many reindeer,
Ever trapped so many beaver!

None could run so fast as he could,
None could dive so deep as he could,
None could swim so far as he could;
None had made so many journeys,
None had seen so many wonders,
As this wonderful Iagoo,
As this marvellous story-teller!
Thus his name became a by-word
And a jest among the people;
And whene’er a boastful hunter
Praised his own address too highly,
Or a warrior, home returning,
Talked too much of his achievements,
All his hearers cried, “Iagoo!
Here’s Iagoo come among us!”

He it was who carved the cradle
Of the little Hiawatha,
Carved its framework out of linden,
Bound it strong with reindeer sinews;
He it was who taught him later
How to make his bows and arrows,
How to make the bows of ash-tree,
And the arrows of the oak-tree.
So among the guests assembled
At my Hiawatha’s wedding
Sat Iagoo, old and ugly,
Sat the marvellous story-teller.

And they said, “O good Iagoo,
Tell us now a tale of wonder,
Tell us of some strange adventure,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!”

And Iagoo answered straightway,
“You shall hear a tale of wonder,
You shall hear the strange adventures
Of Osseo, the Magician,
From the Evening Star descending.”

XII
The Son of the Evening Star

Can it be the sun descending
O’er the level plain of water?
Or the Red Swan floating, flying,
Wounded by the magic arrow,
Staining all the waves with crimson,
With the crimson of its life-blood,
Filling all the air with splendor,
With the splendor of its plumage?

Yes; it is the sun descending,
Sinking down into the water;
All the sky is stained with purple,
All the water flushed with crimson!
No; it is the Red Swan floating,
Diving down beneath the water;
To the sky its wings are lifted,
With its blood the waves are reddened!

Over it the Star of Evening
Melts and trembles through the purple,
Hangs suspended in the twilight.
No; it is a bead of wampum
On the robes of the Great Spirit
As he passes through the twilight,
Walks in silence through the heavens.

This with joy beheld Iagoo
And he said in haste: “Behold it!
See the sacred Star of Evening!
You shall hear a tale of wonder,
Hear the story of Osseo,
Son of the Evening Star, Osseo!

“Once, in days no more remembered,
Ages nearer the beginning,
When the heavens were closer to us,
And the Gods were more familiar,
In the North-land lived a hunter,
With ten young and comely daughters,
Tall and lithe as wands of willow;
Only Oweenee, the youngest,
She the wilful and the wayward,
She the silent, dreamy maiden,
Was the fairest of the sisters.

“All these women married warriors,
Married brave and haughty husbands;
Only Oweenee, the youngest,
Laughed and flouted all her lovers,
All her young and handsome suitors,
And then married old Osseo,
Old Osseo, poor and ugly,
Broken with age and weak with coughing,
Always coughing like a squirrel.

“Ah, but beautiful within him
Was the spirit of Osseo,
From the Evening Star descended,
Star of Evening, Star of Woman,
Star of tenderness and passion!
All its fire was in his bosom,
All its beauty in his spirit,
All its mystery in his being,
All its splendor in his language!

“And her lovers, the rejected,
Handsome men with belts of wampum,
Handsome men with paint and feathers.
Pointed at her in derision,
Followed her with jest and laughter.
But she said: ‘I care not for you,
Care not for your belts of wampum,
Care not for your paint and feathers,
Care not for your jests and laughter;
I am happy with Osseo!’

“Once to some great feast invited,
Through the damp and dusk of evening,
Walked together the ten sisters,
Walked together with their husbands;
Slowly followed old Osseo,
With fair Oweenee beside him;
All the others chatted gayly,
These two only walked in silence.

“At the western sky Osseo
Gazed intent, as if imploring,
Often stopped and gazed imploring
At the trembling Star of Evening,
At the tender Star of Woman;
And they heard him murmur softly,
‘Ah, showain nemeshin, Nosa!
Pity, pity me, my father!’

“‘Listen!’ said the eldest sister,
‘He is praying to his father!
What a pity that the old man
Does not stumble in the pathway,
Does not break his neck by falling!’
And they laughed till all the forest
Rang with their unseemly laughter.

“On their pathway through the woodlands
Lay an oak, by storms uprooted,
Lay the great trunk of an oak-tree,
Buried half in leaves and mosses,
Mouldering, crumbling, huge and hollow.
And Osseo, when he saw it,
Gave a shout, a cry of anguish,
Leaped into its yawning cavern,
At one end went in an old man,
Wasted, wrinkled, old, and ugly;
From the other came a young man,
Tall and straight and strong and handsome.

“Thus Osseo was transfigured,
Thus restored to youth and beauty;
But, alas for good Osseo,
And for Oweenee, the faithful!
Strangely, too, was she transfigured.
Changed into a weak old woman,
With a staff she tottered onward,
Wasted, wrinkled, old, and ugly!
And the sisters and their husbands
Laughed until the echoing forest
Rang with their unseemly laughter.

“But Osseo turned not from her,
Walked with slower step beside her,
Took her hand, as brown and withered
As an oak-leaf is in Winter,
Called her sweetheart, Nenemoosha,
Soothed her with soft words of kindness,
Till they reached the lodge of feasting,
Till they sat down in the wigwam,
Sacred to the Star of Evening,
To the tender Star of Woman.

“Wrapt in visions, lost in dreaming,
At the banquet sat Osseo;
All were merry, all were happy,
All were joyous but Osseo.
Neither food nor drink he tasted,
Neither did he speak nor listen;
But as one bewildered sat he,
Looking dreamily and sadly,
First at Oweenee, then upward
At the gleaming sky above them.

“Then a voice was heard, a whisper,
Coming from the starry distance,
Coming from the empty vastness,
Low, and musical, and tender;
And the voice said: ‘O Osseo!
O my son, my best beloved!
Broken are the spells that bound you,
All the charms of the magicians,
All the magic powers of evil;
Come to me; ascend, Osseo!

“‘Taste the food that stands before you:
It is blessed and enchanted,
It has magic virtues in it,
It will change you to a spirit.
All your bowls and all your kettles
Shall be wood and clay no longer;
But the bowls be changed to wampum,
And the kettles shall be silver;
They shall shine like shells of scarlet,
Like the fire shall gleam and glimmer.

“‘And the women shall no longer
Bear the dreary doom of labor,
But be changed to birds, and glisten
With the beauty of the starlight,
Painted with the dusky splendors
Of the skies and clouds of evening!’

“What Osseo heard as whispers,
What as words he comprehended,
Was but music to the others,
Music as of birds afar off,
Of the whippoorwill afar off,
Of the lonely Wawonaissa
Singing in the darksome forest.

“Then the lodge began to tremble,
Straight began to shake and tremble,
And they felt it rising, rising,
Slowly through the air ascending,
From the darkness of the tree-tops
Forth into the dewy starlight,
Till it passed the topmost branches;
And behold! the wooden dishes
All were changed to shells of scarlet!
And behold! the earthen kettles
All were changed to bowls of silver!
And the roof-poles of the wigwam
Were as glittering rods of silver,
And the roof of bark upon them
As the shining shards of beetles.

“Then Osseo gazed around him,
And he saw the nine fair sisters,
All the sisters and their husbands,
Changed to birds of various plumage.
Some were jays and some were magpies,
Others thrushes, others blackbirds;
And they hopped, and sang, and twittered,
Perked and fluttered all their feathers,
Strutted in their shining plumage,
And their tails like fans unfolded.

“Only Oweenee, the youngest,
Was not changed, but sat in silence,
Wasted, wrinkled, old, and ugly,
Looking sadly at the others;
Till Osseo, gazing upward,
Gave another cry of anguish,
Such a cry as he had uttered
By the oak-tree in the forest.
“Then returned her youth and beauty,
And her soiled and tattered garments
Were transformed to robes of ermine,
And her staff became a feather,
Yes, a shining silver feather!

“And again the wigwam trembled,
Swayed and rushed through airy currents,
Through transparent cloud and vapor,
And amid celestial splendors
On the Evening Star alighted,
As a snow-flake falls on snow-flake,
As a leaf drops on a river,
As the thistledown on water.

“Forth with cheerful words of welcome
Came the father of Osseo,
He with radiant locks of silver,
He with eyes serene and tender.
And he said: ‘My son, Osseo,
Hang the cage of birds you bring there,
Hang the cage with rods of silver,
And the birds with glistening feathers,
At the doorway of my wigwam.’

“At the door he hung the bird-cage,
And they entered in and gladly
Listened to Osseo’s father,
Ruler of the Star of Evening,
As he said: ‘O my Osseo!
I have had compassion on you,
Given you back your youth and beauty,
Into birds of various plumage
Changed your sisters and their husbands;
Changed them thus because they mocked you
In the figure of the old man,
In that aspect sad and wrinkled,
Could not see your heart of passion,
Could not see your youth immortal;
Only Oweenee, the faithful,
Saw your naked heart and loved you.

“‘In the lodge that glimmers yonder,
In the little star that twinkles
Through the vapors, on the left hand,
Lives the envious Evil Spirit,
The Wabeno, the magician,
Who transformed you to an old man.
Take heed lest his beams fall on you,
For the rays he darts around him
Are the power of his enchantment,
Are the arrows that he uses.’

“Many years, in peace and quiet,
On the peaceful Star of Evening
Dwelt Osseo with his father;
Many years, in song and flutter,
At the doorway of the wigwam,
Hung the cage with rods of silver,
And fair Oweenee, the faithful,
Bore a son unto Osseo,
With the beauty of his mother,
With the courage of his father.

“And the boy grew up and prospered,
And Osseo, to delight him,
Made him little bows and arrows,
Opened the great cage of silver,
And let loose his aunts and uncles,
All those birds with glossy feathers,
For his little son to shoot at.

“Round and round they wheeled and darted,
Filled the Evening Star with music,
With their songs of joy and freedom
Filled the Evening Star with splendor,
With the fluttering of their plumage;
Till the boy, the little hunter,
Bent his bow and shot an arrow,
Shot a swift and fatal arrow,
And a bird, with shining feathers,
At his feet fell wounded sorely.

“But, O wondrous transformation!
’T was no bird he saw before him,
’T was a beautiful young woman,
With the arrow in her bosom!

“When her blood fell on the planet,
On the sacred Star of Evening,
Broken was the spell of magic,
Powerless was the strange enchantment,
And the youth, the fearless bowman,
Suddenly felt himself descending,
Held by unseen hands, but sinking
Downward through the empty spaces,
Downward through the clouds and vapors,
Till he rested on an island,
On an island, green and grassy,
Yonder in the Big-Sea-Water.

“After him he saw descending
All the birds with shining feathers,
Fluttering, falling, wafted downward,
Like the painted leaves of Autumn;
And the lodge with poles of silver,
With its roof like wings of beetles,
Like the shining shards of beetles,
By the winds of heaven uplifted,
Slowly sank upon the island,
Bringing back the good Osseo,
Bringing Oweenee, the faithful.

“Then the birds, again transfigured,
Reassumed the shape of mortals,
Took their shape, but not their stature;
They remained as Little People,
Like the pygmies, the Puk-Wudjies,
And on pleasant nights of Summer,
When the Evening Star was shining,
Hand in hand they danced together
On the island’s craggy headlands,
On the sand-beach low and level.

“Still their glittering lodge is seen there,
On the tranquil Summer evenings,
And upon the shore the fisher
Sometimes hears their happy voices,
Sees them dancing in the starlight !”

When the story was completed,
When the wondrous tale was ended,
Looking round upon his listeners,
Solemnly Iagoo added:
“There are great men, I have known such,
Whom their people understand not,
Whom they even make a jest of,
Scoff and jeer at in derision.
From the story of Osseo
Let us learn the fate of jesters!”

All the wedding guests delighted
Listened to the marvellous story,
Listened laughing and applauding,
And they whispered to each other:
“Does he mean himself, I wonder?
And are we the aunts and uncles?”

Then again sang Chibiabos,
Sang a song of love and longing,
In those accents sweet and tender,
In those tones of pensive sadness,
Sang a maiden’s lamentation
For her lover, her Algonquin.

“When I think of my beloved,
Ah me! think of my beloved,
When my heart is thinking of him,
O my sweetheart, my Algonquin!

“Ah me! when I parted from him,
Round my neck he hung the wampum,
As a pledge, the snow-white wampum,
O my sweetheart, my Algonquin!

“‘I will go with you,’ he whispered,
‘Ah me! to your native country;
Let me go with you,’ he whispered,
‘O my sweetheart, my Algonquin!’
‘Far away, away,’ I answered,
‘Very far away,’ I answered,
‘Ah me! is my native country,
O my sweetheart, my Algonquin!’

“When I looked back to behold him,
Where we parted, to behold him,
After me he still was gazing,
O my sweetheart, my Algonquin!

“By the tree he still was standing,
By the fallen tree was standing,
That had dropped into the water,
O my sweetheart, my Algonquin!
“When I think of my beloved,
Ah me! think of my beloved,
When my heart is thinking of him,
O my sweetheart, my Algonquin!”
Such was Hiawatha’s Wedding,
Such the dance of Pau-Puk-Keewis,
Such the story of Iagoo,
Such the songs of Chibiabos;
Thus the wedding banquet ended,
And the wedding guests departed,
Leaving Hiawatha happy
With the night and Minnehaha.

XIII
Blessing the Cornfields

Sing, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!

Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all warlike weapons,
And the war-cry was forgotten.
There was peace among the nations;
Unmolested roved the hunters,
Built the birch canoe for sailing,
Caught the fish in lake and river,
Shot the deer and trapped the beaver;
Unmolested worked the women,
Made their sugar from the maple,
Gathered wild rice in the meadows,
Dressed the skins of deer and beaver.

All around the happy village
Stood the maize-fields, green and shining,
Waved the green plumes of Mondamin,
Waved his soft and sunny tresses,
Filling all the land with plenty.
’T was the women who in Spring-time
Planted the broad fields and fruitful,
Buried in the earth Mondamin;
’T was the women who in Autumn
Stripped the yellow husks of harvest,
Stripped the garments from Mondamin,
Even as Hiawatha taught them.

Once, when all the maize was planted,
Hiawatha, wise and thoughtful,
Spake and said to Minnehaha,
To his wife, the Laughing Water:
“You shall bless to-night the cornfields,
Draw a magic circle round them,
To protect them from destruction,
Blast of mildew, blight of insect,
Wagemin, the thief of cornfields,
Paimosaid, who steals the maize-ear.

“In the night, when all is silence,’
In the night, when all is darkness,
When the Spirit of Sleep, Nepahwin,
Shuts the doors of all the wigwams,
So that not an ear can hear you,
So that not an eye can see you,
Rise up from your bed in silence,
Lay aside your garments wholly,
Walk around the fields you planted,
Round the borders of the cornfields,
Covered by your tresses only,
Robed with darkness as a garment.

“Thus the fields shall be more fruitful,
And the passing of your footsteps
Draw a magic circle round them,
So that neither blight nor mildew,
Neither burrowing worm nor insect,
Shall pass o’er the magic circle;
Not the dragon-fly, Kwo-ne-she,
Nor the spider, Subbekashe,
Nor the grasshopper, Pah-puk-keena;
Nor the mighty caterpillar,
Way-muk-kwana, with the bear-skin,
King of all the caterpillars!”

On the tree-tops near the cornfields
Sat the hungry crows and ravens,
Kahgahgee, the King of Ravens,
With his band of black marauders.
And they laughed at Hiawatha,
Till the tree-tops shook with laughter,
With their melancholy laughter,
At the words of Hiawatha.
“Hear him!” said they; “hear the Wise Man,
Hear the plots of Hiawatha!”

When the noiseless night descended
Broad and dark o’er field and forest,
When the mournful Wawonaissa
Sorrowing sang among the hemlocks,
And the Spirit of Sleep, Nepahwin,
Shut the doors of all the wigwams,
From her bed rose Laughing Water,
Laid aside her garments wholly,
And with darkness clothed and guarded,
Unashamed and unaffrighted,
Walked securely round the cornfields,
Drew the sacred, magic circle
Of her footprints round the cornfields.

No one but the Midnight only
Saw her beauty in the darkness,
No one but the Wawonaissa
Heard the panting of her bosom
Guskewau, the darkness, wrapped her
Closely in his sacred mantle,
So that none might see her beauty,
So that none might boast, “I saw her!”

On the morrow, as the day dawned,
Kahgahgee, the King of Ravens,
Gathered all his black marauders,
Crows and blackbirds, jays and ravens,
Clamorous on the dusky tree-tops,
And descended, fast and fearless,
On the fields of Hiawatha,
On the grave of the Mondamin.

“We will drag Mondamin,” said they,
“From the grave where he is buried,
Spite of all the magic circles
Laughing Water draws around it,
Spite of all the sacred footprints
Minnehaha stamps upon it!”

But the wary Hiawatha,
Ever thoughtful, careful, watchful,
Had o’erheard the scornful laughter
When they mocked him from the tree-tops.
“Kaw!” he said, “my friends the ravens!
Kahgahgee, my King of Ravens!
I will teach you all a lesson
That shall not be soon forgotten!”

He had risen before the daybreak,
He had spread o’er all the cornfields
Snares to catch the black marauders,
And was lying now in ambush
In the neighboring grove of pine-trees,
Waiting for the crows and blackbirds,
Waiting for the jays and ravens.

Soon they came with caw and clamor,
Rush of wings and cry of voices,
To their work of devastation,
Settling down upon the cornfields,
Delving deep with beak and talon,
For the body of Mondamin.
And with all their craft and cunning,
All their skill in wiles of warfare,
They perceived no danger near them,
Till their claws became entangled,
Till they found themselves imprisoned
In the snares of Hiawatha.

From his place of ambush came he,
Striding terrible among them,
And so awful was his aspect
That the bravest quailed with terror.
Without mercy he destroyed them
Right and left, by tens and twenties,
And their wretched, lifeless bodies
Hung aloft on poles for scarecrows
Round the consecrated cornfields,
As a signal of his vengeance,
As a warning to marauders.

Only Kahgahgee, the leader,
Kahgahgee, the King of Ravens,
He alone was spared among them
As a hostage for his people.
With his prisoner-string he bound him,
Led him captive to his wigwam,
Tied him fast with cords of elm-bark
To the ridge-pole of his wigwam.

“Kahgahgee, my raven!” said he,
“You the leader of the robbers,
You the plotter of this mischief,
The contriver of this outrage,
I will keep you, I will hold you,
As a hostage for your people,
As a pledge of good behavior!”

And he left him, grim and sulky,
Sitting in the morning sunshine
On the summit of the wigwam,
Croaking fiercely his displeasure,
Flapping his great sable pinions,
Vainly struggling for his freedom,
Vainly calling on his people!

Summer passed, and Shawondasee
Breathed his sighs o’er all the landscape,
From the South-land sent his ardor,
Wafted kisses warm and tender;
And the maize-field grew and ripened,
Till it stood in all the splendor
Of its garments green and yellow,
Of its tassels and its plumage,
And the maize-ears full and shining
Gleamed from bursting sheaths of verdure.

Then Nokomis, the old woman,
Spake, and said to Minnehaha:

“’T is the Moon when, leaves are falling;
All the wild rice has been gathered,
And the maize is ripe and ready;
Let us gather in the harvest,
Let us wrestle with Mondamin,
Strip him of his plumes and tassels,
Of his garments green and yellow!”

And the merry Laughing Water
Went rejoicing from the wigwam,
With Nokomis, old and wrinkled,
And they called the women round them,
Called the young men and the maidens,
To the harvest of the cornfields,
To the husking of the maize-ear.

On the border of the forest,
Underneath the fragrant pine-trees,
Sat the old men and the warriors
Smoking in the pleasant shadow.
In uninterrupted silence
Looked they at the gamesome labor
Of the young men and the women;
Listened to their noisy talking,
To their laughter and their singing,
Heard them chattering like the magpies,
Heard them laughing like the blue-jays,
Heard them singing like the robins.

And whene’er some lucky maiden
Found a red ear in the husking,
Found a maize-ear red as blood is,
“Nushka!” cried they all together,
“Nushka! you shall have a sweetheart,
You shall have a handsome husband!”
“Ugh!” the old men all responded
From their seats beneath the pine-trees.

And whene’er a youth or maiden
Found a crooked ear in husking,
Found a maize-ear in the husking
Blighted, mildewed, or misshapen,
Then they laughed and sang together,
Crept and limped about the cornfields,
Mimicked in their gait and gestures
Some old man, bent almost double,
Singing singly or together:
“Wagemin, the thief of cornfields!
Paimosaid, who steals the maize-ear!”

Till the cornfields rang with laughter,
Till from Hiawatha’s wigwam
Kahgahgee, the King of Ravens,
Screamed and quivered in his anger,
And from all the neighboring tree-tops
Cawed and croaked the black marauders.
“Ugh!” the old men all responded,
From their seats beneath the pine-trees!

XIV
Picture-Writing

In those days said Hiawatha,
“Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!

“Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!

“On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.

“Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others.”
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.

From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.

Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
Was the meaning of this symbol.

Mitche Manito the Mighty,
He the dreadful Spirit of Evil,
As a serpent was depicted,
As Kenabeek, the great serpent.
Very crafty, very cunning,
Is the creeping Spirit of Evil,
Was the meaning of this symbol.

Life and Death he drew as circles,
Life was white, but Death was darkened;
Sun and moon and stars he painted,
Man and beast, and fish and reptile,
Forests, mountains, lakes, and rivers.

For the earth he drew a straight line,
For the sky a bow above it;
White the space between for daytime,
Filled with little stars for night-time;
On the left a point for sunrise,
On the right a point for sunset,
On the top a point for noontide,
And for rain and cloudy weather
Waving lines descending from it.

Footprints pointing towards a wigwam
Were a sign of invitation,
Were a sign of guests assembling;
Bloody hands with palms uplifted
Were a symbol of destruction,
Were a hostile sign and symbol.

All these things did Hiawatha
Show unto his wondering people,
And interpreted their meaning,
And he said: “Behold, your grave-posts
Have no mark, no sign, nor symbol,
Go and paint them all with figures;
Each one with its household symbol,
With its own ancestral Totem;
So that those who follow after
May distinguish them and know them.”

And they painted on the grave-posts
On the graves yet unforgotten,
Each his own ancestral Totem,
Each the symbol of his household;
Figures of the Bear and Reindeer,
Of the Turtle, Crane, and Beaver,
Each inverted as a token
That the owner was departed,
That the chief who bore the symbol
Lay beneath in dust and ashes.

And the Jossakeeds, the Prophets,
The Wabenos, the Magicians,
And the Medicine-men, the Medas,
Painted upon bark and deer-skin
Figures for the songs they chanted,
For each song a separate symbol,
Figures mystical and awful,
Figures strange and brightly colored;
And each figure had its meaning,
Each some magic song suggested.

The Great Spirit, the Creator,
Flashing light through all the heaven;
The Great Serpent, the Kenabeek,
With his bloody crest erected,
Creeping, looking into heaven;
In the sky the sun, that listens,
And the moon eclipsed and dying;
Owl and eagle, crane and hen-hawk,
And the cormorant, bird of magic;
Headless men, that walk the heavens,
Bodies lying pierced with arrows,
Bloody hands of death uplifted,
Flags on graves, and great war-captains
Grasping both the earth and heaven!

Such as these the shapes they painted
On the birch-bark and the deer-skin;
Songs of war and songs of hunting,
Songs of medicine and of magic,
All were written in these figures,
For each figure had its meaning,
Each its separate song recorded.

Nor forgotten was the Love-Song,
The most subtle of all medicines,
The most potent spell of magic,
Dangerous more than war or hunting!
Thus the Love-Song was recorded,
Symbol and interpretation.

First a human figure standing,
Painted in the brightest scarlet;
’T is the lover, the musician,
And the meaning is, “My painting
Makes me powerful over others.”

Then the figure seated, singing,
Playing on a drum of magic,
And the interpretation, “Listen!
’T is my voice you hear, my singing!”

Then the same red figure seated
In the shelter of a wigwam,
And the meaning of the symbol,
“I will come and sit beside you
In the mystery of my passion!”

Then two figures, man and woman,
Standing hand in hand together
With their hands so clasped together
That they seemed in one united,
And the words thus represented
Are, “I see your heart within you,
And your cheeks are red with blushes!”

Next the maiden on an island,
In the centre of an Island;
And the song this shape suggested
Was, “Though you were at a distance,
Were upon some far-off island,
Such the spell I cast upon you,
Such the magic power of passion,
I could straightway draw you to me!”

Then the figure of the maiden
Sleeping, and the lover near her,
Whispering to her in her slumbers,
Saying, “Though you were far from me
In the land of Sleep and Silence,
Still the voice of love would reach you!”

And the last of all the figures
Was a heart within a circle,
Drawn within a magic circle;
And the image had this meaning:
“Naked lies your heart before me,
To your naked heart I whisper!”

Thus it was that Hiawatha,
In his wisdom, taught the people
All the mysteries of painting,
All the art of Picture-Writing,
On the smooth bark of the birch-tree,
On the white skin of the reindeer,
On the grave-posts of the village.

XV
Hiawatha’s Lamentation

In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha’s wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.

Hiawatha, wise and wary,
Often said to Chibiabos,
“O my brother! do not leave me,
Lest the Evil Spirits harm you!”
Chibiabos, young and heedless,
Laughing shook his coal-black tresses,
Answered ever sweet and childlike,
“Do not fear for me, O brother!
Harm and evil come not near me!”

Once when Peboan, the Winter,
Roofed with ice the Big-Sea-Water,
When the snow-flakes, whirling downward,
Hissed among the withered oak-leaves,
Changed the pine-trees into wigwams,
Covered all the earth with silence,
Armed with arrows, shod with snow-shoes,
Heeding not his brother’s warning,
Fearing not the Evil Spirits,
Forth to hunt the deer with antlers
All alone went Chibiabos.

Right across the Big-Sea-Water
Sprang with speed the deer before him.
With the wind and snow he followed,
O’er the treacherous ice he followed,
Wild with all the fierce commotion
And the rapture of the hunting.

But beneath, the Evil Spirits
Lay in ambush, waiting for him,
Broke the treacherous ice beneath him,
Dragged him downward to the bottom,
Buried in the sand his body.
Unktahee, the god of water,
He the god of the Dacotahs,
Drowned him in the deep abysses
Of the lake of Gitche Gumee.

From the headlands Hiawatha
Sent forth such a wail of anguish,
Such a fearful lamentation,
That the bison paused to listen,
And the wolves howled from the prairies,
And the thunder in the distance
Starting answered “Baim-wawa!”

Then his face with black he painted,
With his robe his head he covered,
In his wigwam sat lamenting,
Seven long weeks he sat lamenting,
Uttering still this moan of sorrow:

“He is dead, the sweet musician!
He the sweetest of all singers!
He has gone from us forever,
He has moved a little nearer
To the Master of all music,
To the Master of all singing!
O my brother, Chibiabos!”

And the melancholy fir-trees
Waved their dark green fans above him,
Waved their purple cones above him,
Sighing with him to console him,
Mingling with his lamentation
Their complaining, their lamenting.

Came the Spring, and all the forest
Looked in vain for Chibiabos;
Sighed the rivulet, Sebowisha,
Sighed the rushes in the meadow.

From the tree-tops sang the bluebird,
Sang the bluebird, the Owaissa,
“Chibiabos! Chibiabos!
He is dead, the sweet musician!”

From the wigwam sang the robin,
Sang the robin, the Opechee,
“Chibiabos! Chibiabos!
He is dead, the sweetest singer!”

And at night through all the forest
Went the whippoorwill complaining,
Wailing went the Wawonaissa,
“Chibiabos! Chibiabos!
He is dead, the sweet musician!
He the sweetest of all singers!”

Then the Medicine-men, the Medas,
The magicians, the Wabenos,
And the Jossakeeds, the Prophets,
Came to visit Hiawatha;
Built a Sacred Lodge beside him,
To appease him, to console him,
Walked in silent, grave procession,
Bearing each a pouch of healing,
Skin of beaver, lynx, or otter,
Filled with magic roots and simples,
Filled with very potent medicines.

When he heard their steps approaching,
Hiawatha ceased lamenting,
Called no more on Chibiabos;
Naught he questioned, naught he answered,
But his mournful head uncovered,
From his face the mourning colors
Washed he slowly and in silence,
Slowly and in silence followed
Onward to the Sacred Wigwam.

There a magic drink they gave him,
Made of Nahma-wusk, the spearmint,
And Wabeno-wusk, the yarrow,
Roots of power, and herbs of healing;
Beat their drums, and shook their rattles;
Chanted singly and in chorus,
Mystic songs like these, they chanted.

“I myself, myself! behold me!
’T is the great Gray Eagle talking;
Come, ye white crows, come and hear him!
The loud-speaking thunder helps me;
All the unseen spirits help me;
I can hear their voices calling,
All around the sky I hear them!
I can blow you strong, my brother,
I can heal you, Hiawatha!”

“Hi-au-ha!” replied the chorus,
“Wayha-way!” the mystic chorus.

Friends of mine are all the serpents!
Hear me shake my skin of hen-hawk!
Mahng, the white loon, I can kill him;
I can shoot your heart and kill it!
I can blow you strong, my brother,
I can heal you, Hiawatha !”

“Hi-au-ha!” replied the chorus,
“Wayhaway!” the mystic chorus.

“I myself, myself! the prophet!
When I speak the wigwam trembles,
Shakes the Sacred Lodge with terror,
Hands unseen begin to shake it!
When I walk, the sky I tread on
Bends and makes a noise beneath me!
I can blow you strong, my brother!
Rise and speak, O Hiawatha!”

“Hi-au-ha!” replied the chorus,
“Way-ha-way!” the mystic chorus.

Then they shook their medicine-pouches
O’er the head of Hiawatha,
Danced their medicine-dance around him;
And upstarting wild and haggard,
Like a man from dreams awakened,
He was healed of all his madness.
As the clouds are swept from heaven,
Straightway from his brain departed
All his moody melancholy;
As the ice is swept from rivers,
Straightway from his heart departed
All his sorrow and affliction.

Then they summoned Chibiabos
From his grave beneath the waters,
From the sands of Gitche Gumee
Summoned Hiawatha’s brother.
And so mighty was the magic
Of that cry and invocation,
That he heard it as he lay there
Underneath the Big-Sea-Water;
From the sand he rose and listened,
Heard the music and the singing,
Came, obedient to the summons,
To the doorway of the wigwam,
But to enter they forbade him.

Through a chink a coal they gave him,
Through the door a burning fire-brand;
Ruler in the Land of Spirits,
Ruler o’er the dead, they made him,
Telling him a fire to kindle
For all those that died thereafter,
Camp-fires for their night encampments
On their solitary journey
To the kingdom of Ponemah,
To the land of the Hereafter.

From the village of his childhood,
From the homes of those who knew him,
Passing silent through the forest,
Like a smoke-wreath wafted sideways,
Slowly vanished Chibiabos!
Where he passed, the branches moved not,
Where he trod, the grasses bent not,
And the fallen leaves of last year
Made no sound beneath his footstep.

Four whole days he journeyed onward
Down the pathway of the dead men;
On the dead-man’s strawberry feasted,
Crossed the melancholy river,
On the swinging log he crossed it,
Came unto the Lake of Silver,
In the Stone Canoe was carried
To the Islands of the Blessed,
To the land of ghosts and shadows.

On that journey, moving slowly,
Many weary spirits saw he,
Panting under heavy burdens,
Laden with war-clubs, bows and arrows,
Robes of fur, and pots and kettles,
And with food that friends had given
For that solitary journey.

“Ay! why do the living,” said they,
“Lay such heavy burdens on us!
Better were it to go naked,
Better were it to go fasting,
Than to bear such heavy burdens
On our long and weary journey!”
Forth then issued Hiawatha,
Wandered eastward, wandered westward,
Teaching men the use of simples
And the antidotes for poisons,
And the cure of all diseases.
Thus was first made known to mortals
All the mystery of Medamin,
All the sacred art of healing.

XVI
Pau-Puk-Keewis

You shall hear how Pau-Puk-Keewis,
He, the handsome Yenadizze,
Whom the people called the Storm-Fool,
Vexed the village with disturbance;
You shall hear of all his mischief,
And his flight from Hiawatha,
And his wondrous transmigrations,
And the end of his adventures.

On the shores of Gitche Gumee,
On the dunes of Nagow Wudjoo,
By the shining Big-Sea-Water
Stood the lodge of Pau-Puk-Keewis.
It was he who in his frenzy
Whirled these drifting sands together,
On the dunes of Nagow Wudjoo,
When, among the guests assembled,
He so merrily and madly
Danced at Hiawatha’s wedding,
Danced the Beggar’s Dance to please them.

Now, in search of new adventures,
From his lodge went Pau-Puk-Keewis,
Came with speed into the village,
Found the young men all assembled
In the lodge of old Iagoo,
Listening to his monstrous stories,
To his wonderful adventures.

He was telling them the story
Of Ojeeg, the Summer-Maker,
How he made a hole in heaven,
How he climbed up into heaven,
And let out the summer-weather,
The perpetual, pleasant Summer;
How the Otter first essayed it;
How the Beaver, Lynx, and Badger
Tried in turn the great achievement,
From the summit of the mountain
Smote their fists against the heavens,
Smote against the sky their foreheads,
Cracked the sky, but could not break it;
How the Wolverine, uprising,
Made him ready for the encounter,
Bent his knees down, like a squirrel,
Drew his arms back, like a cricket.

“Once he leaped,” said old Iagoo,
“Once he leaped, and lo! above him
Bent the sky, as ice in rivers
When the waters rise beneath it;
Twice he leaped, and lo! above him
Cracked the sky, as ice in rivers
When the freshet is at highest!
Thrice he leaped, and lo! above him
Broke the shattered sky asunder,
And he disappeared within it,
And Ojeeg, the Fisher Weasel,
With a bound went in behind him!”

“Hark you!” shouted Pau-Puk-Keewis
As he entered at the doorway;
“I am tired of all this talking,
Tired of old Iagoo’s stories,
Tired of Hiawatha’s wisdom.
Here is something to amuse you,
Better than this endless talking.”

Then from out his pouch of wolf-skin
Forth he drew, with solemn manner,
All the game of Bowl and Counters,
Pugasaing, with thirteen pieces.
White on one side were they painted,
And vermilion on the other;
Two Kenabeeks or great serpents,
Two Ininewug or wedge-men,
One great war-club, Pugamaugun,
And one slender fish, the Keego,
Four round pieces, Ozawabeeks,
And three Sheshebwug or ducklings.
All were made of bone and painted,
All except the Ozawabeeks;
These were brass, on one side burnished,
And were black upon the other.

In a wooden bowl he placed them,
Shook and jostled them together,
Threw them on the ground before him,
Thus exclaiming and explaining:
“Red side up are all the pieces,
And one great Kenabeek standing
On the bright side of a brass piece,
On a burnished Ozawabeek;
Thirteen tens and eight are counted.”

Then again he shook the pieces,
Shook and jostled them together,
Threw them on the ground before him,
Still exclaiming and explaining:
“White are both the great Kenabeeks,
White the Ininewug, the wedge-men,
Red are all the other pieces;
Five tens and an eight are counted.”

Thus he taught the game of hazard,
Thus displayed it and explained it,
Running through its various chances,
Various changes, various meanings:
Twenty curious eyes stared at him,
Full of eagerness stared at him.

“Many games,” said old Iagoo,
“Many games of skill and hazard
Have I seen in different nations,
Have I played in different countries.
He who plays with old Iagoo
Must have very nimble fingers;
Though you think yourself so skilful,
I can beat you, Pau-Puk-Keewis,
I can even give you lessons
In your game of Bowl and Counters!”

So they sat and played together,
All the old men and the young men,
Played for dresses, weapons, wampum,
Played till midnight, played till morning,
Played until the Yenadizze,
Till the cunning Pau-Puk-Keewis,
Of their treasures had despoiled them,
Of the best of all their dresses,
Shirts of deer-skin, robes of ermine,
Belts of wampum, crests of feathers,
Warlike weapons, pipes and pouches.
Twenty eyes glared wildly at him,
Like the eyes of wolves glared at him.

Said the lucky Pau-Puk-Keewis:
“In my wigwam I am lonely,
In my wanderings and adventures
I have need of a companion,
Fain would have a Meshinauwa,
An attendant and pipe-bearer.
I will venture all these winnings,
All these garments heaped about me,
All this wampum, all these feathers,
On a single throw will venture
All against the young man yonder!”
’T was a youth of sixteen summers,
’T was a nephew of Iagoo;
Face-in-a-Mist, the people called him.

As the fire burns in a pipe-head
Dusky red beneath the ashes,
So beneath his shaggy eyebrows
Glowed the eyes of old Iagoo.
“Ugh!” he answered very fiercely;
“Ugh!” they answered all and each one.

Seized the wooden bowl the old man,
Closely in his bony fingers
Clutched the fatal bowl, Onagon,
Shook it fiercely and with fury,
Made the pieces ring together
As he threw them down before him.

Red were both the great Kenabeeks,
Red the Ininewug, the wedge-men,
Red the Sheshebwug, the ducklings,
Black the four brass Ozawabeeks,
White alone the fish, the Keego;
Only five the pieces counted!

Then the smiling Pau-Puk-Keewis
Shook the bowl and threw the pieces;
Lightly in the air he tossed them,
And they fell about him scattered;
Dark and bright the Ozawabeeks,
Red and white the other pieces,
And upright among the others
One Ininewug was standing,
Even as crafty Pau-Puk-Keewis
Stood alone among the players,
Saying, “Five tens! mine the game is,”

Twenty eyes glared at him fiercely,
Like the eyes of wolves glared at him,
As he turned and left the wigwam,
Followed by his Meshinauwa,
By the nephew of Iagoo,
By the tall and graceful stripling,
Bearing in his arms the winnings,
Shirts of deer-skin, robes of ermine,
Belts of wampum, pipes and weapons.

“Carry them,” said Pau-Puk-Keewis,
Pointing with his fan of feathers,
“To my wigwam far to eastward,
On the dunes of Nagow Wudjoo!”

Hot and red with smoke and gambling
Were the eyes of Pau-Puk-Keewis
As he came forth to the freshness
Of the pleasant Summer morning.
All the birds were singing gayly,
All the streamlets flowing swiftly,
And the heart of Pau-Puk-Keewis
Sang with pleasure as the birds sing,
Beat with triumph like the streamlets,
As he wandered through the village,
In the early gray of morning,
With his fan of turkey-feathers,
With his plumes and tufts of swan’s down,
Till he reached the farthest wigwam,
Reached the lodge of Hiawatha.

Silent was it and deserted;
No one met him at the doorway,
No one came to bid him welcome;
But the birds were singing round it,
In and out and round the doorway,
Hopping, singing, fluttering, feeding,
And aloft upon the ridge-pole
Kahgahgee, the King of Ravens,
Sat with fiery eyes, and, screaming,
Flapped his wings at Pau-Puk-Keewis.

“All are gone! the lodge is empty!”
Thus it was spake Pau-Puk-Keewis,
In his heart resolving mischief
“Gone is wary Hiawatha,
Gone the silly Laughing Water,
Gone Nokomis, the old woman,
And the lodge is left unguarded!”

By the neck he seized the raven,
Whirled it round him like a rattle,
Like a medicine-pouch he shook it,
Strangled Kahgahgee, the raven,
From the ridge-pole of the wigwam
Left its lifeless body hanging,
As an insult to its master,
As a taunt to Hiawatha.

With a stealthy step he entered,
Round the lodge in wild disorder
Threw the household things about him,
Piled together in confusion
Bowls of wood and earthen kettles,
Robes of buffalo and beaver,
Skins of otter, lynx, and ermine,
As an insult to Nokomis,
As a taunt to Minnehaha.

Then departed Pau-Puk-Keewis,
Whistling, singing through the forest,
Whistling gayly to the squirrels,
Who from hollow boughs above him
Dropped their acorn-shells upon him,
Singing gayly to the wood birds,
Who from out the leafy darkness
Answered with a song as merry.

Then he climbed the rocky headlands,
Looking o’er the Gitche Gumee,
Perched himself upon their summit,
Waiting full of mirth and mischief
The return of Hiawatha.

Stretched upon his back he lay there;
Far below him splashed the waters,
Plashed and washed the dreamy waters;
Far above him swam the heavens,
Swam the dizzy, dreamy heavens;
Round him hovered, fluttered, rustled
Hiawatha’s mountain chickens,
Flock-wise swept and wheeled about him,
Almost brushed him with their pinions.

And he killed them as he lay there,
Slaughtered them by tens and twenties,
Threw their bodies down the headland,
Threw them on the beach below him,
Till at length Kayoshk, the sea-gull,
Perched upon a crag above them,
Shouted: “It is Pau-Puk-Keewis!
He is slaying us by hundreds!
Send a message to our brother,
Tidings send to Hiawatha!”

XVII
The Hunting of Pau-Puk-Keewis

Full of wrath was Hiawatha
When he came into the village,
Found the people in confusion,
Heard of all the misdemeanors,
All the malice and the mischief,
Of the cunning Pau-Puk-Keewis.

Hard his breath came through his nostrils,
Through his teeth he buzzed and muttered
Words of anger and resentment,
Hot and humming, like a hornet.
“I will slay this Pau-Puk-Keewis,
Slay this mischief-maker!” said he.
“Not so long and wide the world is,
Not so rude and rough the way is,
That my wrath shall not attain him,
That my vengeance shall not reach him!”

Then in swift pursuit departed
Hiawatha and the hunters
On the trail of Pau-Puk-Keewis,
Through the forest, where he passed it,
To the headlands where he rested;
But they found not Pau-Puk-Keewis,
Only in the trampled grasses,
In the whortleberry-bushes,
Found the couch where he had rested,
Found the impress of his body.

From the lowlands far beneath them,
From the Muskoday, the meadow,
Pau-Puk-Keewis, turning backward,
Made a gesture of defiance,
Made a gesture of derision;
And aloud cried Hiawatha,
From the summit of the mountains:
“Not so long and wide the world is,
Not so rude and rough the way is,
But my wrath shall overtake you,
And my vengeance shall attain you!”

Over rock and over river,
Through bush, and brake, and forest,
Ran the cunning Pau-Puk-Keewis;
Like an antelope he bounded,
Till he came unto a streamlet
In the middle of the forest,
To a streamlet still and tranquil,
That had overflowed its margin,
To a dam made by the beavers,
To a pond of quiet water,
Where knee-deep the trees were standing,
Where the water lilies floated,
Where the rushes waved and whispered.

On the dam stood Pau-Puk-Keewis,
On the dam of trunks and branches,
Through whose chinks the water spouted,
O’er whose summit flowed the streamlet.
From the bottom rose the beaver,
Looked with two great eyes of wonder,
Eyes that seemed to ask a question,
At the stranger, Pau-Puk-Keewis.

On the dam stood Pau-Puk-Keewis,
O’er his ankles flowed the streamlet,
Flowed the bright and silvery water,
And he spake unto the beaver,
With a smile he spake in this wise:

“O my friend Ahmeek, the beaver,
Cool and pleasant is the water;
Let me dive into the water,
Let me rest there in your lodges;
Change me, too, into a beaver!”

Cautiously replied the beaver,
With reserve he thus made answer:
“Let me first consult the others,
Let me ask the other beavers.”
Down he sank into the water,
Heavily sank he, as a stone sinks,
Down among the leaves and branches,
Brown and matted at the bottom.

On the dam stood Pau-Puk-Keewis,
O’er his ankles flowed the streamlet,
Spouted through the chinks below him,
Dashed upon the stones beneath him,
Spread serene and calm before him,
And the sunshine and the shadows
Fell in flecks and gleams upon him,
Fell in little shining patches,
Through the waving, rustling branches.

From the bottom rose the beavers,
Silently above the surface
Rose one head and then another,
Till the pond seemed full of beavers,
Full of black and shining faces.

To the beavers Pau-Puk-Keewis
Spake entreating, said in this wise:
“Very pleasant is your dwelling,
O my friends! and safe from danger;
Can you not, with all your cunning,
All your wisdom and contrivance,
Change me, too, into a beaver?”

“Yes!” replied Ahmeek, the beaver,
He the King of all the beavers,
“Let yourself slide down among us,
Down into the tranquil water.”

Down into the pond among them
Silently sank Pau-Puk-Keewis;
Black became his shirt of deer-skin,
Black his moccasins and leggings,
In a broad black tail behind him
Spread his fox-tails and his fringes;
He was changed into a beaver.

“Make me large,” said Pau-Puk-Keewis,
“Make me large and make me larger,
Larger than the other beavers.”
“Yes,” the beaver chief responded,
“When our lodge below you enter,
In our wigwam we will make you
Ten times larger than the others.”

Thus into the clear, brown water
Silently sank Pau-Puk-Keewis:
Found the bottom covered over
With the trunks of trees and branches,
Hoards of food against the winter,
Piles and heaps against the famine;
Found the lodge with arching doorway,
Leading into spacious chambers.

Here they made him large and larger,
Made him largest of the beavers,
Ten times larger than the others.
“You shall be our ruler,” said they;
“Chief and King of all the beavers.”

But not long had Pau-Puk-Keewis
Sat in state among the beavers,
When there came a voice, of warning
From the watchman at his station
In the water-flags and lilies,
Saying, “Here is Hiawatha!
Hiawatha with his hunters!”

Then they heard a cry above them,
Heard a shouting and a tramping,
Heard a crashing and a rushing,
And the water round and o’er them
Sank and sucked away in eddies,
And they knew their dam was broken.

On the lodge’s roof the hunters
Leaped, and broke it all asunder;
Streamed the sunshine through the crevice,
Sprang the beavers through the doorway,
Hid themselves in deeper water,
In the channel of the streamlet;
But the mighty Pau-Puk-Keewis
Could not pass beneath the doorway;
He was puffed with pride and feeding,
He was swollen like a bladder.

Through the roof looked Hiawatha,
Cried aloud, “O Pau-Puk-Keewis
Vain are all your craft and cunning,
Vain your manifold disguises!
Well I know you, Pau-Puk-Keewis!”
With their clubs they beat and bruised him,
Beat to death poor Pau-Puk-Keewis,
Pounded him as maize is pounded,
Till his skull was crushed to pieces.

Six tall hunters, lithe and limber,
Bore him home on poles and branches,
Bore the body of the beaver;
But the ghost, the Jeebi in him,
Thought and felt as Pau-Puk-Keewis,
Still lived on as Pau-Puk-Keewis.

And it fluttered, strove, and struggled,
Waving hither, waving thither,
As the curtains of a wigwam
Struggle with their thongs of deer-skin,
When the wintry wind is blowing;
Till it drew itself together,
Till it rose up from the body,
Till it took the form and features
Of the cunning Pau-Puk-Keewis
Vanishing into the forest.

But the wary Hiawatha
Saw the figure ere it vanished,
Saw the form of Pau-Puk-Keewis
Glide into the soft blue shadow
Of the pine-trees of the forest;
Toward the squares of white beyond it,
Toward an opening in the forest.
Like a wind it rushed and panted,
Bending all the boughs before it,
And behind it, as the rain comes,
Came the steps of Hiawatha.

To a lake with many islands
Came the breathless Pau-Puk-Keewis,
Where among the water-lilies
Pishnekuh, the brant, were sailing;
Through the tufts of rushes floating,
Steering through the reedy Islands.
Now their broad black beaks they lifted,
Now they plunged beneath the water,
Now they darkened in the shadow,
Now they brightened in the sunshine.

“Pishnekuh!” cried Pau-Puk-Keewis,
“Pishnekuh! my brothers!” said he,
“Change me to a brant with plumage,
With a shining neck and feathers,
Make me large, and make me larger,
Ten times larger than the others.”

Straightway to a brant they changed him,
With two huge and dusky pinions,
With a bosom smooth and rounded,
With a bill like two great paddles,
Made him larger than the others,
Ten times larger than the largest,
Just as, shouting from the forest,
On the shore stood Hiawatha.

Up they rose with cry and clamor,
With a whir and beat of pinions,
Rose up from the reedy Islands,
From the water-flags and lilies.
And they said to Pau-Puk-Keewis:
“In your flying, look not downward,
Take good heed and look not downward,
Lest some strange mischance should happen,
Lest some great mishap befall you!”

Fast and far they fled to northward,
Fast and far through mist and sunshine,
Fed among the moors and fen-lands,
Slept among the reeds and rushes.

On the morrow as they journeyed,
Buoyed and lifted by the South-wind,
Wafted onward by the South-wind,
Blowing fresh and strong behind them,
Rose a sound of human voices,
Rose a clamor from beneath them,
From the lodges of a village,
From the people miles beneath them.

For the people of the village
Saw the flock of brant with wonder,
Saw the wings of Pau-Puk-Keewis
Flapping far up in the ether,
Broader than two doorway curtains.

Pau-Puk-Keewis heard the shouting,
Knew the voice of Hiawatha,
Knew the outcry of Iagoo,
And, forgetful of the warning,
Drew his neck in, and looked downward,
And the wind that blew behind him
Caught his mighty fan of feathers,
Sent him wheeling, whirling downward!

All in vain did Pau-Puk-Keewis
Struggle to regain his balance!
Whirling round and round and downward,
He beheld in turn the village
And in turn the flock above him,
Saw the village coming nearer,
And the flock receding farther,
Heard the voices growing louder,
Heard the shouting and the laughter;
Saw no more the flocks above him,
Only saw the earth beneath him;
Dead out of the empty heaven,
Dead among the shouting people,
With a heavy sound and sullen,
Fell the brant with broken pinions.

But his soul, his ghost, his shadow,
Still survived as Pau-Puk-Keewis,
Took again the form and features
Of the handsome Yenadizze,
And again went rushing onward,
Followed fast by Hiawatha,
Crying: “Not so wide the world is,
Not so long and rough the way is,
But my wrath shall overtake you,
But my vengeance shall attain you!”

And so near he came, so near him,
That his hand was stretched to seize him,
His right hand to seize and hold him,
When the cunning Pau-Puk-Keewis
Whirled and spun about in circles,
Fanned the air into a whirlwind,
Danced the dust and leaves about him,
And amid the whirling eddies
Sprang into a hollow oak-tree,
Changed himself into a serpent,
Gliding out through root and rubbish.

With his right hand Hiawatha
Smote amain the hollow oak-tree,
Rent it into shreds and splinters,
Left it lying there in fragments.
But in vain; for Pau-Puk-Keewis,
Once again in human figure,
Full in sight ran on before him,
Sped away in gust and whirlwind,
On the shores of Gitche Gumee,
Westward by the Big-Sea-Water,
Came unto the rocky headlands,
To the Pictured Rocks of sandstone,
Looking over lake and landscape.

And the Old Man of the Mountain,
He the Manito of Mountains,
Opened wide his rocky doorways,
Opened wide his deep abysses,
Giving Pau-Puk-Keewis shelter
In his caverns dark and dreary,
Bidding Pau-Puk-Keewis welcome
To his gloomy lodge of sandstone.

There without stood Hiawatha,
Found the doorways closed against him,
With his mittens, Minjekahwun,
Smote great caverns in the sandstone,
Cried aloud in tones of thunder,
“Open! I am Hiawatha!”
But the Old Man of the Mountain
Opened not, and made no answer
From the silent crags of sandstone,
From the gloomy rock abysses.

Then he raised his hands to heaven,
Called imploring on the tempest,
Called Waywassimo, the lightning,
And the thunder, Annemeekee;
And they came with night and darkness,
Sweeping down the Big-Sea-Water
From the distant Thunder Mountains;
And the trembling Pau-Puk-Keewis
Heard the footsteps of the thunder,
Saw the red eyes of the lightning,
Was afraid, and crouched and trembled.

Then Waywassimo, the lightning,
Smote the doorways of the caverns,
With his war-club smote the doorways,
Smote the jutting crags of sandstone,
And the thunder, Annemeekee,
Shouted down into the caverns,
Saying, “Where is Pau-Puk-Keewis!”
And the crags fell, and beneath them
Dead among the rocky ruins
Lay the cunning Pau-Puk-Keewis,
Lay the handsome Yenadizze,
Slain in his own human figure.

Ended were his wild adventures,
Ended were his tricks and gambols,
Ended all his craft and cunning,
Ended all his mischief-making,
All his gambling and his dancing,
All his wooing of the maidens.

Then the noble Hiawatha
Took his soul, his ghost, his shadow,
Spake and said: “O Pau-Puk-Keewis,
Never more in human figure
Shall you search for new adventures;
Never more with jest and laughter
Dance the dust and leaves in whirlwinds;
But above there in the heavens
You shall soar and sail in circles;
I will change you to an eagle,
To Keneu, the great war-eagle,
Chief of all the fowls with feathers,
Chief of Hiawatha’s chickens.”

And the name of Pau-Puk-Keewis
Lingers still among the people,
Lingers still among the singers,
And among the story-tellers;
And in Winter, when the snow-flakes
Whirl in eddies round the lodges,
When the wind in gusty tumult
O’er the smoke-flue pipes and whistles,
“There,” they cry, “comes Pau-Puk-Keewis,
He is dancing through the village,
He is gathering in his harvest!”

XVIII
The Death of Kwasind

Far and wide among the nations
Spread the name and fame of Kwasind;
No man dared to strive with Kwasind,
No man could compete with Kwasind.
But the mischievous Puk-Wudjies,
They the envious Little People,
They the fairies and the pygmies,
Plotted and conspired against him.

“If this hateful Kwasind,” said they,
“If this great, outrageous fellow
Goes on thus a little longer,
Tearing everything he touches,
Rending everything to pieces,
Filling all the world with wonder,
What becomes of the Puk-Wudjies?
Who will care for the Puk-Wudjies?
He will tread us down like mushrooms,
Drive us all into the water,
Give our bodies to be eaten
By the wicked Nee-ba-naw-baigs,
By the Spirits of the water!”

So the angry Little People
All conspired against the Strong Man,
All conspired to murder Kwasind,
Yes, to rid the world of Kwasind,
The audacious, overbearing,
Heartless, haughty, dangerous Kwasind!

Now this wondrous strength of Kwasind
In his crown alone was seated;
In his crown too was his weakness;
There alone could he be wounded,
Nowhere else could weapon pierce him,
Nowhere else could weapon harm him.

Even there the only weapon
That could wound him, that could slay him,
Was the seed-cone of the pine-tree,
Was the blue cone of the fir-tree.
This was Kwasind’s fatal secret,
Known to no man among mortals;
But the cunning Little People,
The Puk-Wudjies, knew the secret,
Knew the only way to kill him.

So they gathered cones together,
Gathered seed-cones of the pine-tree,
Gathered blue cones of the fir-tree,
In the woods by Taquamenaw,
Brought them to the river’s margin,
Heaped them in great piles together,
Where the red rocks from the margin
Jutting overhang the river.
There they lay in wait for Kwasind,
The malicious Little People.

’T was an afternoon in Summer;
Very hot and still the air was,
Very smooth the gliding river,
Motionless the sleeping shadows:
Insects glistened in the sunshine,
Insects skated on the water,
Filled the drowsy air with buzzing,
With a far resounding war-cry.

Down the river came the Strong Man,
In his birch canoe came Kwasind,
Floating slowly down the current
Of the sluggish Taquamenaw,
Very languid with the weather,
Very sleepy with the silence.

From the overhanging branches,
From the tassels of the birch-trees,
Soft the Spirit of Sleep descended;
By his airy hosts surrounded,
His invisible attendants,
Came the Spirit of Sleep, Nepahwin;
Like a burnished Dush-kwo-ne-she,
Like a dragon-fly, he hovered
O’er the drowsy head of Kwasind.

To his ear there came a murmur
As of waves upon a sea-shore,
As of far-off tumbling waters,
As of winds among the pine-trees;
And he felt upon his forehead
Blows of little airy war-clubs,
Wielded by the slumbrous legions
Of the Spirit of Sleep, Nepahwin,
As of some one breathing on him.

At the first blow of their war-clubs,
Fell a drowsiness on Kwasind;
At the second blow they smote him,
Motionless his paddle rested;
At the third, before his vision
Reeled the landscape Into darkness,
Very sound asleep was Kwasind.

So he floated down the river,
Like a blind man seated upright,
Floated down the Taquamenaw,
Underneath the trembling birch-trees,
Underneath the wooded headlands,
Underneath the war encampment
Of the pygmies, the Puk-Wudjies.

There they stood, all armed and waiting,
Hurled the pine-cones down upon him,
Struck him on his brawny shoulders,
On his crown defenceless struck him.
“Death to Kwasind!” was the sudden
War-cry of the Little People.

And he sideways swayed and tumbled,
Sideways fell into the river,
Plunged beneath the sluggish water
Headlong, as an otter plunges;
And the birch canoe, abandoned,
Drifted empty down the river,
Bottom upward swerved and drifted:
Nothing more was seen of Kwasind.

But the memory of the Strong Man
Lingered long among the people,
And whenever through the forest
Raged and roared the wintry tempest,
And the branches, tossed and troubled,
Creaked and groaned and split asunder,
“Kwasind!” cried they; “that is Kwasind!
He is gathering in his fire-wood!”

XIX
The Ghosts

Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.

So disasters come not singly;
But as if they watched and waited,
Scanning one another’s motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.

Now, o’er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.

Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.

One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.

On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke in wreaths above them
Climbed and crowded through the smoke-flue.

Then the curtain of the doorway
From without was slowly lifted;
Brighter glowed the fire a moment,
And a moment swerved the smoke-wreath,
As two women entered softly,
Passed the doorway uninvited,
Without word of salutation,
Without sign of recognition,
Sat down in the farthest corner,
Crouching low among the shadows.

From their aspect and their garments,
Strangers seemed they in the village;
Very pale and haggard were they,
As they sat there sad and silent,
Trembling, cowering with the shadows.

Was it the wind above the smoke-flue,
Muttering down into the wigwam?
Was it the owl, the Koko-koho,
Hooting from the dismal forest?
Sure a voice said in the silence:
“These are corpses clad in garments,
These are ghosts that come to haunt you,
From the kingdom of Ponemah,
From the land of the Hereafter!”

Homeward now came Hiawatha
From his hunting in the forest,
With the snow upon his tresses,
And the red deer on his shoulders.
At the feet of Laughing Water
Down he threw his lifeless burden;
Nobler, handsomer she thought him,
Than when first he came to woo her,
First threw down the deer before her,
As a token of his wishes,
As a promise of the future.

Then he turned and saw the strangers,
Cowering, crouching with the shadows;
Said within himself, “Who are they?
What strange guests has Minnehaha?”
But he questioned not the strangers,
Only spake to bid them welcome
To his lodge, his food, his fireside.

When the evening meal was ready,
And the deer had been divided,
Both the pallid guests, the strangers,
Springing from among the shadows,
Seized upon the choicest portions,
Seized the white fat of the roebuck,
Set apart for Laughing Water,
For the wife of Hiawatha;
Without asking, without thanking,
Eagerly devoured the morsels,
Flitted back among the shadows
In the corner of the wigwam.

Not a word spake Hiawatha,
Not a motion made Nokomis,
Not a gesture Laughing Water;
Not a change came o’er their features;
Only Minnehaha softly
Whispered, saying, “They are famished;
Let them do what best delights them;
Let them eat, for they are famished.”

Many a daylight dawned and darkened,
Many a night shook off the daylight
As the pine shakes off the snow-flakes
From the midnight of its branches;
Day by day the guests unmoving
Sat there silent in the wigwam;
But by night, in storm or starlight,
Forth they went into the forest,
Bringing fire-wood to the wigwam,
Bringing pine-cones for the burning,
Always sad and always silent.

And whenever Hiawatha
Came from fishing or from hunting,
When the evening meal was ready,
And the food had been divided,
Gliding from their darksome corner,
Came the pallid guests, the strangers,
Seized upon the choicest portions
Set aside for Laughing Water,
And without rebuke or question
Flitted back among the shadows.

Never once had Hiawatha
By a word or look reproved them;
Never once had old Nokomis
Made a gesture of impatience;
Never once had Laughing Water
Shown resentment at the outrage.
All had they endured in silence,
That the rights of guest and stranger,
That the virtue of free-giving,
By a look might not be lessened,
By a word might not be broken.

Once at midnight Hiawatha,
Ever wakeful, ever watchful,
In the wigwam, dimly lighted
By the brands that still were burning,
By the glimmering, flickering firelight
Heard a sighing, oft repeated,

From his couch rose Hiawatha,
From his shaggy hides of bison,
Pushed aside the deer-skin curtain,
Saw the pallid guests, the shadows,
Sitting upright on their couches,
Weeping in the silent midnight.

And he said: “O guests! why is it
That your hearts are so afflicted,
That you sob so in the midnight?
Has perchance the old Nokomis,
Has my wife, my Minnehaha,
Wronged or grieved you by unkindness,
Failed in hospitable duties?”

Then the shadows ceased from weeping,
Ceased from sobbing and lamenting,
And they said, with gentle voices:
“We are ghosts of the departed,
Souls of those who once were with you.
From the realms of Chibiabos
Hither have we come to try you,
Hither have we come to warn you.

“Cries of grief and lamentation
Reach us in the Blessed Islands;
Cries of anguish from the living,
Calling back their friends departed,
Sadden us with useless sorrow.
Therefore have we come to try you;
No one knows us, no one heeds us.
We are but a burden to you,
And we see that the departed
Have no place among the living.

“Think of this, O Hiawatha!
Speak of it to all the people,
That henceforward and forever
They no more with lamentations
Sadden the souls of the departed
In the Islands of the Blessed.

“Do not lay such heavy burdens
In the graves of those you bury,
Not such weight of furs and wampum,
Not such weight of pots and kettles,
For the spirits faint beneath them.
Only give them food to carry,
Only give them fire to light them.

“Four days is the spirit’s journey
To the land of ghosts and shadows,
Four its lonely night encampments;
Four times must their fires be lighted.
Therefore, when the dead are buried,
Let a fire, as night approaches,
Four times on the grave be kindled,
That the soul upon its journey
May not lack the cheerful firelight,
May not grope about in darkness.

“Farewell, noble Hiawatha!
We have put you to the trial,
To the proof have put your patience,
By the insult of our presence,
By the outrage of our actions.
We have found you great and noble.
Fail not in the greater trial,
Faint not in the harder struggle.”

When they ceased, a sudden darkness
Fell and filled the silent wigwam.
Hiawatha heard a rustle
As of garments trailing by him,
Heard the curtain of the doorway
Lifted by a hand he saw not,
Felt the cold breath of the night air,
For a moment saw the starlight;
But he saw the ghosts no longer,
Saw no more the wandering spirits
From the kingdom of Ponemah,
From the land of the Hereafter.

XX
The Famine

Oh the long and dreary Winter!
Oh the cold and cruel Winter!
Ever thicker, thicker, thicker
Froze the ice on lake and river,
Ever deeper, deeper, deeper
Fell the snow o’er all the landscape,
Fell the covering snow, and drifted
Through the forest, round the village.
Hardly from his buried wigwam
Could the hunter force a passage;
With his mittens and his snow-shoes
Vainly walked he through the forest,
Sought for bird or beast and found none,
Saw no track of deer or rabbit,
In the snow beheld no footprints,
In the ghastly, gleaming forest
Fell, and could not rise from weakness,
Perished there from cold and hunger.

Oh the famine and the fever!
Oh the wasting of the famine!
Oh the blasting of the fever!
Oh the wailing of the children!
Oh the anguish of the women!

All the earth was sick and famished;
Hungry was the air around them,
Hungry was the sky above them,
And the hungry stars in heaven
Like the eyes of wolves glared at them!

Into Hiawatha’s wigwam
Came two other guests, as silent
As the ghosts were, and as gloomy,
Waited not to be invited
Did not parley at the doorway
Sat there without word of welcome
In the seat of Laughing Water;
Looked with haggard eyes and hollow
At the face of Laughing Water.

And the foremost said: “Behold me!
I am Famine, Bukadawin!”
And the other said: “Behold me!
I am Fever, Ahkosewin!”

And the lovely Minnehaha
Shuddered as they looked upon her,
Shuddered at the words they uttered,
Lay down on her bed in silence,
Hid her face, but made no answer;
Lay there trembling, freezing, burning
At the looks they cast upon her,
At the fearful words they uttered.

Forth into the empty forest
Rushed the maddened Hiawatha;
In his heart was deadly sorrow,
In his face a stony firmness;
On his brow the sweat of anguish
Started, but it froze and fell not.

Wrapped in furs and armed for hunting,
With his mighty bow of ash-tree,
With his quiver full of arrows,
With his mittens, Minjekahwun,
Into the vast and vacant forest
On his snow-shoes strode he forward.

“Gitche Manito, the Mighty!”
Cried he with his face uplifted
In that bitter hour of anguish,
“Give your children food, O father!
Give us food, or we must perish!
Give me food for Minnehaha,
For my dying Minnehaha!”

Through the far-resounding forest,
Through the forest vast and vacant
Rang that cry of desolation,
But there came no other answer
Than the echo of his crying,
Than the echo of the woodlands,
“Minnehaha! Minnehaha!”

All day long roved Hiawatha
In that melancholy forest,
Through the shadow of whose thickets,
In the pleasant days of Summer,
Of that ne’er forgotten Summer,
He had brought his young wife homeward
From the land of the Dacotahs;
When the birds sang in the thickets,
And the streamlets laughed and glistened,
And the air was full of fragrance,
And the lovely Laughing Water
Said with voice that did not tremble,
“I will follow you, my husband!”

In the wigwam with Nokomis,
With those gloomy guests that watched her,
With the Famine and the Fever,
She was lying, the Beloved,
She, the dying Minnehaha.

“Hark!” she said; “I hear a rushing,
Hear a roaring and a rushing,
Hear the Falls of Minnehaha
Calling to me from a distance!”
“No, my child!” said old Nokomis,
“’T is the night-wind in the pine-trees!”
“Look!” she said; “I see my father
Standing lonely at his doorway,
Beckoning to me from his wigwam
In the land of the Dacotahs!”
“No, my child!” said old Nokomis.
“’T is the smoke, that waves and beckons!”
“Ah!” said she, “the eyes of Pauguk
Glare upon me in the darkness,
I can feel his icy fingers
Clasping mine amid the darkness!
Hiawatha! Hiawatha!”

And the desolate Hiawatha,
Far away amid the forest,
Miles away among the mountains,
Heard that sudden cry of anguish,
Heard the voice of Minnehaha
Calling to him in the darkness,
“Hiawatha! Hiawatha!”

Over snow-fields waste and pathless,
Under snow-encumbered branches,
Homeward hurried Hiawatha,
Empty-handed, heavy-hearted,
Heard Nokomis moaning, wailing:
“Wahonowin! Wahonowin!
Would that I had perished for you,
Would that I were dead as you are!
Wahonowin! Wahonowin!”

And he rushed into the wigwam,
Saw the old Nokomis slowly
Rocking to and fro and moaning,
Saw his lovely Minnehaha
Lying dead and cold before him,
And his bursting heart within him
Uttered such a cry of anguish,
That the forest moaned and shuddered,
That the very stars in heaven
Shook and trembled with his anguish.

Then he sat down, still and speechless,
On the bed of Minnehaha,
At the feet of Laughing Water,
At those willing feet, that never
More would lightly run to meet him,
Never more would lightly follow.

With both hands his face he covered,
Seven long days and nights he sat there,
As if in a swoon he sat there,
Speechless, motionless, unconscious
Of the daylight or the darkness.

Then they buried Minnehaha;
In the snow a grave they made her
In the forest deep and darksome
Underneath the moaning hemlocks;
Clothed her in her richest garments
Wrapped her in her robes of ermine,
Covered her with snow, like ermine;
Thus they buried Minnehaha.

And at night a fire was lighted,
On her grave four times was kindled,
For her soul upon its journey
To the Islands of the Blessed.
From his doorway Hiawatha
Saw it burning in the forest,
Lighting up the gloomy hemlocks;
From his sleepless bed uprising,
From the bed of Minnehaha,
Stood and watched it at the doorway,
That it might not be extinguished,

Might not leave her in the darkness.
“Farewell!” said he, “Minnehaha!
Farewell, O my Laughing Water!
All my heart is buried with you,
All my thoughts go onward with you!
Come not back again to labor,
Come not back again to suffer,
Where the Famine and the Fever
Wear the heart and waste the body.
Soon my task will be completed,
Soon your footsteps I shall follow
To the Islands of the Blessed,
To the Kingdom of Ponemah,
To the Land of the Hereafter!”

XXI
The White Man’s Foot

In his lodge beside a river,
Close beside a frozen river,
Sat an old man, sad and lonely.
White his hair was as a snow-drift;
Dull and low his fire was burning,
And the old man shook and trembled,
Folded in his Waubewyon,
In his tattered white-skin-wrapper,
Hearing nothing but the tempest
As it roared along the forest,
Seeing nothing but the snow-storm,
As it whirled and hissed and drifted.

All the coals were white with ashes,
And the fire was slowly dying,
As a young man, walking lightly,
At the open doorway entered.
Red with blood of youth his cheeks were,
Soft his eyes, as stars in Spring-time,
Bound his forehead was with grasses;
Bound and plumed with scented grasses,
On his lips a smile of beauty,
Filling all the lodge with sunshine,
In his hand a bunch of blossoms
Filling all the lodge with sweetness.

“Ah, my son!” exclaimed the old man,
“Happy are my eyes to see you.
Sit here on the mat beside me,
Sit here by the dying embers,
Let us pass the night together,
Tell me of your strange adventures,
Of the lands where you have travelled;
I will tell you of my prowess,
Of my many deeds of wonder.”

From his pouch he drew his peace-pipe,
Very old and strangely fashioned;
Made of red stone was the pipe-head,
And the stem a reed with feathers;
Filled the pipe with bark of willow,
Placed a burning coal upon it,
Gave it to his guest, the stranger,
And began to speak in this wise:
“When I blow my breath about me,
When I breathe upon the landscape,
Motionless are all the rivers,
Hard as stone becomes the water!”

And the young man answered, smiling:
“When I blow my breath about me,
When I breathe upon the landscape,
Flowers spring up o’er all the meadows,
Singing, onward rush the rivers!”

“When I shake my hoary tresses,”
Said the old man darkly frowning,
“All the land with snow is covered;
All the leaves from all the branches
Fall and fade and die and wither,
For I breathe, and lo! they are not.
From the waters and the marshes,
Rise the wild goose and the heron,
Fly away to distant regions,
For I speak, and lo! they are not.
And where’er my footsteps wander,
All the wild beasts of the forest
Hide themselves in holes and caverns,
And the earth becomes as flintstone!”

“When I shake my flowing ringlets,”
Said the young man, softly laughing,
“Showers of rain fall warm and welcome,
Plants lift up their heads rejoicing,
Back unto their lakes and marshes
Come the wild goose and the heron,
Homeward shoots the arrowy swallow,
Sing the bluebird and the robin,
And where’er my footsteps wander,
All the meadows wave with blossoms,
All the woodlands ring with music,
All the trees are dark with foliage!”

While they spake, the night departed:
From the distant realms of Wabun,
From his shining lodge of silver,
Like a warrior robed and painted,
Came the sun, and said, “Behold me
Gheezis, the great sun, behold me!”

Then the old man’s tongue was speechless
And the air grew warm and pleasant,
And upon the wigwam sweetly
Sang the bluebird and the robin,
And the stream began to murmur,
And a scent of growing grasses
Through the lodge was gently wafted.

And Segwun, the youthful stranger,
More distinctly in the daylight
Saw the icy face before him;
It was Peboan, the Winter!

From his eyes the tears were flowing,
As from melting lakes the streamlets,
And his body shrunk and dwindled
As the shouting sun ascended,
Till into the air it faded,
Till into the ground it vanished,
And the young man saw before him,
On the hearth-stone of the wigwam,
Where the fire had smoked and smouldered,
Saw the earliest flower of Spring-time,
Saw the Beauty of the Spring-time,
Saw the Miskodeed in blossom.

Thus it was that in the North-land
After that unheard-of coldness,
That intolerable Winter,
Came the Spring with all its splendor,
All its birds and all its blossoms,
All its flowers and leaves and grasses.

Sailing on the wind to northward,
Flying in great flocks, like arrows,
Like huge arrows shot through heaven,
Passed the swan, the Mahnahbezee,
Speaking almost as a man speaks;
And in long lines waving, bending
Like a bow-string snapped asunder,
Came the white goose, Waw-be-wawa;
And in pairs, or singly flying,
Mahng the loon, with clangorous pinions,
The blue heron, the Shuh-shuh-gah,
And the grouse, the Mushkodasa.

In the thickets and the meadows
Piped the bluebird, the Owaissa,
On the summit of the lodges
Sang the robin, the Opechee,
In the covert of the pine-trees
Cooed the pigeon, the Omemee;
And the sorrowing Hiawatha,
Speechless in his infinite sorrow,
Heard their voices calling to him,
Went forth from his gloomy doorway,
Stood and gazed into the heaven,
Gazed upon the earth and waters.

From his wanderings far to eastward,
From the regions of the morning,
From the shining land of Wabun,
Homeward now returned Iagoo,
The great traveller, the great boaster,
Full of new and strange adventures,
Marvels many and many wonders.

And the people of the village
Listened to him as he told them
Of his marvellous adventures,
Laughing answered him in this wise:
“Ugh! it is indeed Iagoo!
No one else beholds such wonders!”

He had seen, he said, a water
Bigger than the Big-Sea-Water,
Broader than the Gitche Gumee,
Bitter so that none could drink it!
At each other looked the warriors,
Looked the women at each other,
Smiled, and said, “It cannot be so!”
Kaw!” they said, “it cannot be so!”

O’er it, said he, o’er this water
Came a great canoe with pinions,
A canoe with wings came flying,
Bigger than a grove of pine-trees,
Taller than the tallest tree-tops!
And the old men and the women
Looked and tittered at each other;
“Kaw!” they said, “we don’t believe it!”

From its mouth, he said, to greet him,
Came Waywassimo, the lightning,
Came the thunder, Annemeekee!
And the warriors and the women
Laughed aloud at poor Iagoo;
“Kaw!” they said, “what tales you tell us!”

In it, said he, came a people,
In the great canoe with pinions
Came, he said, a hundred warriors;
Painted white were all their faces
And with hair their chins were covered!
And the warriors and the women
Laughed and shouted in derision,
Like the ravens on the tree-tops,
Like the crows upon the hemlocks.
“Kaw!” they said, “what lies you tell us!
Do not think that we believe them!”

Only Hiawatha laughed not,
But he gravely spake and answered
To their jeering and their jesting:
“True is all Iagoo tells us;
I have seen it in a vision,
Seen the great canoe with pinions,
Seen the people with white faces,
Seen the coming of this bearded
People of the wooden vessel
From the regions of the morning,
From the shining land of Wabun.

“Gitche Manito, the Mighty,
The Great Spirit, the Creator,
Sends them hither on his errand.
Sends them to us with his message.
Wheresoe’er they move, before them
Swarms the stinging fly, the Ahmo,
Swarms the bee, the honey-maker;
Wheresoe’er they tread, beneath them
Springs a flower unknown among us,
Springs the White-man’s Foot in blossom.

“Let us welcome, then, the strangers,
Hail them as our friends and brothers,
And the heart’s right hand of friendship
Give them when they come to see us.
Gitche Manito, the Mighty,
Said this to me in my vision.

“I beheld, too, in that vision
All the secrets of the future,
Of the distant days that shall be.
I beheld the westward marches
Of the unknown, crowded nations.
All the land was full of people,
Restless, struggling, toiling, striving,
Speaking many tongues, yet feeling
But one heart-beat in their bosoms.
In the woodlands rang their axes,
Smoked their towns in all the valleys,
Over all the lakes and rivers
Rushed their great canoes of thunder.

“Then a darker, drearier vision
Passed before me, vague and cloud-like;
I beheld our nation scattered,
All forgetful of my counsels,
Weakened, warring with each other:
Saw the remnants of our people
Sweeping westward, wild and woful,
Like the cloud-rack of a tempest,
Like the withered leaves of Autumn!”

XXII
Hiawatha’s Departure

By the shore of Gitche Gumee,
By the shining Big-Sea-Water,
At the doorway of his wigwam,
In the pleasant Summer morning,
Hiawatha stood and waited.
All the air was full of freshness,
All the earth was bright and joyous,
And before him, through the sunshine,
Westward toward the neighboring forest
Passed in golden swarms the Ahmo,
Passed the bees, the honey-makers,
Burning, singing in the sunshine.

Bright above him shone the heavens,
Level spread the lake before him;
From its bosom leaped the sturgeon,
Sparkling, flashing in the sunshine;
On its margin the great forest
Stood reflected in the water,
Every tree-top had its shadow,
Motionless beneath the water.

From the brow of Hiawatha
Gone was every trace of sorrow,
As the fog from off the water,
As the mist from off the meadow.
With a smile of joy and triumph,
With a look of exultation,
As of one who in a vision
Sees what is to be, but is not,
Stood and waited Hiawatha.

Toward the sun his hands were lifted,
Both the palms spread out against it,
And between the parted fingers
Fell the sunshine on his features,
Flecked with light his naked shoulders,
As it falls and flecks an oak-tree
Through the rifted leaves and branches.

O’er the water floating, flying,
Something in the hazy distance,
Something in the mists of morning,
Loomed and lifted from the water,
Now seemed floating, now seemed flying,
Coming nearer, nearer, nearer.

Was it Shingebis the diver?
Or the pelican, the Shada?
Or the heron, the Shuh-shuh-gah?
Or the white goose, Waw-be-wawa,
With the water dripping, flashing,
From its glossy neck and feathers?

It was neither goose nor diver,
Neither pelican nor heron,
O’er the water floating, flying,
Through the shining mist of morning,
But a birch canoe with paddles,
Rising, sinking on the water,
Dripping, flashing in the sunshine;
And within it came a people
From the distant land of Wabun,
From the farthest realms of morning
Came the Black-Robe chief, the Prophet,
He the Priest of Prayer, the Pale-face,
With his guides and his companions.

And the noble Hiawatha,
With his hands aloft extended,
Held aloft in sign of welcome,
Waited, full of exultation,
Till the birch canoe with paddles
Grated on the shining pebbles,
Stranded on the sandy margin,
Till the Black-Robe chief, the Pale-face,
With the cross upon his bosom,
Landed on the sandy margin.

Then the joyous Hiawatha
Cried aloud and spake in this wise:
“Beautiful is the sun, O strangers,
When you come so far to see us!
All our town in peace awaits you,
All our doors stand open for you;
You shall enter all our wigwams,
For the heart’s right hand we give you.

“Never bloomed the earth so gayly,
Never shone the sun so brightly,
As to-day they shine and blossom
When you come so far to see us!
Never was our lake so tranquil,
Nor so free from rocks, and sand-bars;
For your birch canoe in passing
Has removed both rock and sand-bar.
“Never before had our tobacco
Such a sweet and pleasant flavor,
Never the broad leaves of our cornfields
Were so beautiful to look on,
As they seem to us this morning,
When you come so far to see us!’

And the Black-Robe chief made answer,
Stammered in his speech a little,
Speaking words yet unfamiliar:
“Peace be with you, Hiawatha,
Peace be with you and your people,
Peace of prayer, and peace of pardon,
Peace of Christ, and joy of Mary!”

Then the generous Hiawatha
Led the strangers to his wigwam,
Seated them on skins of bison,
Seated them on skins of ermine,
And the careful old Nokomis
Brought them food in bowls of basswood,
Water brought in birchen dippers,
And the calumet, the peace-pipe,
Filled and lighted for their smoking.

All the old men of the village,
All the warriors of the nation,
All the Jossakeeds, the Prophets,
The magicians, the Wabenos,
And the Medicine-men, the Medas,
Came to bid the strangers welcome;
“It is well”, they said, “O brothers,
That you come so far to see us!”

In a circle round the doorway,
With their pipes they sat in silence,
Waiting to behold the strangers,
Waiting to receive their message;
Till the Black-Robe chief, the Pale-face,
From the wigwam came to greet them,
Stammering in his speech a little,
Speaking words yet unfamiliar;
“It is well,” they said, “O brother,
That you come so far to see us!”

Then the Black-Robe chief, the Prophet,
Told his message to the people,
Told the purport of his mission,
Told them of the Virgin Mary,
And her blessed Son, the Saviour,
How in distant lands and ages
He had lived on earth as we do;
How he fasted, prayed, and labored;
How the Jews, the tribe accursed,
Mocked him, scourged him, crucified him;
How he rose from where they laid him,
Walked again with his disciples,
And ascended into heaven.

And the chiefs made answer, saying:
“We have listened to your message,
We have heard your words of wisdom,
We will think on what you tell us.
It is well for us, O brothers,
That you come so far to see us!”

Then they rose up and departed
Each one homeward to his wigwam,
To the young men and the women
Told the story of the strangers
Whom the Master of Life had sent them
From the shining land of Wabun.

Heavy with the heat and silence
Grew the afternoon of Summer;
With a drowsy sound the forest
Whispered round the sultry wigwam,
With a sound of sleep the water
Rippled on the beach below it;
From the cornfields shrill and ceaseless
Sang the grasshopper, Pah-puk-keena;
And the guests of Hiawatha,
Weary with the heat of Summer,
Slumbered in the sultry wigwam.

Slowly o’er the simmering landscape
Fell the evening’s dusk and coolness,
And the long and level sunbeams
Shot their spears into the forest,
Breaking through its shields of shadow,
Rushed into each secret ambush,
Searched each thicket, dingle, hollow;
Still the guests of Hiawatha
Slumbered in the silent wigwam.

From his place rose Hiawatha,
Bade farewell to old Nokomis,
Spake in whispers, spake in this wise,
Did not wake the guests, that slumbered.

“I am going, O Nokomis,
On a long and distant journey,
To the portals of the Sunset.
To the regions of the home-wind,
Of the Northwest-Wind, Keewaydin.
But these guests I leave behind me,
In your watch and ward I leave them;
See that never harm comes near them,
See that never fear molests them,
Never danger nor suspicion,
Never want of food or shelter,
In the lodge of Hiawatha!”

Forth into the village went he,
Bade farewell to all the warriors,
Bade farewell to all the young men,
Spake persuading, spake in this wise:

“I am going, O my people,
On a long and distant journey;
Many moons and many winters
Will have come, and will have vanished,
Ere I come again to see you.
But my guests I leave behind me;
Listen to their words of wisdom,
Listen to the truth they tell you,
For the Master of Life has sent them
From the land of light and morning!”

On the shore stood Hiawatha,
Turned and waved his hand at parting;
On the clear and luminous water
Launched his birch canoe for sailing,
From the pebbles of the margin
Shoved it forth into the water;
Whispered to it, “Westward! westward!”
And with speed it darted forward.

And the evening sun descending
Set the clouds on fire with redness,
Burned the broad sky, like a prairie,
Left upon the level water
One long track and trail of splendor,
Down whose stream, as down a river,
Westward, westward Hiawatha
Sailed into the fiery sunset,
Sailed into the purple vapors,
Sailed into the dusk of evening:

And the people from the margin
Watched him floating, rising, sinking,
Till the birch canoe seemed lifted
High into that sea of splendor,
Till it sank into the vapors
Like the new moon slowly, slowly
Sinking in the purple distance.

And they said, “Farewell forever!”
Said, “Farewell, O Hiawatha!”
And the forests, dark and lonely,
Moved through all their depths of darkness,
Sighed, “Farewell, O Hiawatha!”
And the waves upon the margin
Rising, rippling on the pebbles,
Sobbed, “Farewell, O Hiawatha!”
And the heron, the Shuh-shuh-gah,
From her haunts among the fen-lands,
Screamed, “Farewell, O Hiawatha!”

Thus departed Hiawatha,
Hiawatha the Beloved,
In the glory of the sunset,
In the purple mists of evening,
To the regions of the home-wind,
Of the Northwest-Wind, Keewaydin,
To the Islands of the Blessed,
To the Kingdom of Ponemah,
To the Land of the Hereafter!

VOCABULARY

Adjidau’mo, the red squirrel
Ahdeek’, the reindeer
Ahmeek’, the beaver
Annemee’kee, the thunder
Apuk’wa, a bulrush
Baim-wa’wa, the sound of the thunder
Bemah’gut, the grape-vine
Chemaun’, a birch canoe
Chetowaik’, the plover
Chibia’bos, a musician; friend of Hiawatha;
ruler of the Land of Spirits
Dahin’da, the bull frog
Dush-kwo-ne’-she or Kwo-ne’-she,
the dragon fly
Esa, shame upon you
Ewa-yea’, lullaby
Gitche Gu’mee, The Big-Sea-Water,
Lake Superior
Gitche Man’ito, the Great Spirit,
the Master of Life
Gushkewau’, the darkness
Hiawa’tha, the Prophet, the Teacher,
son of Mudjekeewis, the West-Wind and Wenonah,
daughter of Nokomis
Ia’goo, a great boaster and story-teller
Inin’ewug, men, or pawns in the Game of the Bowl
Ishkoodah’, fire, a comet
Jee’bi, a ghost, a spirit
Joss’akeed, a prophet
Kabibonok’ka, the North-Wind
Ka’go, do not
Kahgahgee’, the raven
Kaw, no
Kaween’, no indeed
Kayoshk’, the sea-gull
Kee’go, a fish
Keeway’din, the Northwest wind, the Home-wind
Kena’beek, a serpent
Keneu’, the great war-eagle
Keno’zha, the pickerel
Ko’ko-ko’ho, the owl
Kuntasoo’, the Game of Plumstones
Kwa’sind, the Strong Man
Kwo-ne’-she, or Dush-kwo-ne’-she, the dragon-fly
Mahnahbe’zee, the swan
Mahng, the loon
Mahnomo’nee, wild rice
Ma’ma, the woodpecker
Me’da, a medicine-man
Meenah’ga, the blueberry
Megissog’won, the great Pearl-Feather,
a magician, and the Manito of Wealth
Meshinau’wa, a pipe-bearer
Minjekah’wun, Hiawatha’s mittens
Minneha’ha, Laughing Water; wife of Hiawatha;
a water-fall in a stream running into the
Mississippi between Fort Snelling and the
Falls of St. Anthony
Minne-wa’wa, a pleasant sound, as of the wind
in the trees
Mishe-Mo’kwa, the Great Bear
Mishe-Nah’ma, the Great Sturgeon
Miskodeed’, the Spring-Beauty, the Claytonia Virginica
Monda’min, Indian corn
Moon of Bright Nights, April
Moon of Leaves, May
Moon of Strawberries, June
Moon of the Falling Leaves, September
Moon of Snow-shoes, November
Mudjekee’wis, the West-Wind; father of Hiawatha
Mudway-aush’ka, sound of waves on a shore
Mushkoda’sa, the grouse
Nah’ma, the sturgeon
Nah’ma-wusk, spearmint
Na’gow Wudj’oo, the Sand Dunes of Lake Superior
Nee-ba-naw’-baigs, water-spirits
Nenemoo’sha, sweetheart
Nepah’win, sleep
Noko’mis, a grandmother, mother of Wenonah
No’sa, my father
Nush’ka, look! look!
Odah’min, the strawberry
Okahha’wis, the fresh-water herring
Ome’mee, the pigeon
Ona’gon, a bowl
Opechee’, the robin
Osse’o, Son of the Evening Star
Owais’sa, the blue-bird
Oweenee’, wife of Osseo
Ozawa’beek, a round piece of brass or copper in the Game of the Bowl
Pah-puk-kee’na, the grasshopper
Pau’guk, death
Pau-Puk-Kee’wis, the handsome Yenadizze,
the son of Storm Fool
Pe’boan, Winter
Pem’ican, meat of the deer or buffalo dried and pounded
Pezhekee’, the bison
Pishnekuh’, the brant
Pone’mah, hereafter
Puggawau’gun, a war-club
Puk-Wudj’ies, little wild men of the woods; pygmies
Sah-sah-je’wun, rapids
Segwun’, Spring
Sha’da, the pelican
Shahbo’min, the gooseberry
Shah-shah, long ago
Shaugoda’ya, a coward
Shawgashee’, the craw-fish
Shawonda’see, the South-Wind
Shaw-shaw, the swallow
Shesh’ebwug, ducks; pieces in the Game
of the Bowl
Shin’gebis, the diver, or grebe
Showain’neme’shin, pity me
Shuh-shuh-gah’, the blue heron
Soan-ge-ta’ha, strong-hearted
Subbeka’she, the spider
Sugge’me, the mosquito
To’tem, family coat-of-arms
Ugh, yes
Ugudwash’, the sun-fish
Unktahee’, the God of Water
Wabas’so, the rabbit, the North
Wabe’no, a magician, a juggler
Wabe’no-wusk, yarrow
Wa’bun, the East-Wind
Wa’bun An’nung, the Star of the East, the Morning Star
Wahono’win, a cry of lamentation
Wah-wah-tay’see, the fire-fly
Waubewy’on, a white skin wrapper
Wa’wa, the wild goose
Waw-be-wa’wa, the white goose
Wawonais’sa, the whippoorwill
Way-muk-kwa’na, the caterpillar
Weno’nah, the eldest daughter; Hiawatha’s mother, daughter of Nokomis
Yenadiz’ze, an idler and gambler; an Indian dandy

The End